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13
Contents
editorial
SIYAMTHANDA-MUHLE MUYANGA
Ngiyasaba makusa, ngoba kumele ngivuke (I fear the morning, because I must wake up)
MNQOBI NGUBANE, TSOGO KUPA & EUGENE SKEEF
Mathonga Elizwe (Spirits of the Land)
ITUMELENG MAHABANE
Towards an ontology of [decolonised] being.
LAVITUDE RAMPHOMANE
The Elephant in the Room
SIMON NKULULEKO SPOOR
Thinking about Violence and GBV in South Africa
DHIRU SONI
The Silent Crisis of South African Libraries
Theme Decay Without Mourning
WAMUWI MBAO
A Circumstantial Account of The State of Decay
LIZABÉ LAMBRECHTS
To Decay - on custodianship, care, and the ethics of returning.
KATI LINDSTRÖM
Antarctica: Continent of the Future
LIZE-MARIÉ HANSEN VAN DER WATT
Imperialism, South Africa’s Antarctic Heritage and Decay, 1910-1961
NICOLA DEANE
Endling by Dominique Edwards & Nicola Deane
LEIF PETERSEN
Decay: transcript of a documentary film about bossiedokters
EVE WONG
Missing People, Present Decay: Fabulous Matter, or the Decomposition of Colonial Ontology
PAKAMA S. NCUME
Digitisation and Decay: An Archivist’s Ethics of Care for Reel-to-Reel Tape Preservation
SIMPHIWE MLAMBO
Flowers on Your Grave - Postcards to the occupants of the subsurface, below the monument line
NELISIWE XABA & BRENTON MAART
In Conversation about vRot: The politics and poetry of decay
NJABULO CHIPANGURA
Relational care in reimaging meanings of African Heritage Objects at Manchester Museum
HANNA B. HÖLLING
What of Conservation? After Permanence: On Decay as a Critical Ethics
SIGRID ADORF & ANDREA SICK
Restaging, De-closing, Versioning: Unfolding Temporalities of “the Archive” (Lecture Script)
TSHOLOFELO MOCHE
Home Truths II: What Is in A Name
MICHAEL SCHOFIELD
Decay, Creativity and Care in Stellenbosch
FLORENCIA LEVY
Audiencia de espectros
NEITH MOORE
Molecular Fabulations: From Ashes to Algorithms
MARISA MARÉ
Beyond Solutionism: Decay as Relational Practice in Bioplastic Art
MAIJA HIRVANEN
Mycoscores / Choreospores
HYUNGGYU KIM
Afterimages of Decay: Rebuilding the Democratic Process of Designing through Digital Ruins
ORLANDO VIEIRA FRANCISCO
Flags of Other Winds: Decay, Resistance, and Infrastructural Entanglements
ALEXANDRA DODD
hypha: A response to the first screening of Aryan Kaganof’s found footage film during the Decay Without Mourning conference
CARA STACEY
Hypha
GLICÉRIA TUPINAMBÁ
Bordunas
IRINEU NJE’A TERENA
Ancestral Ceramic Technology
galleri
LIZABÉ LAMBRECHTS & NICOLA DEANE
Deaccessioned
IO MAKANDAL
Watermelon
CECILIA VICUÑA
'Your Rage is Your Gold'
THOKOZANI MTHIYANE
Fragments (Memory of others)
JOAN OTIENO
Art as the Social Impact of Repurposing Waste Materials
DAVID EDWARDS
Urban Decay in Johannesburg and the Reef: The world as Evidence
BERKVELDT
Necrosonic Landscapes – Exploring the Transitional Realm Between Life and Death
DICK HIGGINS
Symphony No.357 from The Thousand Symphonies 1968
FEDERICO FEDERICI
Reactivating the Score: Unmastered Bones
STEVEN J. FOWLER & FEDERICO FEDERICI
Some notes on bones as writing tools and the Unmastering technique of Federico Federici
ANDREA ROLFES
my mother’s eyes
NICOLA DEANE
Spectres of Decay: The archive breathing at its horizon by Jurie Senekal & Nicola Deane
ADLI YACUBI
The Price of Silence: Gaza, Venice, and the Fear Inside Cultural Institutions
TANIA HABERLAND
the torrid zone
NEILL SOLOMON
33rpm
MEGHAN HO-TONG, MATTY ROODT & LUCIENNE BESTALL
Chorus
FRANCOIS ROBERT
Stop the Violence
TAKAHIRO SAWAMURA
Liberating Letters and Words from Lines and Stanzas
DICK VERDULT
CUANDO BUENA PATADA ES MAS QUE BIENVENIDA
JAMES USILL
Disruption
LOUISE POTGIETER
remarking life
DAVID CRITCHLEY
Trialogue
LUIS HERNANDEZ
Three Figures and Two Landscapes
borborygmus
ANDILE KHUMALO
The Invisible Life of Sound: Nachklang, Decay and Ancestral Temporality
DIMITRI VOUDOURIS
“Sound an ecological engagement”
CARA STACEY, ADAM MIRZA & AKIVA ZAMCHECK
“Where’s Wanda?”
LARS GOTRICH
Divinity From Dust: The Healing Power Of 'The Disintegration Loops'
THE CARETAKER
Decay, Everywhere At The End of Time
PETR FERENC, KRISTUPAS GIKAS & MARTIN JANIČEK
Broken Music Feedback Concert
THOMAS MICHIE
Claudia Molitor's Decay: An evolving and reflective meditation on life's work-in-progress
CY CANTEREL
Living with Ghost Machines - Generative AI as hauntological determinism
MICHAEL SCHOFIELD
Aura, Decay and the Simulation of Ghosts
STEVEN CRAIG HICKMAN
What is Posthuman Porn?
PIOTR BOCKOWSKI
Artaud’s media of corporeal decomposition
ARYAN KAGANOF
Endling: decaymentation as poetics
frictions
SONGEZIWE MAHLANGU
Echoes of Blackness and other Underground Bound Poems for God’s Children on A Cold Night Tenant’s Meeting before the Revolution (Fire Story dub)
LESEGO RAMPOLOKENG
= DECAY
PIETER MADIBUSENG ODENDAAL
a beautiful amnesia
DONALD RICHIE
The Zen Library - A Sermon
JURGEN MEEKEL
Lost in Dictation
RINA GARCIA CHUA
Ataulfo
THOMAS BERNHARD
Fäulnis
ABIGAIL GEORGE
Two Decay Poems
TAKAHIRO SAWAMURA
Asemic Diaries
VONANI BILA
