• Issue #01
  • Issue #02
  • Issue #03
  • Issue #04
  • Issue #05
  • Issue #06
  • Issue #07
  • Issue #08
  • Issue #09
  • Issue #10
  • Issue #11
  • Issue #12
  • Issue #13
13
Contents
editorial
SIYAMTHANDA-MUHLE MUYANGA
Ngiyasaba makusa, ngoba kumele ngivuke (I fear the morning, because I must wake up)
MNQOBI NGUBANE, TSOGO KUPA & EUGENE SKEEF
Mathonga Elizwe (Spirits of the Land)
ITUMELENG MAHABANE
Towards an ontology of [decolonised] being.
LAVITUDE RAMPHOMANE
The Elephant in the Room
SIMON NKULULEKO SPOOR
Thinking about Violence and GBV in South Africa
DHIRU SONI
The Silent Crisis of South African Libraries
Theme Decay Without Mourning
WAMUWI MBAO
A Circumstantial Account of The State of Decay
LIZABÉ LAMBRECHTS
To Decay - on custodianship, care, and the ethics of returning.
KATI LINDSTRÖM
Antarctica: Continent of the Future
LIZE-MARIÉ HANSEN VAN DER WATT
Imperialism, South Africa’s Antarctic Heritage and Decay, 1910-1961
NICOLA DEANE
Endling by Dominique Edwards & Nicola Deane
LEIF PETERSEN
Decay: transcript of a documentary film about bossiedokters
EVE WONG
Missing People, Present Decay: Fabulous Matter, or the Decomposition of Colonial Ontology
PAKAMA S. NCUME
Digitisation and Decay: An Archivist’s Ethics of Care for Reel-to-Reel Tape Preservation
SIMPHIWE MLAMBO
Flowers on Your Grave - Postcards to the occupants of the subsurface, below the monument line
NELISIWE XABA & BRENTON MAART
In Conversation about vRot: The politics and poetry of decay
NJABULO CHIPANGURA
Relational care in reimaging meanings of African Heritage Objects at Manchester Museum
HANNA B. HÖLLING
What of Conservation? After Permanence: On Decay as a Critical Ethics
SIGRID ADORF & ANDREA SICK
Restaging, De-closing, Versioning: Unfolding Temporalities of “the Archive” (Lecture Script)
TSHOLOFELO MOCHE
Home Truths II: What Is in A Name
MICHAEL SCHOFIELD
Decay, Creativity and Care in Stellenbosch
FLORENCIA LEVY
Audiencia de espectros
NEITH MOORE
Molecular Fabulations: From Ashes to Algorithms
MARISA MARÉ
Beyond Solutionism: Decay as Relational Practice in Bioplastic Art
MAIJA HIRVANEN
Mycoscores / Choreospores
HYUNGGYU KIM
Afterimages of Decay: Rebuilding the Democratic Process of Designing through Digital Ruins
ORLANDO VIEIRA FRANCISCO
Flags of Other Winds: Decay, Resistance, and Infrastructural Entanglements
ALEXANDRA DODD
hypha: A response to the first screening of Aryan Kaganof’s found footage film during the Decay Without Mourning conference
CARA STACEY
Hypha
GLICÉRIA TUPINAMBÁ
Bordunas
IRINEU NJE’A TERENA
Ancestral Ceramic Technology
galleri
LIZABÉ LAMBRECHTS & NICOLA DEANE
Deaccessioned
IO MAKANDAL
Watermelon
CECILIA VICUÑA
'Your Rage is Your Gold'
THOKOZANI MTHIYANE
Fragments (Memory of others)
JOAN OTIENO
Art as the Social Impact of Repurposing Waste Materials
DAVID EDWARDS
Urban Decay in Johannesburg and the Reef: The world as Evidence
BERKVELDT
Necrosonic Landscapes – Exploring the Transitional Realm Between Life and Death
DICK HIGGINS
Symphony No.357 from The Thousand Symphonies 1968
FEDERICO FEDERICI
Reactivating the Score: Unmastered Bones
STEVEN J. FOWLER & FEDERICO FEDERICI
Some notes on bones as writing tools and the Unmastering technique of Federico Federici
ANDREA ROLFES
my mother’s eyes
NICOLA DEANE
Spectres of Decay: The archive breathing at its horizon by Jurie Senekal & Nicola Deane
ADLI YACUBI
