• Issue #01
  • Issue #02
  • Issue #03
  • Issue #04
  • Issue #05
  • Issue #06
  • Issue #07
  • Issue #08
  • Issue #09
  • Issue #10
  • Issue #11
  • Issue #12
  • Issue #13
13
Contents
editorial
SIYAMTHANDA-MUHLE MUYANGA
Ngiyasaba makusa, ngoba kumele ngivuke (I fear the morning, because I must wake up)
MNQOBI NGUBANE, TSOGO KUPA & EUGENE SKEEF
Mathonga Elizwe (Spirits of the Land)
ITUMELENG MAHABANE
Towards an ontology of [decolonised] being.
LAVITUDE RAMPHOMANE
The Elephant in the Room
SIMON NKULULEKO SPOOR
Thinking about Violence and GBV in South Africa
DHIRU SONI
The Silent Crisis of South African Libraries
Theme Decay Without Mourning
WAMUWI MBAO
A Circumstantial Account of The State of Decay
LIZABÉ LAMBRECHTS
To Decay - on custodianship, care, and the ethics of returning.
KATI LINDSTRÖM
Antarctica: Continent of the Future
LIZE-MARIÉ HANSEN VAN DER WATT
Imperialism, South Africa’s Antarctic Heritage and Decay, 1910-1961
NICOLA DEANE
Endling by Dominique Edwards & Nicola Deane
LEIF PETERSEN
Decay: transcript of a documentary film about bossiedokters
EVE WONG
Missing People, Present Decay: Fabulous Matter, or the Decomposition of Colonial Ontology
PAKAMA S. NCUME
Digitisation and Decay: An Archivist’s Ethics of Care for Reel-to-Reel Tape Preservation
SIMPHIWE MLAMBO
Flowers on Your Grave - Postcards to the occupants of the subsurface, below the monument line
NELISIWE XABA & BRENTON MAART
In Conversation about vRot: The politics and poetry of decay
NJABULO CHIPANGURA
Relational care in reimaging meanings of African Heritage Objects at Manchester Museum
HANNA B. HÖLLING
What of Conservation? After Permanence: On Decay as a Critical Ethics
SIGRID ADORF & ANDREA SICK
Restaging, De-closing, Versioning: Unfolding Temporalities of “the Archive” (Lecture Script)
TSHOLOFELO MOCHE
Home Truths II: What Is in A Name
MICHAEL SCHOFIELD
Decay, Creativity and Care in Stellenbosch
FLORENCIA LEVY
Audiencia de espectros
NEITH MOORE
Molecular Fabulations: From Ashes to Algorithms
MARISA MARÉ
Beyond Solutionism: Decay as Relational Practice in Bioplastic Art
MAIJA HIRVANEN
Mycoscores / Choreospores
HYUNGGYU KIM
Afterimages of Decay: Rebuilding the Democratic Process of Designing through Digital Ruins
ORLANDO VIEIRA FRANCISCO
Flags of Other Winds: Decay, Resistance, and Infrastructural Entanglements
ALEXANDRA DODD
hypha: A response to the first screening of Aryan Kaganof’s found footage film during the Decay Without Mourning conference
CARA STACEY
Hypha
GLICÉRIA TUPINAMBÁ
Bordunas
IRINEU NJE’A TERENA
Ancestral Ceramic Technology
galleri
LIZABÉ LAMBRECHTS & NICOLA DEANE
Deaccessioned
IO MAKANDAL
Watermelon
CECILIA VICUÑA
'Your Rage is Your Gold'
THOKOZANI MTHIYANE
Fragments (Memory of others)
JOAN OTIENO
Art as the Social Impact of Repurposing Waste Materials
DAVID EDWARDS
Urban Decay in Johannesburg and the Reef: The world as Evidence
BERKVELDT
Necrosonic Landscapes – Exploring the Transitional Realm Between Life and Death
DICK HIGGINS
Symphony No.357 from The Thousand Symphonies 1968
FEDERICO FEDERICI
Reactivating the Score: Unmastered Bones
STEVEN J. FOWLER & FEDERICO FEDERICI
Some notes on bones as writing tools and the Unmastering technique of Federico Federici
ANDREA ROLFES
my mother’s eyes
NICOLA DEANE
Spectres of Decay: The archive breathing at its horizon by Jurie Senekal & Nicola Deane
ADLI YACUBI