Masonto (an excerpt from the epic LAMENT FOR MZALA)
TUANA
Hiç Anlaşilamamis
SERAME ICEBOUND MAKHELE
"Icebound Keeps Poetry Alive"
MPHUTHUMI NTABENI
The Unmaking of the Colonial Archive and the Aesthetics of Evasion: Mudimbe, Coetzee, and the Problem of Writing Africa from the European Archive
SARAH MANGUSO
The Two Kinds of Decay (excerpts)
claque
DINI SANDISO BAZANA
Receiving Lesego Rampolokeng's When the Fires Go Down, the Reading Begins: Not a review. A reception. A sitting with a book that became dirty because it stayed with me.
MPHUTHUMI NTABENI
The Empire’s Cabinet of Curiosities - A review of Fifteen Colonial Thefts: A Guide to Looted African Heritage in Museums, Edited by Sela K. Adjei and Yann LeGall
STEVEN CRAIG HICKMAN
Chthonic Thresholds: Andrew C. Wenaus and the Decay of Electronic Literature
ARYAN KAGANOF
The Entropic Real: Louis Armand's Entropology through the lens of decay studies
MPHUTLANE WA BOFELO
Neo Lekgotla Langa Ramoupi’s Robben Island: Songs of Struggle – Izingoma Zomzamalazo
SITHEMBELE ISAAC XHEGWANA
Disgrace and the Politics of Shame: Sexual Violence, Colonial Legacies, and Post-Apartheid Identity in J.M. Coetzee’s Disgrace
SIPHOKAZI JONAS
Stacy Hardy’s An Archaeology of Holes
MBE MBHELE
Notes on the Return to the Rural
SEAN O’TOOLE
Gnossienne
MURIEL TINEL-TEMPLE
Jonas Mekas, Shiver of Memory, by Peter Delpeut.
NIDA YOUNIS
A Review of Antemanha's poem Berlin Fragmente
LETHOKUHLE MSIMANG
Fatherland - Theatre Production
FAT CITY VINYL & MUSIC BLOG
Keith Hudson - Flesh Of My Skin (VP, 2021)
MKHULU MBAZO
Under good influence: a warning on the dangers of idolatry and the worship of money.
ekaya
ZANDILE JOY DYWATI
“Black daughters and father(s): love as a praxis embedded in daughters' relationality with Black father(s)”
SOPHIA OLIVIA SANAN
De-centring White Histori(city)
KOPANO RATELE
How You Define African Psychology Determines What You Focus On: A Short Comparison of Five Definitions of African Psychology by African Psychologists
MTHUTHUZELI ZIMBA
The Mourning Project
ANDRÉ CLEMENTS
Urban Decay: A Post-Nihilist Aesthetic
JURGEN MEEKEL
Palinopsia
MARTIJN PANTLIN
The Decay Machine
MARKO PHIRI
Zimbabwe’s artistic truth decay
off the record
Dr SAZI DLAMINI
In memory of Abbey Duze Mahlobo and The Malopoets
LIZABÉ LAMBRECHTS
The Woodstock Sound System and South African sound reinforcement
LAURENCE HAMBURGER
The Lost Films of Abdullah Ibrahim
BLACK PLASTIC POSSE (BPP)
The Black Plastic Project (bpp)
FANIE JASON
Decayed Vinyl and the Real Value of Things
RANDALL ROBERTS
Meet the guardians of the world’s earliest musical recordings
WARRICK SWINNEY
Cow, Bears and Surfers: A few personal intersections with Chris Cutler.
HYBRYDS MUSIC
Erasure: a virulent form of decay
BRENDAN FRANZ & THE OTHER VINYL RECORD COLLECTORS CLUB
Our Grading System Sucks! Agree?
TEAGUE SCHNEITER
Ethical Presentation of Indigenous Media in the Age of Open Video: Cultivating Collaboration, Sovereignty and Sustainability
SAM MATHE
Remembering Michael Tshehla Phahlane
ARYAN KAGANOF
The Last Time I saw Bra Fiks
SOPHIE GRIMES
Beautiful Decay: The Poetry of Lucia Perillo
feedback
ALLAN BOESAK
6 September 2025
TSEPO YA RONA WA MAMATU
1 June 2022
CHRISTIAAN BOONZAAIER
An Interview in Die Burger 13 December 2021
OMOSEYE BOLAJI
My Apologies 6 December 2021
DIMAKATSO SEDITE
1 December 2021
PETER DELPEUT
The Forgotten Evil herri version 1 analysis and proposals 6 December 2020
FACEBOOK FEEDBACK
Facebook
the selektah
TED RIEDERER
Transfigurations
DUNKELHEIT PRODUKTIONEN
Index of Mechanical Signal Decay
PhD
ALÉSHA BREDELL
Visual Enquiries and Idiosyncratic Selections: A Close Reading of Dust
ALÉSHA BREDELL
A Close Reading of Dust as a Rhizomatic Phenomenon
ALÉSHA BREDELL
Dust as Abject
SEZGIN BOYNIK
Dust and the Archive
IGSHAAN ADAMS
When Dust Settles: The Body's Archive
STEVEN CRAIG HICKMAN
The Truth of Dust
DAVID MAISEL
Library of Dust
GLITCHMAN
SIGHTING THE DUST
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hotlynx
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contributors
CONTRIBUTORS
From A to Z
the back page
REZA NEGARESTANI
Undercover Softness: An Introduction to the Architecture and Politics of Decay
WALTER MIGNOLO
HERITAGE, QATAR, ACСESS: Enacting the Archives, Decentring the Muses (on the decolonization of Western museums)
WOLFGANG ERNST
The Archive as Metaphor: From Archival Space to Archival Time
JULIE RESHE & ALENKA ZUPANCIČ
Human Animal, Positive Psychology, and Trauma: A Conversation
STEPHEN SCRIVENER
The art object does not embody a form of knowledge
SIMON TAYLOR
Cinema Signifies a Change in the Fundamental Structure of Reality
JEFFREY BABCOCK
The Alexandria of Absence
ASUBHA
Some Imaginary Conversations About Decay Without Mourning Between the Dead, the Living and the Living Dead
MICHAEL E. ZELLER
New Studies of Rare K+ Decays
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    #13
  • galleri
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ANDREA ROLFES

