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9
Contents
editorial
DON LETTS & SINÉAD O’CONNOR
Trouble of the World
MOEMEDI KEPADISA
A useful study in Democracy
FRED HO
Why Music Must Be Revolutionary – and How It Can Be
LOUIS CHUDE-SOKEI
Walking With Sound: Race and the Prosthetic Ear
Theme Lefifi Tladi
NUNU NGEMA
A Portrait of Ntate Lefifi Victor Tladi
MASELLO MOTANA
Tladi Lefifing!
SHEBA LO
Munti wa Marumo (Return to the source): Lefifi Tladi’s Cultural Contributions to the Struggle 1970-1980
SHANNEN HILL
CREATING CONSCIOUSNESS - Black Art in 1970s South Africa
EUGENE SKEEF
Convergence at the OASIS
LEFIFI TLADI
One More Poem For Brother Dudu Pukwana
DAVE MARKS
Liner Notes
PONE MASHIANGWAKO
My Journey with Mammoths: Motlhabane Mashiangwako and Lefifi Tladi.
GEOFF MPHAKATI & ARYAN KAGANOF
Giant Steps
ES’KIA MPHAHLELE
Renaming South Africa
LERATORATO KUZWAYO
Boitemogelo - Definitions of consciousness draped in Blackness
BRIDGET THOMPSON
Piecing Together Our Humanity and Consciousness, Through Art, Life and Nature: Some thoughts about friendship with the artist, musician and wordsmith: Lefifi Tladi
LEFIFI TLADI with REZA KHOTA & HLUBI VAKALISA
Water Diviner
PALESA MOKWENA
Bra Si and Bra Victor: The Black Consciousness Artists Motlhabane Mashiangwako & Lefifi Tladi
FRÉDÉRIC IRIARTE
Proverbs
ARYAN KAGANOF
Lefifi Tladi – The Score
DAVID LOCKE
Simultaneous Multidimensionality in African Music: Musical Cubism
MORRIS LEGOABE
A Portrait of Motlhabane Simon Mashiangwako, Mamelodi, 1978
ZIM NGQAWANA & LEFIFI TLADI
Duet of the Seraphim
PERFECT HLONGWANE
Voices in the Wilderness: A Trans-Atlantic Conversation with LEFIFI TLADI
LEFIFI TLADI with JOHNNY MBIZO DYANI & THABO MASHISHI
Toro for Bra Geoff
LEKGETHO JAMES MAKOLA
Facebook Post May 24 2023
KOLODI SENONG
Darkness After Light: Portraits of Lefifi Tladi
LEFIFI TLADI
The African Isness of Colour
EUGENE SKEEF
A Portrait of Lefifi Tladi, an Alchemist Illuminating Consciousness, London, 1980s.
galleri
BELKIS AYÓN
intitulada
LIZE VAN ROBBROECK & STELLA VILJOEN
Corpus of Ecstasy: Zanele Muholi at Southern Guild
BADABEAM BADABOOM
Excerpts from the genius cult book of black arts
PETKO IORDANOV
African Wedding (super8mm 9fps)
ANTHONY MUISYO
folk tales and traditions, the algorithm, ancient history and the city of Nairobi
NHLANHLA DHLAMINI
How to Fight the Robot Army and Win?
DZATA: THE INSTITUTE OF TECHNOLOGICAL CONSCIOUSNESS
A Repository of Thought
borborygmus
AMOGELANG MALEDU
Colonial collections as archival remnants of reclamation and (re)appropriation: reimagining the silenced Isigubu through Gqom
MALAIKA MAHLATSI
Townships were never designed for family recreation
BONGANI TAU
Can I get a witness: sense-less obsessions, brandism, and boundaries by design
SALIM WASHINGTON
The Unveiling
DYLAN VALLEY
Benjamin Jephta: “Born Coloured, Not Born Free”
EUGENE THACKER
Song of Sorrow
STANLEY ELKIN
The Flamenco Dancer
KEVIN BISMARK COBHAM
Plasticizing Frantz and Malcolm. Ventriloquism. Instrumentalization.
ARTURO DESIMONE
What the Devil do they Mean When they Say “Crystal Clear?’’
frictions
DIANA FERRUS
My naam is Februarie/My name is February
AFURAKAN
8 Poems From Poverty Tastes Like Fart! Ramblings, Side Notes, Whatever!
