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9
Contents
editorial
DON LETTS & SINÉAD O’CONNOR
Trouble of the World
MOEMEDI KEPADISA
A useful study in Democracy
FRED HO
Why Music Must Be Revolutionary – and How It Can Be
LOUIS CHUDE-SOKEI
Walking With Sound: Race and the Prosthetic Ear
Theme Lefifi Tladi
NUNU NGEMA
A Portrait of Ntate Lefifi Victor Tladi
MASELLO MOTANA
Tladi Lefifing!
SHEBA LO
Munti wa Marumo (Return to the source): Lefifi Tladi’s Cultural Contributions to the Struggle 1970-1980
SHANNEN HILL
CREATING CONSCIOUSNESS - Black Art in 1970s South Africa
EUGENE SKEEF
Convergence at the OASIS
LEFIFI TLADI
One More Poem For Brother Dudu Pukwana
DAVE MARKS
Liner Notes
PONE MASHIANGWAKO
My Journey with Mammoths: Motlhabane Mashiangwako and Lefifi Tladi.
GEOFF MPHAKATI & ARYAN KAGANOF
Giant Steps
ES’KIA MPHAHLELE
Renaming South Africa
LERATORATO KUZWAYO
Boitemogelo - Definitions of consciousness draped in Blackness
BRIDGET THOMPSON
Piecing Together Our Humanity and Consciousness, Through Art, Life and Nature: Some thoughts about friendship with the artist, musician and wordsmith: Lefifi Tladi
LEFIFI TLADI with REZA KHOTA & HLUBI VAKALISA
Water Diviner
PALESA MOKWENA
Bra Si and Bra Victor: The Black Consciousness Artists Motlhabane Mashiangwako & Lefifi Tladi
FRÉDÉRIC IRIARTE
Proverbs
ARYAN KAGANOF
Lefifi Tladi – The Score
DAVID LOCKE
Simultaneous Multidimensionality in African Music: Musical Cubism
MORRIS LEGOABE
A Portrait of Motlhabane Simon Mashiangwako, Mamelodi, 1978
ZIM NGQAWANA & LEFIFI TLADI
Duet of the Seraphim
PERFECT HLONGWANE
Voices in the Wilderness: A Trans-Atlantic Conversation with LEFIFI TLADI
LEFIFI TLADI with JOHNNY MBIZO DYANI & THABO MASHISHI
Toro for Bra Geoff
LEKGETHO JAMES MAKOLA
Facebook Post May 24 2023
KOLODI SENONG
Darkness After Light: Portraits of Lefifi Tladi
LEFIFI TLADI
The African Isness of Colour
EUGENE SKEEF
A Portrait of Lefifi Tladi, an Alchemist Illuminating Consciousness, London, 1980s.
galleri
BELKIS AYÓN
intitulada
LIZE VAN ROBBROECK & STELLA VILJOEN
Corpus of Ecstasy: Zanele Muholi at Southern Guild
BADABEAM BADABOOM
Excerpts from the genius cult book of black arts
PETKO IORDANOV
African Wedding (super8mm 9fps)
ANTHONY MUISYO
folk tales and traditions, the algorithm, ancient history and the city of Nairobi
NHLANHLA DHLAMINI
How to Fight the Robot Army and Win?
DZATA: THE INSTITUTE OF TECHNOLOGICAL CONSCIOUSNESS
A Repository of Thought
borborygmus
AMOGELANG MALEDU
Colonial collections as archival remnants of reclamation and (re)appropriation: reimagining the silenced Isigubu through Gqom
MALAIKA MAHLATSI
Townships were never designed for family recreation
BONGANI TAU
Can I get a witness: sense-less obsessions, brandism, and boundaries by design
SALIM WASHINGTON
The Unveiling
DYLAN VALLEY
Benjamin Jephta: “Born Coloured, Not Born Free”
EUGENE THACKER
Song of Sorrow
STANLEY ELKIN
The Flamenco Dancer
KEVIN BISMARK COBHAM
Plasticizing Frantz and Malcolm. Ventriloquism. Instrumentalization.
ARTURO DESIMONE
What the Devil do they Mean When they Say “Crystal Clear?’’
frictions
DIANA FERRUS
My naam is Februarie/My name is February
AFURAKAN
8 Poems From Poverty Tastes Like Fart! Ramblings, Side Notes, Whatever!