my mother’s eyes

before my mother’s eyes started to decay before the macular degeneration had its way with them her life drawings were a delicate dance on the paper, as the years passed and her sight deteriorated her drawings became wilder, the figures inhabit the page

no. I’m not a writer, writing doesn’t come easily to me. here is a series of her drawings some are the ones when the disease had taken hold of her macular

to try and replicate/what her vision was like, i ‘attacked’ distorted the camera lens attempting to capture the world through her eyes

what did she see when she was looking at something?[1]my mother died in 2017 we still have her ashes we find it hard to let them go.
this is a something a small something a tribute to her sight

my mother’s eyes

slowly it crept in
like a fog rolling over the hill
blurring her vision
spreading
eating away at the macular

it stole her sight
a disease devastating to an artist
was she an artist?
was she a woman who drew?

her hand held
the pencil
never leaving the page
the figure appeared
as if draped
across
the paper
paper

blind. blinded
and still the drawing
life drawing


i see her hand flying over the page
scratching. pressing
guided by the knowledge of
years of drawing
life drawing

her the paper the model one.

seeing became different
drawing was different
everything was different

imagined
illusion
gesture

the center of your vision
grey
gone
no longer there
only the edges

always drawn
to the page
don’t know what else to do for joy
so i keep on drawing
even though i can’t see what i have made
the pencil to paper
the body just knows
where the figure lies.

hundreds of drawings.
piles of them.
paper filled with scratches
and pencil marks
making the figure in front of me

the affection for the page
the love of drawing
drawing figures
life drawing
drawing from life

live eyes
dead eyes
unseeing seeing eyes.