The Price of Silence: Gaza, Venice, and the Fear Inside Cultural Institutions
TANIA HABERLAND
the torrid zone
NEILL SOLOMON
33rpm
MEGHAN HO-TONG, MATTY ROODT & LUCIENNE BESTALL
Chorus
FRANCOIS ROBERT
Stop the Violence
TAKAHIRO SAWAMURA
Liberating Letters and Words from Lines and Stanzas
DICK VERDULT
CUANDO BUENA PATADA ES MAS QUE BIENVENIDA
JAMES USILL
Disruption
LOUISE POTGIETER
remarking life
DAVID CRITCHLEY
Trialogue
LUIS HERNANDEZ
Three Figures and Two Landscapes
borborygmus
ANDILE KHUMALO
The Invisible Life of Sound: Nachklang, Decay and Ancestral Temporality
DIMITRI VOUDOURIS
“Sound an ecological engagement”
CARA STACEY, ADAM MIRZA & AKIVA ZAMCHECK
“Where’s Wanda?”
LARS GOTRICH
Divinity From Dust: The Healing Power Of 'The Disintegration Loops'
THE CARETAKER
Decay, Everywhere At The End of Time
PETR FERENC, KRISTUPAS GIKAS & MARTIN JANIČEK
Broken Music Feedback Concert
THOMAS MICHIE
Claudia Molitor's Decay: An evolving and reflective meditation on life's work-in-progress
CY CANTEREL
Living with Ghost Machines - Generative AI as hauntological determinism
MICHAEL SCHOFIELD
Aura, Decay and the Simulation of Ghosts
STEVEN CRAIG HICKMAN
What is Posthuman Porn?
PIOTR BOCKOWSKI
Artaud’s media of corporeal decomposition
ARYAN KAGANOF
Endling: decaymentation as poetics
frictions
SONGEZIWE MAHLANGU
Echoes of Blackness and other Underground Bound Poems for God’s Children on A Cold Night Tenant’s Meeting before the Revolution (Fire Story dub)
LESEGO RAMPOLOKENG
= DECAY
PIETER MADIBUSENG ODENDAAL
a beautiful amnesia
DONALD RICHIE
The Zen Library - A Sermon
JURGEN MEEKEL
Lost in Dictation
RINA GARCIA CHUA
Ataulfo
THOMAS BERNHARD
Fäulnis
ABIGAIL GEORGE
Two Decay Poems
TAKAHIRO SAWAMURA
Asemic Diaries
VONANI BILA
Masonto (an excerpt from the epic LAMENT FOR MZALA)
TUANA
Hiç Anlaşilamamis
SERAME ICEBOUND MAKHELE
"Icebound Keeps Poetry Alive"
MPHUTHUMI NTABENI
The Unmaking of the Colonial Archive and the Aesthetics of Evasion: Mudimbe, Coetzee, and the Problem of Writing Africa from the European Archive
SARAH MANGUSO
The Two Kinds of Decay (excerpts)
claque
DINI SANDISO BAZANA
Receiving Lesego Rampolokeng's When the Fires Go Down, the Reading Begins: Not a review. A reception. A sitting with a book that became dirty because it stayed with me.
MPHUTHUMI NTABENI
The Empire’s Cabinet of Curiosities - A review of Fifteen Colonial Thefts: A Guide to Looted African Heritage in Museums, Edited by Sela K. Adjei and Yann LeGall
STEVEN CRAIG HICKMAN
Chthonic Thresholds: Andrew C. Wenaus and the Decay of Electronic Literature
ARYAN KAGANOF
The Entropic Real: Louis Armand's Entropology through the lens of decay studies
MPHUTLANE WA BOFELO
Neo Lekgotla Langa Ramoupi’s Robben Island: Songs of Struggle – Izingoma Zomzamalazo
SITHEMBELE ISAAC XHEGWANA
Disgrace and the Politics of Shame: Sexual Violence, Colonial Legacies, and Post-Apartheid Identity in J.M. Coetzee’s Disgrace
SIPHOKAZI JONAS
Stacy Hardy’s An Archaeology of Holes
MBE MBHELE
Notes on the Return to the Rural
SEAN O’TOOLE
Gnossienne
MURIEL TINEL-TEMPLE
Jonas Mekas, Shiver of Memory, by Peter Delpeut.
NIDA YOUNIS
A Review of Antemanha's poem Berlin Fragmente
LETHOKUHLE MSIMANG
Fatherland - Theatre Production
FAT CITY VINYL & MUSIC BLOG
Keith Hudson - Flesh Of My Skin (VP, 2021)
MKHULU MBAZO
Under good influence: a warning on the dangers of idolatry and the worship of money.
ekaya
ZANDILE JOY DYWATI
