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4
Contents
editorial
NEVILLE DUBE
“What shall we do with the tools?”
PALESA MOTSUMI & TARIRO MUDZAMIRI
The Impact of Covid-19 on the Arts in South Africa
Theme Africa Synthesized
CARINA VENTER & STEPHANIE VOS
Africa Synthesized: Editorial Note
GEORGE E. LEWIS
Recharging Unyazi 2005
MICHAEL KHOURY
A Look at Lightning – The Life and Compositions of Halim el-Dabh
KAMILA METWALY
A Sonic letter to Halim El-Dabh
SHANE COOPER
Tape Collage
ADAM HARPER
Shane Cooper’s Tape Collage – a living archive
HANS ROOSENSCHOON
Tape loops: Cataclysm (1980)
STEPHANUS MULLER
Hans Roosenschoon's Cataclysm: message in a bubble or mere spectacular flotsam?
SAZI DLAMINI
Composing with Jurgen Brauninger: 1989-2019
LIZABÉ LAMBRECHTS
The Woodstock Sound System and South African sound reinforcement
CATHY LANE
Synthesizer and portastudio: their roles in the Tigrayan People’s Liberation struggle - an audio essay.
MICHAEL BHATCH
Africa Synthesized: A Sonic Essay
NEO MUYANGA
Afrotechnolomagic before the internet came to town – How electrons made Africans in music zing
NIKLAS ZIMMER
Interspeller (some B-sides)
WARRICK SWINNEY
House on Fire: Sankomota and the art of abstraction
MAËL PÉNEAU
Beatmaking in Dakar: The Shaping of a West-African Hip-hop Sound
ARAGORN ELOFF
Materials of Relation: A Sonic Pedagogy of Non-Mastery
BRIAN BAMANYA
Afrorack
ZARA JULIUS
(Whose) Vinyl in (Which) Africa? A Zoom Fiasco
galleri
SLOVO MAMPHAGA
Mandela is Dead
&and
Undercommons
HUGH MDLALOSE
Jazz Speaking
IBUKUN SUNDAY
A Peaceful City
NIKKI SHETH
Mmabolela
PIERRE-HENRI WICOMB
A Composition Machine
SONO-CHOREOGRAPHIC COLLECTIVE
Playing Grounds: a polymodal essay
STELARC & MAURIZIO LAZZARATO
Parasite: A Government of Signs
JURGEN MEEKEL
The Bauhaus Loops
borborygmus
KING SV & MARCO LONGARI
The Black Condition
SIPHELELE MAMBA
Enough is enough
SEGOMOTSO PALESA MOTSUMI
Explaining racism
KHANYISILE MBONGWA
Mombathiseni UnoDolly Wam
PHIWOKAZI QOZA
Choreographies of Protest Performance: 1. The Transgression of Space
TSEPO WA MAMATU
The Colonising Laughter in Leon Schuster’s Mr. Bones and Sweet ’n Short
ANA DEUMERT
On racism and how to read Hannah Arendt
TALLA NIANG
Sembène Ousmane
MAVAMBO CHAZUNGUZA
Sacred Sonic Cosmos
GRAYSON HAVER CURRIN
The Saharan WhatsApp Series - an Experiment in Immediacy
BEN EYES
Cross-cultural collaboration in African Electronica
STEVEN CRAIG HICKMAN
The Listening of Horror
MICHAEL C COLDWELL
The Noise made by Ghosts
GABRIEL GERMAINE DE LARCH
I will not be erased
frictions
JESÚS SEPÚLVEDA
Viaje a Tánatos
KATYA GANESHI
From Beyond the World of Dead Sirens
RIAAN OPPELT
(Ultra) Lockdown
SINDISWA BUSUKU
Let’s Talk Kaffir
JOHAN VAN WYK
Man Bitch
MAAKOMELE R. MANAKA
Four Indigenous Poems
claque
KOLEKA PUTUMA
Language & Storytelling: On Zöe Modiga’s Inganekwane
LINDELWA DALAMBA
After the Aftermath: Recovery?
ATHI MONGEZELELI JOJA
Uninterrogated Phallophilia
HILDE ROOS
Sicula iOpera – a raised fist?
PAUL ZISIWE
19 Feedbacks
TSELISO MONAHENG
How to build a Scene
WAMUWI MBAO
Struggle Sounds
MKHULU MAPHIKISA
Short but not sweet: Skeptical Erections and the Black Condition
MBALI KGAME
Tales from The UnderWorld
ekaya
STEPHANIE VOS
The Exhibition of Vandalizim – Improvising Healing, Politics and Film in South Africa
MARIETJIE PAUW, GARTH ERASMUS & FRANCOIS BLOM
Improvising Khoi’npsalms
off the record
KHADIJA TRACEY HEEGER
Lewis Nkosi – treasured memory
LEWIS NKOSI
Jazz in Exile
EUGENE SKEEF
Chant of Divination for Steve Biko
BRENDA SISANE
How I fell in love with music
SAM MATHE
Skylarks
THOKOZANI MHLAMBI
Early Sound Recordings in Africa: Challenges for Future Scholarship
MARIO PISSARRA
Everywhere but nowhere: reflections on DV8 magazine
DEREK DAVEY
Live Jimi Presley 1990-1995
HERMAN LATEGAN
Pentimento
ARGITEKBEKKE
AFRIKAAPS compIete script deel 3
feedback
PHILLIPPA YAA DE VILLIERS
An urgency to action
PABLO VAN WETTEN
Sort of a ramble
the selektah
PONE MASHIANGWAKO
Artists' Prayer - A Tribute to Motlhabane Mashiangwako
hotlynx
shopping
SHOPPING
Purchase or listen
contributors
the back page
MICHAEL TAUSSIG
Unpacking My Library: An Experiment in the Technique of Awakening
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    #04
  • off the record