KHULILE NXUMALO & SIHLE NTULI
The Gcwala Sessions
LESEGO RAMPOLOKENG
Gwala Reloaded
ARI SITAS
Jazz, Bass and Land
ZOE BOSHOFF & SABITHA SATCHI
Love, War and Insurrection - A discussion about poetry with Ari Sitas
RICO VERGOTINE
Botmaskop (Afrikaanse Mistress)
RAPHAEL D’ABDON
kings fools and madwomen (after dario fo and janelle monae)
claque
JIJANA
home is where the hut is - Notes for a future essay on Ayanda Sikade’s Umakhulu
MATTHIJS VAN DIJK
Bow Project 2: Bowscapes – In Memory of Jürgen Bräuninger
PATRICK LEE-THORP
A discourse in the language of the Global North based on the colonial history of copyright itself: Veit Erlmann's Lion’s Share.
PERFECT HLONGWANE
A close reading of Siphiwo Mahala’s Can Themba – The Making and Breaking of an Intellectual Tsotsi: A Biography
RITHULI ORLEYN
The Anatomy of Betrayal: Molaodi wa Sekake’s Meditations from the Gutter
NCEBAKAZI MANZI
Captive herds. Erasing Black Slave experience
KARABO KGOLENG
Chwayita Ngamlana’s If I Stay Right Here: a novel of the digital age
WAMUWI MBAO
Nthikeng Mohlele’s The Discovery of Love: a bloodless collection.
RONELDA KAMFER
The Poetry of Victor Wessels: black, brooding black
NATHAN TRANTRAAL
Ons is gevangenes van dit wat ons liefhet: Magmoed Darwiesj gedigte in Afrikaans
ARYAN KAGANOF
Khadija Heeger's Thicker Than Sorrow – a witnessing.
KYLE ALLAN
Zodwa Mtirara’s Thorn of the Rose
ADDAMMS MUTUTA
Third Cinema, World Cinema and Marxism without a single African Author?
ekaya
NDUDUZO MAKHATHINI
Spirituality in Bheki Mseleku’s Music
ESTHER MARIE PAUW
Africa Open Improvising & AMM-All Stars
STEPHANUS MULLER
An interview with Jürgen Bräuninger and Sazi Dlamini
off the record
TSITSI ELLA JAJI
Charlotte Manye Maxeke: Techniques for Trans-Atlantic Vocal Projection
KGOMOTSO RAMUSHU
Skylarks and Skokiaan Queens: Jazz women as figures of dissent
OLIVIER LEDURE
Some Posters and LP Covers of South African JAZZ Designed by South African Artists
HERMAN LATEGAN
Memories of Sea Point
ANDERS HØG HANSEN
Sixto and Buffy: Two Indigenous North American Musical Journeys
REINBERT DE LEEUW
Sehnsucht
RICK WHITAKER
The Killer in Me
feedback
VANGILE GANTSHO
Thursday 8 December 2022
KEV WRIGHT
Monday 2 January 2023
WILLIAM KELLEHER
Wednesday, 1 February 2023
STEFAN MAYAKOVSKY
Thursday 2 March 2023
FACEBOOK FEEDBACK
Facebook
herri_gram FEEDBACK
Instagram
the selektah
TENDAYI SITHOLE
Underground: The Sphere of 2SMan
PhD
DIE KOORTJIE UNDERCOMMONS
Inhoudsopgawe
INGE ENGELBRECHT
1. Entering the undercommons
INGE ENGELBRECHT
2. Conserve undercommons
INGE ENGELBRECHT
3. Die Kneg en die Pinksterklong
INGE ENGELBRECHT
4. To be or not to be
INGE ENGELBRECHT
5. Ôs is dai koortjie
INGE ENGELBRECHT
6. Decoding die koortjie
INGE ENGELBRECHT
7. Die Holy of Holies
INGE ENGELBRECHT
8. Epilogue
hotlynx
shopping
SHOPPING
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contributors
the back page
DOROTHEE RICHTER
(NON-)THINGS or Why Nostalgia for the Thing is Always Reactionary
ANASTASYA VANINA
War
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Archive About Contact Africa Open Institute
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    #09
  • Theme Lefifi Tladi