The Price of Silence: Gaza, Venice, and the Fear Inside Cultural Institutions
TANIA HABERLAND
the torrid zone
NEILL SOLOMON
33rpm
MEGHAN HO-TONG, MATTY ROODT & LUCIENNE BESTALL
Chorus
FRANCOIS ROBERT
Stop the Violence
TAKAHIRO SAWAMURA
Liberating Letters and Words from Lines and Stanzas
DICK VERDULT
CUANDO BUENA PATADA ES MAS QUE BIENVENIDA
JAMES USILL
Disruption
LOUISE POTGIETER
remarking life
DAVID CRITCHLEY
Trialogue
LUIS HERNANDEZ
Three Figures and Two Landscapes
borborygmus
ANDILE KHUMALO
The Invisible Life of Sound: Nachklang, Decay and Ancestral Temporality
DIMITRI VOUDOURIS
“Sound an ecological engagement”
CARA STACEY, ADAM MIRZA & AKIVA ZAMCHECK
“Where’s Wanda?”
LARS GOTRICH
Divinity From Dust: The Healing Power Of 'The Disintegration Loops'
THE CARETAKER
Decay, Everywhere At The End of Time
PETR FERENC, KRISTUPAS GIKAS & MARTIN JANIČEK
Broken Music Feedback Concert
THOMAS MICHIE
Claudia Molitor's Decay: An evolving and reflective meditation on life's work-in-progress
CY CANTEREL
Living with Ghost Machines - Generative AI as hauntological determinism
MICHAEL SCHOFIELD
Aura, Decay and the Simulation of Ghosts
STEVEN CRAIG HICKMAN
What is Posthuman Porn?
PIOTR BOCKOWSKI
Artaud’s media of corporeal decomposition
ARYAN KAGANOF
Endling: decaymentation as poetics
frictions
SONGEZIWE MAHLANGU
Echoes of Blackness and other Underground Bound Poems for God’s Children on A Cold Night Tenant’s Meeting before the Revolution (Fire Story dub)
LESEGO RAMPOLOKENG
= DECAY
PIETER MADIBUSENG ODENDAAL
a beautiful amnesia
DONALD RICHIE
The Zen Library - A Sermon
JURGEN MEEKEL
Lost in Dictation
RINA GARCIA CHUA
Ataulfo
THOMAS BERNHARD
Fäulnis
ABIGAIL GEORGE
Two Decay Poems
TAKAHIRO SAWAMURA
Asemic Diaries
VONANI BILA
Masonto (an excerpt from the epic LAMENT FOR MZALA)
TUANA
Hiç Anlaşilamamis
SERAME ICEBOUND MAKHELE
"Icebound Keeps Poetry Alive"
MPHUTHUMI NTABENI
The Unmaking of the Colonial Archive and the Aesthetics of Evasion: Mudimbe, Coetzee, and the Problem of Writing Africa from the European Archive
SARAH MANGUSO
The Two Kinds of Decay (excerpts)
claque
DINI SANDISO BAZANA
Receiving Lesego Rampolokeng's When the Fires Go Down, the Reading Begins: Not a review. A reception. A sitting with a book that became dirty because it stayed with me.
MPHUTHUMI NTABENI
The Empire’s Cabinet of Curiosities - A review of Fifteen Colonial Thefts: A Guide to Looted African Heritage in Museums, Edited by Sela K. Adjei and Yann LeGall
STEVEN CRAIG HICKMAN
Chthonic Thresholds: Andrew C. Wenaus and the Decay of Electronic Literature
ARYAN KAGANOF
The Entropic Real: Louis Armand's Entropology through the lens of decay studies
MPHUTLANE WA BOFELO
Neo Lekgotla Langa Ramoupi’s Robben Island: Songs of Struggle – Izingoma Zomzamalazo
SITHEMBELE ISAAC XHEGWANA
Disgrace and the Politics of Shame: Sexual Violence, Colonial Legacies, and Post-Apartheid Identity in J.M. Coetzee’s Disgrace
SIPHOKAZI JONAS
Stacy Hardy’s An Archaeology of Holes
MBE MBHELE
Notes on the Return to the Rural
SEAN O’TOOLE
Gnossienne
MURIEL TINEL-TEMPLE
Jonas Mekas, Shiver of Memory, by Peter Delpeut.
NIDA YOUNIS
A Review of Antemanha's poem Berlin Fragmente
LETHOKUHLE MSIMANG
Fatherland - Theatre Production
FAT CITY VINYL & MUSIC BLOG
Keith Hudson - Flesh Of My Skin (VP, 2021)
MKHULU MBAZO
Under good influence: a warning on the dangers of idolatry and the worship of money.
ekaya
ZANDILE JOY DYWATI