“Black daughters and father(s): love as a praxis embedded in daughters' relationality with Black father(s)”
SOPHIA OLIVIA SANAN
De-centring White Histori(city)
KOPANO RATELE
How You Define African Psychology Determines What You Focus On: A Short Comparison of Five Definitions of African Psychology by African Psychologists
MTHUTHUZELI ZIMBA
The Mourning Project
ANDRÉ CLEMENTS
Urban Decay: A Post-Nihilist Aesthetic
JURGEN MEEKEL
Palinopsia
MARTIJN PANTLIN
The Decay Machine
MARKO PHIRI
Zimbabwe’s artistic truth decay
off the record
Dr SAZI DLAMINI
In memory of Abbey Duze Mahlobo and The Malopoets
LIZABÉ LAMBRECHTS
The Woodstock Sound System and South African sound reinforcement
LAURENCE HAMBURGER
The Lost Films of Abdullah Ibrahim
BLACK PLASTIC POSSE (BPP)
The Black Plastic Project (bpp)
FANIE JASON
Decayed Vinyl and the Real Value of Things
RANDALL ROBERTS
Meet the guardians of the world’s earliest musical recordings
WARRICK SWINNEY
Cow, Bears and Surfers: A few personal intersections with Chris Cutler.
HYBRYDS MUSIC
Erasure: a virulent form of decay
BRENDAN FRANZ & THE OTHER VINYL RECORD COLLECTORS CLUB
Our Grading System Sucks! Agree?
TEAGUE SCHNEITER
Ethical Presentation of Indigenous Media in the Age of Open Video: Cultivating Collaboration, Sovereignty and Sustainability
SAM MATHE
Remembering Michael Tshehla Phahlane
ARYAN KAGANOF
The Last Time I saw Bra Fiks
SOPHIE GRIMES
Beautiful Decay: The Poetry of Lucia Perillo
feedback
ALLAN BOESAK
6 September 2025
TSEPO YA RONA WA MAMATU
1 June 2022
CHRISTIAAN BOONZAAIER
An Interview in Die Burger 13 December 2021
OMOSEYE BOLAJI
My Apologies 6 December 2021
DIMAKATSO SEDITE
1 December 2021
PETER DELPEUT
The Forgotten Evil herri version 1 analysis and proposals 6 December 2020
FACEBOOK FEEDBACK
Facebook
the selektah
TED RIEDERER
Transfigurations
DUNKELHEIT PRODUKTIONEN
Index of Mechanical Signal Decay
PhD
ALÉSHA BREDELL
Visual Enquiries and Idiosyncratic Selections: A Close Reading of Dust
ALÉSHA BREDELL
A Close Reading of Dust as a Rhizomatic Phenomenon
ALÉSHA BREDELL
Dust as Abject
SEZGIN BOYNIK
Dust and the Archive
IGSHAAN ADAMS
When Dust Settles: The Body's Archive
STEVEN CRAIG HICKMAN
The Truth of Dust
DAVID MAISEL
Library of Dust
GLITCHMAN
SIGHTING THE DUST
hotlynx
hotlynx
hot hot
shopping
SHOPPING
Order Online | Pay Online |
contributors
CONTRIBUTORS
From A to Z
the back page
REZA NEGARESTANI
Undercover Softness: An Introduction to the Architecture and Politics of Decay
WALTER MIGNOLO
HERITAGE, QATAR, ACСESS: Enacting the Archives, Decentring the Muses (on the decolonization of Western museums)
WOLFGANG ERNST
The Archive as Metaphor: From Archival Space to Archival Time
JULIE RESHE & ALENKA ZUPANCIČ
Human Animal, Positive Psychology, and Trauma: A Conversation
STEPHEN SCRIVENER
The art object does not embody a form of knowledge
SIMON TAYLOR
Cinema Signifies a Change in the Fundamental Structure of Reality
JEFFREY BABCOCK
The Alexandria of Absence
ASUBHA
Some Imaginary Conversations About Decay Without Mourning Between the Dead, the Living and the Living Dead
MICHAEL E. ZELLER
New Studies of Rare K+ Decays
© 2026
Archive About Contact
    • Issue #01
    • Issue #02
    • Issue #03
    • Issue #04
    • Issue #05
    • Issue #06
    • Issue #07
    • Issue #08
    • Issue #09
    • Issue #10
    • Issue #11
    • Issue #12
    • Issue #13
    #13
  • frictions
  • Computer
  • Mobile