PONE MASHIANGWAKO

My Journey with Mammoths: Motlhabane Mashiangwako and Lefifi Tladi.

Growing up around two of the craziest adults was the most liberating experience one could ever have. My father Motlhabane Mashiangwako and my uncle Lefifi Tladi were two peas in a pod. They looked at life through childlike innocence. They were born in an era called Apartheid, where fighting for freedom and keeping to what they believed in was a basic need for survival. I’m talking about masters of art and storytelling, top tier creators and icons in their own right.

Lefifi and Motlhabane had a tight bond. They were best friends who fought like brothers, laughed together and cried together. I was lucky my father introduced me to uncle Lefifi. It was by default, because I’ve known him my whole life.

Motlhabane Mashiangwako and Lefifi Tladi were not like Batman and Robin, because that’s like a hero and his side kick. They were more like Spiderman and Deadpool because of their humour.

My household was not typical. Whenever my father would come with uncle Lefifi to my house I knew things were about to get crazy. They made me think. Their topics were endless and would range from the exploration of ancient times such as Egypt and Samaria to talking about women and how they related to them. This was something very powerful for me to observe as a child. That in itself moulded me. I look at life differently which has made me an outsider to many of today’s generation. These men taught me how to think and analyse things from a perspective where other people wouldn’t be able to fathom the knowledge that they bestowed on me. I respect the way that they both raised me. I am independent and a free thinker because of them.

When they worked and got into their zone, it was like watching two monks meditating.

It was amazing. Their work flowed and they had bursts of explosive creativity. I would sit with them for hours. I got to see the things that they would conceptualise and what would materialise. I still cannot explain it all. For them to have the ability to create after having a nonsensical or serious conversation was mind blowing. The moment of inspiration made me realise that we should apply ourselves fully to our heart’s content when we do or make something. Do not just do something for the sake of doing it. That’s how they have raised and channelled me as an artist, music lover and content creator. I apply that lesson in everything that I do. When I compile a track list for a mixtape, I make sure that it is something relatable and makes sense to the people receiving the message that I put in my work. I make sure that I give something that will teach and shape the receiver’s mind and ear, and most importantly again after listening to it.

It’s amazing how they’ve shown me that men are boys all grown up. Once a man reaches adulthood his life doesn’t have to condone hyper masculinity, one can still be a man and keep his childlike innocence to have happiness. You can create and flow through life easily with this knowledge token.

Lefifi has taught me how to write, to structure a poem and to deliver in the art of the spoken word.

Whether used to court a woman or to provoke thoughts or to praise, he taught me to deliver in such a way that was beautiful so that my words land on one’s ears so gracefully that I become memorable.

One thing that I almost forgot to mention is that these men were actually assholes, but in a funny way. They were fun to be around. Their sense of humour was dark. I’ve adopted that.  The stories that they shared with me were unfortunately mostly rated “R” and explicit which I cannot retell on this platform. But will divulge to those who ask me in person.

Motlhabane Mashiangwako holding Pone (Jnr), Ngwako (Right) and Jabulani (front). Photo courtesy of Bubu Mabuse.

I feel blessed to have been born at a time where both men walked this earth. I am known as the child of Motlhabane Mashiangwako and it’s safe to say Lefifi Tladi as well. These men are behemoths, mountains in actual fact. Two of a kind. I have walked away from every conversation with gold nuggets that have shaped me. I am grateful to them. I love these two with all my heart.

Pone Mashiangwako: “My Journey with Mammoths – a Tribute Mix for Motlhabane Mashiangwako and Lefifi Tladi”
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Archive About Contact Africa Open Institute