“Black daughters and father(s): love as a praxis embedded in daughters' relationality with Black father(s)”
SOPHIA OLIVIA SANAN
De-centring White Histori(city)
KOPANO RATELE
How You Define African Psychology Determines What You Focus On: A Short Comparison of Five Definitions of African Psychology by African Psychologists
MTHUTHUZELI ZIMBA
The Mourning Project
ANDRÉ CLEMENTS
Urban Decay: A Post-Nihilist Aesthetic
JURGEN MEEKEL
Palinopsia
MARTIJN PANTLIN
The Decay Machine
MARKO PHIRI
Zimbabwe’s artistic truth decay
off the record
Dr SAZI DLAMINI
In memory of Abbey Duze Mahlobo and The Malopoets
LIZABÉ LAMBRECHTS
The Woodstock Sound System and South African sound reinforcement
LAURENCE HAMBURGER
The Lost Films of Abdullah Ibrahim
BLACK PLASTIC POSSE (BPP)
The Black Plastic Project (bpp)
FANIE JASON
Decayed Vinyl and the Real Value of Things
RANDALL ROBERTS
Meet the guardians of the world’s earliest musical recordings
WARRICK SWINNEY
Cow, Bears and Surfers: A few personal intersections with Chris Cutler.
HYBRYDS MUSIC
Erasure: a virulent form of decay
BRENDAN FRANZ & THE OTHER VINYL RECORD COLLECTORS CLUB
Our Grading System Sucks! Agree?
TEAGUE SCHNEITER
Ethical Presentation of Indigenous Media in the Age of Open Video: Cultivating Collaboration, Sovereignty and Sustainability
SAM MATHE
Remembering Michael Tshehla Phahlane
ARYAN KAGANOF
The Last Time I saw Bra Fiks
SOPHIE GRIMES
Beautiful Decay: The Poetry of Lucia Perillo
feedback
ALLAN BOESAK
6 September 2025
TSEPO YA RONA WA MAMATU
1 June 2022
CHRISTIAAN BOONZAAIER
An Interview in Die Burger 13 December 2021
OMOSEYE BOLAJI
My Apologies 6 December 2021
DIMAKATSO SEDITE
1 December 2021
PETER DELPEUT
The Forgotten Evil herri version 1 analysis and proposals 6 December 2020
FACEBOOK FEEDBACK
Facebook
the selektah
TED RIEDERER
Transfigurations
DUNKELHEIT PRODUKTIONEN
Index of Mechanical Signal Decay
PhD
ALÉSHA BREDELL
Visual Enquiries and Idiosyncratic Selections: A Close Reading of Dust
ALÉSHA BREDELL
A Close Reading of Dust as a Rhizomatic Phenomenon
ALÉSHA BREDELL
Dust as Abject
SEZGIN BOYNIK
Dust and the Archive
IGSHAAN ADAMS
When Dust Settles: The Body's Archive
STEVEN CRAIG HICKMAN
The Truth of Dust
DAVID MAISEL
Library of Dust
GLITCHMAN
SIGHTING THE DUST
hotlynx
hotlynx
hot hot
shopping
SHOPPING
Order Online | Pay Online |
contributors
CONTRIBUTORS
From A to Z
the back page
REZA NEGARESTANI
Undercover Softness: An Introduction to the Architecture and Politics of Decay
WALTER MIGNOLO
HERITAGE, QATAR, ACСESS: Enacting the Archives, Decentring the Muses (on the decolonization of Western museums)
WOLFGANG ERNST
The Archive as Metaphor: From Archival Space to Archival Time
JULIE RESHE & ALENKA ZUPANCIČ
Human Animal, Positive Psychology, and Trauma: A Conversation
STEPHEN SCRIVENER
The art object does not embody a form of knowledge
SIMON TAYLOR
Cinema Signifies a Change in the Fundamental Structure of Reality
JEFFREY BABCOCK
The Alexandria of Absence
ASUBHA
Some Imaginary Conversations About Decay Without Mourning Between the Dead, the Living and the Living Dead
MICHAEL E. ZELLER
New Studies of Rare K+ Decays
© 2026
Archive About Contact
    • Issue #01
    • Issue #02
    • Issue #03
    • Issue #04
    • Issue #05
    • Issue #06
    • Issue #07
    • Issue #08
    • Issue #09
    • Issue #10
    • Issue #11
    • Issue #12
    • Issue #13
    #13
  • frictions

