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9
Contents
editorial
DON LETTS & SINÉAD O’CONNOR
Trouble of the World
MOEMEDI KEPADISA
A useful study in Democracy
FRED HO
Why Music Must Be Revolutionary – and How It Can Be
LOUIS CHUDE-SOKEI
Walking With Sound: Race and the Prosthetic Ear
Theme Lefifi Tladi
NUNU NGEMA
A Portrait of Ntate Lefifi Victor Tladi
MASELLO MOTANA
Tladi Lefifing!
SHEBA LO
Munti wa Marumo (Return to the source): Lefifi Tladi’s Cultural Contributions to the Struggle 1970-1980
SHANNEN HILL
CREATING CONSCIOUSNESS - Black Art in 1970s South Africa
EUGENE SKEEF
Convergence at the OASIS
LEFIFI TLADI
One More Poem For Brother Dudu Pukwana
DAVE MARKS
Liner Notes
PONE MASHIANGWAKO
My Journey with Mammoths: Motlhabane Mashiangwako and Lefifi Tladi.
GEOFF MPHAKATI & ARYAN KAGANOF
Giant Steps
ES’KIA MPHAHLELE
Renaming South Africa
LERATORATO KUZWAYO
Boitemogelo - Definitions of consciousness draped in Blackness
BRIDGET THOMPSON
Piecing Together Our Humanity and Consciousness, Through Art, Life and Nature: Some thoughts about friendship with the artist, musician and wordsmith: Lefifi Tladi
LEFIFI TLADI with REZA KHOTA & HLUBI VAKALISA
Water Diviner
PALESA MOKWENA
Bra Si and Bra Victor: The Black Consciousness Artists Motlhabane Mashiangwako & Lefifi Tladi
FRÉDÉRIC IRIARTE
Proverbs
ARYAN KAGANOF
Lefifi Tladi – The Score
DAVID LOCKE
Simultaneous Multidimensionality in African Music: Musical Cubism
MORRIS LEGOABE
A Portrait of Motlhabane Simon Mashiangwako, Mamelodi, 1978
ZIM NGQAWANA & LEFIFI TLADI
Duet of the Seraphim
PERFECT HLONGWANE
Voices in the Wilderness: A Trans-Atlantic Conversation with LEFIFI TLADI
LEFIFI TLADI with JOHNNY MBIZO DYANI & THABO MASHISHI
Toro for Bra Geoff
LEKGETHO JAMES MAKOLA
Facebook Post May 24 2023
KOLODI SENONG
Darkness After Light: Portraits of Lefifi Tladi
LEFIFI TLADI
The African Isness of Colour
EUGENE SKEEF
A Portrait of Lefifi Tladi, an Alchemist Illuminating Consciousness, London, 1980s.
galleri
BELKIS AYÓN
intitulada
LIZE VAN ROBBROECK & STELLA VILJOEN
Corpus of Ecstasy: Zanele Muholi at Southern Guild
BADABEAM BADABOOM
Excerpts from the genius cult book of black arts
PETKO IORDANOV
African Wedding (super8mm 9fps)
ANTHONY MUISYO
folk tales and traditions, the algorithm, ancient history and the city of Nairobi
NHLANHLA DHLAMINI
How to Fight the Robot Army and Win?
DZATA: THE INSTITUTE OF TECHNOLOGICAL CONSCIOUSNESS
A Repository of Thought
borborygmus
AMOGELANG MALEDU
Colonial collections as archival remnants of reclamation and (re)appropriation: reimagining the silenced Isigubu through Gqom
MALAIKA MAHLATSI
Townships were never designed for family recreation
BONGANI TAU
Can I get a witness: sense-less obsessions, brandism, and boundaries by design
SALIM WASHINGTON
The Unveiling
DYLAN VALLEY
Benjamin Jephta: “Born Coloured, Not Born Free”
EUGENE THACKER
Song of Sorrow
STANLEY ELKIN
The Flamenco Dancer
KEVIN BISMARK COBHAM
Plasticizing Frantz and Malcolm. Ventriloquism. Instrumentalization.
ARTURO DESIMONE
What the Devil do they Mean When they Say “Crystal Clear?’’
frictions
DIANA FERRUS
My naam is Februarie/My name is February
AFURAKAN