JURGEN MEEKEL

Lost in Dictation

In 2013, I ran a small experiment in mistranslation. I took a dry, preferably forgettable text on operational risk management, the kind of prose written to be filed rather than read, and had my phone read it aloud. My Computer listened and transcribed what it heard, turning speech back into text. Then I did the reverse: I had the Computer read its own transcription aloud, and had my phone transcribe that. Back and forth, speech to text to speech to text, again and again

Neither device was built for this. Each one heard the other imperfectly, guessed at unclear words, and smoothed over gaps with whatever seemed statistically plausible. Small errors accumulated. A phrase about “risk exposure” became something about “rising exposure,” then “rising water,” then simply “the water rising.” Bureaucratic language, run through enough cycles of mishearing, started to shed its bureaucracy. What began as a paragraph about controls, thresholds, and compliance slowly drifted into something closer to a fragment of verse, image-driven, rhythmic, and most of all strange.

By the time I stopped, there was nothing left of the original document. Every trace of its meaning had been eroded by the process, and something else had grown in its place, unintentional, but oddly coherent. It read like a poem written by two machines passing a thought back and forth until neither remembered where it started.

I think of the piece now as a kind of accidental collaboration between speech recognition and speech synthesis, two systems talking past each other until their errors became a style. It says something about how meaning survives, or doesn’t, when it passes through systems built to approximate rather than understand. The technical language of risk management, it turns out, was only ever a few mistranslations away from poetry.

1x Computer interpretation
Lost in Dictation 2013 I ran a small experiment in my translation. I took a Drie forgettable text on operational risk risk management. The kind of pros written to be filed rather than riot and had my phone read it aloud. My Marc listened and transcribed what it heard turning speech back into text then I did the reverse. I had a mark read its own transcription and had my phone transcribed that back and for speech to text to speech to text again and again again neither device was built for this each one have the other imperfectly guest Dunn Kia Wood and smooth of a gap with whatever seems statistically plausible small error accumulated the phrase about risk. Exposure became something about rising exposure then rising water then simply the water rising bureaucratic language run through enough Cycles of this hearing started to shit it’s bureaucracy what began as a paragraph about controlled thresholds and compliance slowly drifted into something closer to a fragment of verse image driven rhythmic strange by the time I stopped there was nothing left in the original document, every trace of its meaning had been eroded by the process and something else had grown in its place unintentional but coherent read like a poem written by two machines passing a thought back end fourth until neither remembered where it started. I think of the peace now is a kind of accidental collaboration between speech recognition and speech synthesis to systems talking past each other until there became a style. It says something about how meaning survives or doesn’t when it passes through systems built to approximate rather than understand the technical language of risk management it turns out was only ever a few translations away from poetry lost