SARAH MANGUSO

The Two Kinds of Decay (excerpts)

Blood and Shit

My shoulders still allowed my arms to rotate behind me, but my hands were too weak to resist even the slightest pressure. I couldn’t wipe my ass.

It’s hard to wipe someone else’s ass. After asking for a few extra swipes, I’d feel embarrassed, and then I’d say to hell with it even though my ass would itch like hell later and I wouldn’t have the strength to scratch it.

One of my nurses was a year younger than I was. She was the kind of person who would visit her brother and his family and see the house wasn’t clean and then clean the entire house. And she really knew how to wipe an ass. With a washcloth soaked in hot water, and then with a dry towel.

I thanked her so profusely the first time that she was moved to explain. I could wipe shit all day, she said, smiling.

Even blood didn’t bother her. Blood is for life, she’d said another time, when a line had popped out of my arm and I’d shot a blood geyser all over my bed.

I watched her clean up messes that horrified me, and she was cheerful, always.

One day she told me about the phlegm that formed in cancerous lungs. Sometimes she had to suction that phlegm. And sometimes it was black with necrotic tissue.

The young nurse said she’d never got used to the odor of that phlegm.

Sometimes I could hear people being suctioned. And sometimes above the slurping sound I heard the people yell in pain or in fear at seeing their own dead selves being sucked out of them.

Cavities

One day, while I was mostly paralyzed and my muscles were atrophying repulsively, two nurses scooped me up into a hammock attached to a scale and told me how much I weighed.

I’m half an inch shy of six feet, and in the hammock I weighed a hundred and ten pounds, and that wasn’t even my skinniest.

People brought me rich foods to eat, but there was no point. Extra food would turn to fat in me, as I couldn’t move to stimulate any muscle growth.

And the fatter I got, the harder it got for my muscles to move my body.

Not all of the nurses understood this. Particularly not the tubbier ones.

Still, I wasn’t avoiding rich foods. I ate french fries all day. I ate as much as I wanted, which still wasn’t much.

I did care about my teeth, though. Having my teeth drilled seemed an avoidable inconvenience.

And so at night, after my teeth had been brushed, when I was offered a cup of soda for my bedside table, I always asked for diet instead of regular.

And sometimes I got the look. The look that says Oh you goddamned malingering brat, starving yourself to get attention while in the next room there are people dying.

For a while I explained that it was to keep from getting cavities, as I was unable to manipulate a toothbrush to clean my own teeth after drinking a syrupy sugar drink, but then I gave up because of course an anorectic would say that.

Corticosteroids, which I took for a long time, eat away at the skeleton, and it’s not uncommon for the teeth to rot a little. And that’s not even taking into consideration that my teeth weren’t being brushed very regularly or very well.

But it’s been twelve years since my diagnosis, and I still don’t have a single cavity.

More Medicine

Before the diagnosis I had had intercourse with only one person, the man I call my college boyfriend. Which sounds as if we loved each other all through college, but we didn’t. We slept together for eleven weeks, and then he broke up with me.

I was very sad, but I enrolled in five classes the next semester and made a list of goals including run at least twice a week and avoid all time-wasting social engagements.