8 Poems From Poverty Tastes Like Fart! Ramblings, Side Notes, Whatever!
KHULILE NXUMALO & SIHLE NTULI
The Gcwala Sessions
LESEGO RAMPOLOKENG
Gwala Reloaded
ARI SITAS
Jazz, Bass and Land
ZOE BOSHOFF & SABITHA SATCHI
Love, War and Insurrection - A discussion about poetry with Ari Sitas
RICO VERGOTINE
Botmaskop (Afrikaanse Mistress)
RAPHAEL D’ABDON
kings fools and madwomen (after dario fo and janelle monae)
claque
JIJANA
home is where the hut is - Notes for a future essay on Ayanda Sikade’s Umakhulu
MATTHIJS VAN DIJK
Bow Project 2: Bowscapes – In Memory of Jürgen Bräuninger
PATRICK LEE-THORP
A discourse in the language of the Global North based on the colonial history of copyright itself: Veit Erlmann's Lion’s Share.
PERFECT HLONGWANE
A close reading of Siphiwo Mahala’s Can Themba – The Making and Breaking of an Intellectual Tsotsi: A Biography
RITHULI ORLEYN
The Anatomy of Betrayal: Molaodi wa Sekake’s Meditations from the Gutter
NCEBAKAZI MANZI
Captive herds. Erasing Black Slave experience
KARABO KGOLENG
Chwayita Ngamlana’s If I Stay Right Here: a novel of the digital age
WAMUWI MBAO
Nthikeng Mohlele’s The Discovery of Love: a bloodless collection.
RONELDA KAMFER
The Poetry of Victor Wessels: black, brooding black
NATHAN TRANTRAAL
Ons is gevangenes van dit wat ons liefhet: Magmoed Darwiesj gedigte in Afrikaans
ARYAN KAGANOF
Khadija Heeger's Thicker Than Sorrow – a witnessing.
KYLE ALLAN
Zodwa Mtirara’s Thorn of the Rose
ADDAMMS MUTUTA
Third Cinema, World Cinema and Marxism without a single African Author?
ekaya
NDUDUZO MAKHATHINI
Spirituality in Bheki Mseleku’s Music
ESTHER MARIE PAUW
Africa Open Improvising & AMM-All Stars
STEPHANUS MULLER
An interview with Jürgen Bräuninger and Sazi Dlamini
off the record
TSITSI ELLA JAJI
Charlotte Manye Maxeke: Techniques for Trans-Atlantic Vocal Projection
KGOMOTSO RAMUSHU
Skylarks and Skokiaan Queens: Jazz women as figures of dissent
OLIVIER LEDURE
Some Posters and LP Covers of South African JAZZ Designed by South African Artists
HERMAN LATEGAN
Memories of Sea Point
ANDERS HØG HANSEN
Sixto and Buffy: Two Indigenous North American Musical Journeys
REINBERT DE LEEUW
Sehnsucht
RICK WHITAKER
The Killer in Me
feedback
VANGILE GANTSHO
Thursday 8 December 2022
KEV WRIGHT
Monday 2 January 2023
WILLIAM KELLEHER
Wednesday, 1 February 2023
STEFAN MAYAKOVSKY
Thursday 2 March 2023
FACEBOOK FEEDBACK
Facebook
herri_gram FEEDBACK
Instagram
the selektah
TENDAYI SITHOLE
Underground: The Sphere of 2SMan
PhD
DIE KOORTJIE UNDERCOMMONS
Inhoudsopgawe
INGE ENGELBRECHT
1. Entering the undercommons
INGE ENGELBRECHT
2. Conserve undercommons
INGE ENGELBRECHT
3. Die Kneg en die Pinksterklong
INGE ENGELBRECHT
4. To be or not to be
INGE ENGELBRECHT
5. Ôs is dai koortjie
INGE ENGELBRECHT
6. Decoding die koortjie
INGE ENGELBRECHT
7. Die Holy of Holies
INGE ENGELBRECHT
8. Epilogue
hotlynx
shopping
SHOPPING
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contributors
the back page
DOROTHEE RICHTER
(NON-)THINGS or Why Nostalgia for the Thing is Always Reactionary
ANASTASYA VANINA
War
© 2024
Archive About Contact Africa Open Institute
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    #09
  • Theme Lefifi Tladi