1x Computer

1x Mobile interpretation
One lost in dictation 2013. I ran a small experiment in my translation. I took a unforgettable text on operational risk risk management the kind of pros written to be filed rather and Ryland had my phone read it aloud. My Mark listened and transcribed her turning speech back into text then I did the reverse. I had a Mark read its own transcription and had my phone to transcribe that back-and-forth speech to text to speech to text again and again again neither device was built for this each one have the other imperfectly guest done, clear wooden smoother gap with whatever seems statistically, plausible, small error, accumulated the phrase about wrist. Exposure became something about rising exposure than rising water than simply the water rising bureaucratic language runs through enough cycles of the hearing started to shit it’s bureaucracy what began as a paragraph about controlled threshold and compliance slowly drifted into something closer to a fragment verse image driven rhythmic strange by the time I stopped there was nothing left in the original document every trace of its meaning I’ve been eroded by the process, and something else had grown in its place unintentional but coherent read like a poem written by two machines passing a thought back in fourth until neither remembered where it started. U think of the peace now is a kind of accidental collaboration between speech, recognition and speech synthesis systems talking past each other until they became a style, it says something about how many survives, though it doesn’t when it passes through systems built to approximate rather than understand the technical language of risk management it turns out was the only ever a few translations away from poetry loss.

1x Mobile

2 x Computer interpretation
One lost Dictation 2013 I ran a small experiment in my translation. I took unforgettable text on operational risk risk management. The kind of pros written to be filed rather and Ryland had my phone read it aloud. My mom listened and transcribed her turning speech back into text then I did the reverse. I had a mark read its own transcription and had my phone to transcribe that back and for speech to text to speech to text again and again again again neither neither device was built for this one, the other Dunn wouldn’t gap with whatever small error accumulated the phrase about wrist. Exposure became something about rising exposure than rising water than simply the water rising bureaucratic language runs through enough cycles of the hearing started to shit it’s bureaucracy what be began as a paragraph about controlled threshold and compliance slowly drifted into something closer to a fragment verse in image driven with mixed strange by the time I stopped there was nothing left in the original document. Every trace of its meaning I’ve been eroded by the process and something else had grown in its place unintentional but coherent read like a poem written by two machines passing a fault back-and-forth until neither remembered where it started you think of the peace now is a kind of accidental collaboration between speech recognition and speech synthesis systems talking Pass each other until they became a style. It says something about how many survives though it doesn’t when it passes three systems built two approximate rather than understand the technical language of wrist management it turns out was the only ever a few translations away from poetry loss.

2x Computer

2x Mobile interpretation
One lost dictation 2013 small experiment in my translation I took unforgettable text on operational risk management the kind of pros written to be filed rather than Ryland had my phone read it aloud my mum listened and transcribed her turning speech back into text then I did the reverse. I had a Marc read its own transcription and had my phone to transcribe the to back-and-forth speech to text to speech to text again and again again again neither and neither the device was built for this one. The other Dunn wooden gap with whatever small hair accumulated the phrase about wrist exposure became something about rising exposure than rising water than simply the water rising bureaucratic language runs through enough cycles of the hearing started to shit. It’s the bureaucracy what he began as a paragraph about controlled threshold and compliance slowly drifted into something closer to a fragment verse in image driven with mixed strange by the time I stopped there was nothing left in the original document every trace of its meaning I’ve been rod by the process, and something else had grown in its place unintentional but coherent read like a poem written by two machines passing a fault back-and-forth until neither remembered where it started. You think of the peace now is a kind of accidental collaboration between speech, recognition and speech synthesis systems talking past each other until they became a style. It says something about how many survive, though it doesn’t when it passes three systems built to approximate rather than understand the technical language of risk management it turns out was the only ever a few translations away from poetry loss.