HERMAN LATEGAN

Pentimento

Another old Sea Point institution closing its doors, been there for 41 years. Theo’s Barber, run by a Greek man who came to South Africa as a youngster.

According to Jacques Weber: “After 41 years the legend of Theo’s Hairdresser will be closing its doors for a final time. Theo’s have been given notice to vacate and Theo will be working part-time from his house in Milnerton going forward. For many of us, he has seen us grow up and has been part of our lives from a very young age. Truly the end of an era. An absolute legend to many in Sea Point! Theo, go well, keep safe and thank you for the many conversations, cuts and all!”

I agree with Jacques. My memories: Theo always had an old radio standing near the mirror playing some sad old songs, or talk radio, or something jolly. He cut the hair of generations of boys, who became men and the elderly, who would die off. He was the barber of the late Dr. John Sonnenberg, also an institution in Sea Point.

Years ago, there was a steakhouse next to him, also run by a Greek man. I forget the name now, could it be Zorba’s? They served steak on wooden boards (considered unhygienic nowadays, but here I sit), you received a little Greek Salad in a wooden bowl, and then soft rolls with butter.

For candle holders they used empty Bellingham Johannesburger bottles. The wax would drip off the bottle and then stay stuck to it. Vicky Leandros would sing in the background, also Mikis Theodorakis. Telly Savalas (Kojak) once ate there.

Against the one wall there was a sort of toy windmill that would move around in circles with little lights flashing. Thank heavens I never took magic mushrooms; it would have been quite a sight.

The same waitress worked there for decades; I wonder what happened to her. She was prim and proper, straight back like a meerkat and could run like Zola Budd.

The food was always great, but if you did complain, the owner would come with his big steak knife to your table, hand on his hips, blade in hand – and in a Greek accent ask: “What is de Problem? Huh?”

His brother was also a Theo, who ran a top steakhouse just a few blocks away in Mouille Point. Also gone, it’s where the Hussar Grill is now. I can still see him walking fast up and down the promenade for his daily exercise. In shorts, come winter or summer. He had bright blue eyes.

Theo’s Barber is probably one of the oldest venues in Sea Point to finally close (or move), the other one is the Pizzeria Napolitana. It opened in 1957. Still owned by the same family. La Perla (the pearl) in Sea Point opened in 1969.

HERMAN LATEGAN 5

And so, the people who remember these places die off, and soon a whole new world exists on top of the old one, like a new layer. The word Pentimento comes to mind: a visible trace of earlier painting beneath a layer or layers of paint on a canvas.

More vividly: I see the smoke that twirls through the chimney at a crematorium, up, into the air, until you don’t see it anymore. The service ends. You go home. Life goes on.

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