KHULILE NXUMALO & SIHLE NTULI
The Gcwala Sessions
LESEGO RAMPOLOKENG
Gwala Reloaded
ARI SITAS
Jazz, Bass and Land
ZOE BOSHOFF & SABITHA SATCHI
Love, War and Insurrection - A discussion about poetry with Ari Sitas
RICO VERGOTINE
Botmaskop (Afrikaanse Mistress)
RAPHAEL D’ABDON
kings fools and madwomen (after dario fo and janelle monae)
claque
JIJANA
home is where the hut is - Notes for a future essay on Ayanda Sikade’s Umakhulu
MATTHIJS VAN DIJK
Bow Project 2: Bowscapes – In Memory of Jürgen Bräuninger
PATRICK LEE-THORP
A discourse in the language of the Global North based on the colonial history of copyright itself: Veit Erlmann's Lion’s Share.
PERFECT HLONGWANE
A close reading of Siphiwo Mahala’s Can Themba – The Making and Breaking of an Intellectual Tsotsi: A Biography
RITHULI ORLEYN
The Anatomy of Betrayal: Molaodi wa Sekake’s Meditations from the Gutter
NCEBAKAZI MANZI
Captive herds. Erasing Black Slave experience
KARABO KGOLENG
Chwayita Ngamlana’s If I Stay Right Here: a novel of the digital age
WAMUWI MBAO
Nthikeng Mohlele’s The Discovery of Love: a bloodless collection.
RONELDA KAMFER
The Poetry of Victor Wessels: black, brooding black
NATHAN TRANTRAAL
Ons is gevangenes van dit wat ons liefhet: Magmoed Darwiesj gedigte in Afrikaans
ARYAN KAGANOF
Khadija Heeger's Thicker Than Sorrow – a witnessing.
KYLE ALLAN
Zodwa Mtirara’s Thorn of the Rose
ADDAMMS MUTUTA
Third Cinema, World Cinema and Marxism without a single African Author?
ekaya
NDUDUZO MAKHATHINI
Spirituality in Bheki Mseleku’s Music
ESTHER MARIE PAUW
Africa Open Improvising & AMM-All Stars
STEPHANUS MULLER
An interview with Jürgen Bräuninger and Sazi Dlamini
off the record
TSITSI ELLA JAJI
Charlotte Manye Maxeke: Techniques for Trans-Atlantic Vocal Projection
KGOMOTSO RAMUSHU
Skylarks and Skokiaan Queens: Jazz women as figures of dissent
OLIVIER LEDURE
Some Posters and LP Covers of South African JAZZ Designed by South African Artists
HERMAN LATEGAN
Memories of Sea Point
ANDERS HØG HANSEN
Sixto and Buffy: Two Indigenous North American Musical Journeys
REINBERT DE LEEUW
Sehnsucht
RICK WHITAKER
The Killer in Me
feedback
VANGILE GANTSHO
Thursday 8 December 2022
KEV WRIGHT
Monday 2 January 2023
WILLIAM KELLEHER
Wednesday, 1 February 2023
STEFAN MAYAKOVSKY
Thursday 2 March 2023
FACEBOOK FEEDBACK
Facebook
herri_gram FEEDBACK
Instagram
the selektah
TENDAYI SITHOLE
Underground: The Sphere of 2SMan
PhD
DIE KOORTJIE UNDERCOMMONS
Inhoudsopgawe
INGE ENGELBRECHT
1. Entering the undercommons
INGE ENGELBRECHT
2. Conserve undercommons
INGE ENGELBRECHT
3. Die Kneg en die Pinksterklong
INGE ENGELBRECHT
4. To be or not to be
INGE ENGELBRECHT
5. Ôs is dai koortjie
INGE ENGELBRECHT
6. Decoding die koortjie
INGE ENGELBRECHT
7. Die Holy of Holies
INGE ENGELBRECHT
8. Epilogue
hotlynx
shopping
SHOPPING
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contributors
the back page
DOROTHEE RICHTER
(NON-)THINGS or Why Nostalgia for the Thing is Always Reactionary
ANASTASYA VANINA
War
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Archive About Contact Africa Open Institute
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    #09
  • editorial