Pleasure
observation
seeing.
the art of seeing

macular
de-macular

my mother
my mother’s eyes

Song sung By Knee Deep In Custard with Hommybird

Salt Angel
By Knee Deep In Custard (English lyrics Abigail Meekel and Claire Meekel with Dutch lyrics Hommybird)
We rijden op een eenwieler
Hoe verder ik terug ga
Accepteer dit bestaan
Onder dezelfde sterren
Is het nu echt voorbij,
Of is het een omdraai?

(lach)


Ja, ja is goed
Oke, ik zal er zijn
Ik kom eraan
We ride on a unicycle
The further back I go
Accept this existence
Under the same stars
Is it really over now,
Or is it a turnaround?
(laugh)
Yes, yes that's good
Okay, I will be there
I'm on my way

I pretend to be fine until I sit alone in front of an empty block of concrete. There are so many rooms with unfulfilled thoughts, lost lives, and regret.

1, 2, 3, 4, 5, 6, 7…

More and more sticks and stones, dusty offices, and blank smiles waiting for the grand piano to fall on their heads.

I smile as a woman walks past with her dog. She notices my shoes and looks away. I’m wearing sandals in the coldest months. I wear them to stay awake; the cold keeps me standing upright.

Another reason could be to punish myself.

A train washes over my head and reminds me to move. I start packing boxes for the 100th time.

This glass will break, another drawing will rip, and a new dent in my couch will appear. Sitting at the edge of the couch, hoping for an interruption.

Praying for the salt angel—the one I used to see when I was running around my grandmother’s garden playing hide and seek. I found its feather on the dining room table and lost it.

I seek to find it.
Je mag best vertellen wat je dwars zit
(accepteer dit bestaan)
De straatverlichting springt aan
Ik duik weer de nacht in
Het hangt aan een zijde draadje
We kunnen niet klagen
Vang me als ik val,
Trap niet in de val
In deze tijd voelt het namelijk anders
Verder weg, maar toch dichtbij
In een handomdraai
M’n inkt is op
M’n inkt is op
Verdwaald in het licht van de straat
Ik heb nog veel te leren
You're allowed to say what's bothering you
(accept this existence)
The street lighting comes on
I dive back into the night
It hangs by a single thread
We can't complain
Catch me when I fall,
Don't fall into the trap
In these times it feels different
Further away, yet still close
In the blink of an eye
My ink has run out
My ink has run out
Lost in the light of the street
I still have so much to learn
Praying for the salt angel—the one I used to see when I was running around my grandmother’s garden playing hide and seek. I found its feather on the dining room table and lost it.

I seek to find it.

I think about my dead grandmother’s eyes. She could only see in blurs and colours; there were no lines. All the wrinkles were gone, the age disappeared. Textures and details were memories, but the light was still there. She could listen and remembered well. She always knew who I was even though I looked like the girl who could be mistaken for me.

“You don’t sound the same,” she said.

Realising I have my own laugh.

Now, I am afraid to laugh because I fear a bee will fly into my mouth. Swallowing my breath just to find out that I’m not the person you thought I was.

What should I delete next?

Crossing the street with a vague sense of purpose, picking up a brown envelope, turning left, going straight, shaking my head trying not to panic. I felt a ghost pat me on the back.

A second train washes over my head reminding me to leave. There are holes in the walls, sweet wrappers, and empty beer bottles, a rotting mop, and a lost sock where my bed used to be.

Nothing to grasp, can’t sit still.

I only sit still when my fingers move. I was 12 when I jammed one of them in the car door while fighting with my mother. I wanted liquorice, and she said no. I hated it when she said no because I felt like life was hard enough.

Now I say no.

Just tired. Tired of promising, I’ll probably break it in the end.

My hand was growing red, covered with bits of tissue from my mother’s car. She was full of tears and sorrys, flying down the broken streets, beating all the red lights just to get to the steel room where they’d glue back my finger to what it was 20 minutes earlier. I felt nothing other than the urge to eat liquorice. Almost lost a finger for the stuff—might as well love it.

I closed the door behind me for the 100th time, waiting for the train to take me to my new home just to start all over again.

In the end, you won’t hear from me, see me, or recognize me.

Just know that I undoubtedly accepted every pinching moment we had together.
Notes
1. ↑ my mother died in 2017 we still have her ashes we find it hard to let them go.
this is a something a small something a tribute to her sight
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