2x Mobile

3x Computer interpretation 
One lost Dictation 2013 small experiment in my translation I took unforgettable text on operational risk management. The kind of pros written to be filed rather than rianne speech reverse I had a read transcription at my phone to transcribe the fourth speech to text to speech to text again and again again again again neither and neither the device was built for this one the other Dunn wooden gap with whatever small hair accumulated the phrase about exposure became something about rising exposure than rising water than simply simply simply the water rising bureaucratic language runs through enough cycles of the hearing started to shit it’s the bureaucracy what he began as a paragraph about controlled threshold and compliance drifted into something closer to a fragment verse in image driven with mixed strange by the time I stopped, the document every Ray of its meaning I’ve been right by the process and something else had grown in its place unintentional but coherent like a poem written by two machines passing a fault and forth until neither remembered where it started. Do you think of the peace now is a kind of accidental collaboration between speech recognition and speech synthesis assistance talking Pass each other until they became a style it says something about how many survive though it doesn’t wait it passes three systems to approximate rather than understand the technical language of risk management. It turns out the only ever a few translations away from poetry loss.

3x Computer

3x Mobile interpretation
One lost dictation 2013 small experiment in my translation I took unforgettable operational risk management kind of written to be filed rather than speech reverse transcription speech to speech to text again and again again again again the device was built for this one the other wooden gap with whatever small hair accumulated exposure something about rising exposure than simply language runs through cycle started the bureaucracy began as a paragraph about controlled thresh compliance drifted into something closer to a fragment verse driven with mixed by the time I stopped the document every of it I’ve been right by the process something else has grown in it place unintentional but coherent like a poem written by two machines. Neither remembered where it started. Do you think of the piece is a kind of accidental collaboration between speech, recognition and speech synthesis system talking past each other until they became says something about how many systems to approximate rather than understand the technical language of risk management. It turns out the only ever a few translations away from poetry loss.

3x Mobile

4x Computer interpretation
One lost Dictation 2013 small experiment in my translation I took unforgettable operational risk management kind of written to be filed rather than speech reverse transcription speech to speech to text again and again again again again device was built for this one gap with whatever small hair accumulated exposure something about rising exposure and simply language runs through cycle start of the bureaucracy began as a paragraph about controlled thresh compliance drifted into something closer to a fragment driven with mixed by the time I stop right by the process something else has grown a place unintentional but coherent like a poem written by two machines neither remembered where it started. Do you think of the piece is a kind of accidental collaboration between speech recognition and speech synthesis system talking past each other until they became something about how many systems to approximate rather than understand the technical language of risk management poetry loss.

4x Computer

4x Mobile interpretation
One lost dictation 2013 small experiment in my translation I took unforgettable operational risk management kind of written to be filed rather than speech reverse transcription speech to speech to text again again again again again again again for this one with small hair accumulated exposure something about rising exposure through bureaucracy as a paragraph about controlled compliance drifted into something close to a fragment driven by the time I stopped right by the process, something else has a unintentional coherent like a written by twos. Neither remembered where it started. Do you think accidental collaboration between speech, recognition and speech synthesis system talking past each other until they became something about how many systems to approximate rather than understand the technical language of risk management poetry loss.

4x Mobile

5x Computer interpretation
One lost Dictation 2013 experiment in my translation I took unforgettable operational risk management. Kind of written to be filed rather than speech reverse transcription speech to speech to text again again again again again again again again again again again again for this one with small hair accumulated exposure something about rising exposure through bureaucracy as a paragraph about controlled compliance drifted into something close to a fragment driven by the time I stopped right by the process something else else has an unin remembered where it started. Do you think accidental collaboration between speech recognition and speech synthesis system talking past each each other until they became something about how many systems to approximate rather than understand the technical language of wrist management poetry loss.