MOEMEDI KEPADISA

A useful study in Democracy

Kgosi Manyane Mangope is dead. In death he has remained the controversial figure that he was whilst alive.

He was an apartheid collaborator and ruled the tiny homeland of Bophuthatswana with an iron fist. About that we agree and there is no dispute.

Where the debate seems to diverge is about his legacy of development. It is here where those who admire him, defend his legacy. They argue that during the 17 years of his pseudo independence, he achieved more tangible results than the democratic government has done in 29[1]When the article was first published in 2018 the given number of years was 23. years.

It is this that has redeemed Mangope in the eyes of many. The failure of the liberation movement and democracy to do better than these illegitimate leaders has made our people grieve over the passing of Mangope, and hark back to those times.

Many of us are surprised that so many seem to remember him so fondly. We should not blame the masses for this outpouring of grief. His death, especially for the ruling party, the liberation movement and progressives, holds important lessons in Democracy and Development.

Democracy must mean a better life for the people and more rapid development for the country. Has this been the experience of the masses of our people? Many of us will respond with a resounding, NO!

Contrast this with the records of Mangope, Mphephu and Matanzima. The dictators and puppets that they were, but at least they got the job done.

Those of us that know places like Mahikeng, Taung Kudumane, Pampierstadt before 1977, will tell you that these places had nothing much going for them in terms of education, housing, jobs, running water, electricity, health, roads etc.

We knew this, because we came from Galeshewe in Kimberley, which had relatively better facilities and some of these services. Most of the folks from these places went to Kimberley to access some of these services.

To be sure, there was no electricity in Montshiwa, Taung and Pampierstadt in 1977. I am certain the same could be said for other places like Thaba Nchu, Garankuwa and Tlhabane.

But in three year’s time, by 1980, these places were different. Modern and bigger townships and better houses had sprung up in Mmabatho and many places. The migration was reversed from rural areas to townships. Many people moved from townships in SA to the ‘homelands’: from Soweto, Ikageng, Atteridgeville to settle in Mabopane, Taung, Phokeng, Mogwase, Hammanskraal.

I should know, because I was a witness of this in 1981 when I went to live in Mahikeng with my Rakgadi as a 12 year old. I also became a beneficiary of a bursary scheme there for my High School studies.

Mangope was a bantustan quisling, as the Black Consciousness Movement used to refer to bantustan leaders For that he deserves condemnation. But let us seek to understand why many are prepared to forgive him, and have brazenly elected to mourn him as they do.

It is as a result of our own failure to hold higher political standards than those we considered to be apartheid stooges. The misrule, corruption and poor governance of the 1994 project to improve the livelihoods of the Black poor majority.

The deterioration of basic services, decline in the quality of life from the times of Lucas Mangope, for rural folk, is what makes people believe that they were better leaders. It is that objective truth, that we cannot counteract and deny.

Lucas Mangope’s passing brings to mind that important lesson from Amilcar Cabral on what the struggle is really about. Cabral reminds us that, ‘the people are not fighting for the things in our heads’. They are not fighting for concepts, ideas or theory. He tells us that, ‘the people are fighting for real benefits’. Our people want land to till, they want bread to eat, jobs for their children and shelter over their head. Real, tangible benefits.

It is embarassing to say it, but it seems Manyane Mangope may have understood Amilcar Cabral better than our own liberators.

His legacy will remain a useful study in democracy and development. It fits the truism that benevolent dictators achieve better and more rapid development, than democratically elected governments.

MOEMEDI KEPADISA 2
MOEMEDI KEPADISA 3
MOEMEDI KEPADISA 4
MOEMEDI KEPADISA 5
MOEMEDI KEPADISA 6
MOEMEDI KEPADISA 7
MOEMEDI KEPADISA 8
MOEMEDI KEPADISA 9
MOEMEDI KEPADISA 10
MOEMEDIA KEPADISA 11
MOEMEDIA KEPADISA 12
MOEMEDIA KEPADISA 13

First published on Facebook, January 21 2018. Republished in herri with kind permission of the author.

Notes
1. ↑ When the article was first published in 2018 the given number of years was 23.
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Archive About Contact Africa Open Institute