Two months into the semester, I got sick. And for a long time, I regretted I might die having had intercourse with only one person.

Like many freethinking college students, I thought intercourse was the greatest thing in life. And it just about killed me to hear of everyone’s rambunctious affairs while I was in the hospital.

So when a medical student came into my room alone, after his rounds were over, with a book to lend or a mix tape he’d recorded, I thought about which medical students I’d invite to have intercourse with me if I got to the end of the road there, in the hospital.

But I went back to college still sick, with my central line, not having had intercourse with any medical students, and every month or so I went back to the hospital to sit in the Oncology Outpatient ward to have my plasma replaced or to have a bag of gamma infused. And the only people there were the hem-onc nurses, who were women.

My line was implanted in June 1995, and in May 1996, after eleven and a half months, it was pulled.

I wasn’t well yet I was taking steroids and gamma globulin. But those treatments kept me healthier than plasma replacement had. Those treatments actually slowed down the rate at which my immune system secreted the poisonous antibodies.

I would still relapse, but it was clear that the steroids and the gamma would keep me at least as well as apheresis would, so it was decided I wouldn’t have my plasma replaced again. The gamma from March had already lasted three months. My neurologist believed I’d turned a corner.

I believed, though, that I would stop secreting anti-bodies forever only after I had intercourse. And though I looked worse than I ever had in my life— thanks to the steroids I was fat and swollen, covered in acne, and had a gruesomely round face- I knew I would have to go through the humiliation of finding a man who would agree to have intercourse with me.

I thought my friend Victor, who was legendarily promiscuous and who had shown interest in me shortly after my college boyfriend dumped me, might still be interested.

So I called him and invited him to have a drink with me that night. We had our drink and walked back to our dorm and sat down in the courtyard, just talking.

It was two days before Commencement. Early June. He was graduating, and I was graduating, too, sort of, but the envelope I was getting wouldn’t have a diploma in it. It would be empty, because I had another semester of classwork to complete.

Since it was two days before Commencement, only the seniors were left at school, and everyone was awake, and most of them were in the courtyard with us. It was a party that had been going on all week.

And so I felt exposed- I felt too shy to seduce Victor in front of the entire senior class of Dunster House, even though I knew no one would notice or care.

Finally, Victor said, Your place? getting up from the bench we’d been sitting on.

And we went to my dorm room, which was a single suite I had all to myself, with my own living room and my own bathroom, because my neurologist had written a note to the university explaining I needed my space.

And we sat on my futon, taking turns drinking out of a plastic bottle of cheap vodka.

I was still unable to put the plan into motion.

Eventually Victor said, Do you have any other rooms in this place? and walked me to the bedroom, and lay me on my bed, and had intercourse with me.

Then he asked me about the scabs on my chest from where the line had just been pulled out of me, and listened to the things I told him, and held me very tightly.

Two mornings later, when we were in the courtyard again, seated in rows, about to receive our diplomas, he was wearing a buttoned shirt and sweating, because his neck was covered with bright red marks.

Almost seven years passed. Victor and I wrote every day. I lived in New York and he lived in Chicago.

He told me some of his secrets, and I told him some of mine.

Our letters were intimate, but I didn’t get around to explaining to him that I’d recovered from my disease only because he had selflessly had intercourse with an ugly version of a girl he’d once had a crush on.

A little less than seven years after I was cured of my disease through the mystical power of intercourse, Victor had an aneurysm and died.

The End

There are two kinds of decay: mine and everyone else’s.

This is the usual sort of book about illness. Someone gets sick, someone gets well.

Those who claim to write about something larger and more significant than the self sometimes fail to comprehend the dimensions of a self.

Most people consider their own suffering a widely applicable model, and I am no exception.

This is suffering’s lesson: pay attention. The important part might come in a form you do not recognize.

You might not know to love it.

But to pay attention is to love everything.

To see the future as brightness.

Everything that happens is the last time it happens. We see things only as their own fatal brightness, and there is nothing after that brightness.

You can’t learn from remembering. You can’t learn from guessing.

You can learn only from moving forward at the rate you are moved, as brightness, into brightness.

Share
Print PDF
MPHUTHUMI NTABENI
claque
© 2026
Archive About Contact