5x Computer

5x Mobile interpretation
dictation 2013 experiment in my translation, I took unforgettable operational risk management kind of written to be filed rather than speech reverse transcription speech to speech to text again again again again again again again again again again again again for this one with small hair accumulated exposure, something about rising exposure through bureaucracy our paragraph about controlled compliance drifted into something close to a fragment driven by the time I stopped right by the process something else else has an onion remembered where it started. Do you think accidental collaboration between speech, recognition and speech synthesis system, talking past teach each other until they became something about how many systems to approximate rather than understand the technical language of mist management poetry loss.

5x Mobile

6x Computer interpretation
Find Dictation 2013 experiment in my translation I took unforgettable operational risk management. Kind of written to be filed rather than speech reverse transcription speech to speech to text again again again again again again again again again again again again again again again again for this one with small hair accumulated exposure something about rising exposure through bureaucracy. Paragraph about controlled compliance drifted into something close to a fragment driven by the time I stopped right by the process something else else has an onion remembered where it started do you think accidental collaboration between speech recognition and speech synthesis system talking past teach each other until they became something about how many systems to approximate rather than understand the technical language of?

6x Computer

6x Mobile interpretation
Find dictation 2013 experiment in my translation, I took unforgettable operational risk management kind of written to be filed rather than speech reverse transcription speech to speech to text again again again again again again again again again again again again again again again again for this one with small hair exposure something an onion remembered where it started. Do you think accidental collaboration between speech, recognition and speech synthesis system, talking past teach each other until they became something about how many systems to approximate rather than understand the technical language

6x Mobile

7x Computer interpretation
Find Dictation 2013 experiment in my translation I took unforgettable operational wrist management. Kind of written to be rather than speech reverse transcription speech to speech to text again again again again again again again again again again again again again again again again again again again again again again again for this one wit do you think accidental collaboration between speech speech recognition and speech synthesis rather than language?

Computer

7x Mobile interpretation
Find dictation 2013 experiment in my translation, I took unforgettable operational wrist management kind of written to be rather than speech reverse transcription speech to speech to text again again again again again again again again again again again again again again again again again again again again again again again for this one we do, you think, accidental collaboration between speech, speech, recognition, and speech synthesis rather than language

7x Mobile

8x Computer interpretation
Find Dictation 2013 experiment in my translation I took unforgettable operational risk management. Kind of written to be rather than speech reverse transcription speech to speech to text again again again again again again again again again again again again again again again again again again again again again again again for this one we do you think accidental collaboration between speech, speech recognition and speech synthesis rather than language.

8x Computer

8x Mobile interpretation
Find dictation experiment in translation I took unforgettable operational risk management kind of written to be rather than speech reverse transcription speech to speech to text again again again again again again again again again again again again again again again again again again again again again again again for this one we do, you think, accidental collaboration between speech, speech, recognition, and speech synthesis rather than language

8x Mobile

9x Computer interpretation
Find Dictation experiment in translation I took unforgettable operational risk management kind of written to be rather than speech reverse transcription speech to speech to text again again again again again again again again again again again again again again again again again again again again again again again for this one we do you think accidental collaboration between speech speech recognition and speech synthesis rather than language

9x Computer

9x Mobile interpretation
Dictation experiment in translation, I took unforgettable operational, risk management kind of written to be rather than speech reverse transcription speech to speech to text again again again again again again again again again again again again again again again again again again again again again again again for this one accidental collaboration between speech, speech, recognition and speech synthesis rather than language

9x Mobile

10x Computer interpretation
Dictation experiment in translation I took unforgettable operational wrist management. Kind of written to be rather than speech reverse transcription speech to speech to text again again again again again again again again again again again again again again again again again again again again again again again for this one accidental collaboration between speech, speech recognition and speech synthesis rather than language.

10x Computer

10x Mobile interpretation
Dictation experiment in translation, I took unforgettable operational, wrist management kind of written to be rather than speech reverse transcription speech to speech to text again again again again again again again again again again again again again again again again again again again again again again again for this one accidental collaboration between speech, speech, recognition and speech synthesis rather than language.

10x Mobile

Share
Print PDF
DONALD RICHIE
RINA GARCIA CHUA
© 2026
Archive About Contact