MASELLO MOTANA

Tladi Lefifing!

Nako gape gape lefatshe le ise le timella ke seemo
E fetole bana ba mmu ditšhuana
Dichuna di ellang nokeng di namela dithaba
Dichuana di sa itse modumo wa tlou e tshwereng ke leino….

Lefifi Tladi.
Lefifi Tladi & Masello Motana, GaRankuwa 2016. Photo courtesy of Masello Motana.

Karolo ya mathomo: (Nkebe!)

Eh jo! Esmarnete! Weitse ke gantšhi bjang ke utlwa batho ba re, nkebe’ ge ba bolela ka mokgwa o naga e leng ka teng ka mo tlase ga puso ya magatlapa. Bangwe ba re nkebe re lwele, ba bangwe ba re ba  nkebe go dumelletswe gore sechaba se be teng ka Codessa. Ba bangwe ba re mathata a rena a thomile ke yona Codessa ya teng, ba bangwe ba re kgale dimpja tse di re rekisitse. Re imelwa ke ditlhogo bjanong ka bolwetsi ba nkebe.

Nkebe ke ngwana wa morago. Re tla ya pele bjang, re sa lebelle ko morago? Morago kae?

1912?
1949?
1955?
1984?
1991?
1992?
1994?
1996?

Ele gore why ke re re boelle ko megwangeng eo? Go iragetse enge ka yona?

1912
–
Popô ya mokgatlo wa ANC.
1949
–
Tswalo ya Lefifi Tladi
1955
–
Kopano ya batho ko Kliptown go tlhankantsha se ne setse se tlhakantshitswe ke makomanese, ba re ke Freedom Charter. Charter e ngadisitseng maAfrika go thoma PAC.
1984
–
Dipoledisano tsa mathomo tsa sephiri.
1991
–
Codesa 1
1992
–
Codesa 2
1994
–
Dikgeto tsa mathomo ka morago ga Apartheid
1996
–
TRC (Kgotla ya dipopae)

Ke kgwela mathe mo fatshe, ge a oma ebe o boile! Go ra gore ge o boella morago o ka se ye kgole,o tla no jika mo kgaufi, 1994. Go re re e tlhafune pila taba e, go tlhokega  gore re fatlhollege, re tswe mo lefifing le re leng mo lona. Gape re wetse ke leru! Ba bantšhi ba re re tlhoka karabo ya semoya. Ke dumellana le bona mara bona…..gore re utlwisise gore bothata ba rena ke enge re tlhoka go fatlhollwa ka lesedi la Tladi!

Ke tlhele ke nwa mo sedibeng sa Lefifi Tladi. Mo ngwageng o (2023), ke memilwe ke Yunivesithi ya Kolone mo Jeremane go re ke tlo bapatsa kitso le go ira dipatlisiso ka megopolo ya bana ba thari ba dutseng mo Yuropa sebaka. Ebile ke ngwala shandis e gona hier, motse Berlin. Go bapatsa kitso ya ka ditiragalo tsa naga ya rena, ke ba tliseditse The Vocal Museum, ka e tshameka le batshemeki ba go tswa gae le mothaka o mongwe wa ko Cameroon o ntseng ka mo nako e telle. Ya dipatlisiso ke e arabile ka The Diaspora Experiment, ke e tshamikile le mathaka a mararo a ko Ghana le o mongwe wa ko Turkey. Mo gare ga tsona ditiragatso tse, ke gatisitse polelo ya segopotso sa June 16 ko Rautenstrach-Joost Museum e gatisitsweng mo mafarathlatllheng a Facebook.

Lefifi Tladi, Akala, Stockholm, Friday 4 August 2023. Photo: Julian Birbrajer.

Ke ile ko sedibeng Go nontsha polelo ya segopotso, ke boetse maropeng sa Lefifi Tladi gape, ka mema setšaba gore se tlo nwa le nna. Nkhape sedibeng seo wena o balang mo ka gore ke bona Tladi a le botlhokwa thata go re thusa go alafa bolwetsi bo ba nkebe. Ke ngaka e re e tlhokang mo matsatsing a. Re tlhoka  tladi lefifing, go re matlafatsa gore re kgone go tlosa leru le le re wetseng.

LEFIFI TLADI: Ge o ka lebella yona issue e ya Codessa, it never even touched the real cause ya exile ya bana ba 1976, you know, niks! Except ba ba suleng ho tshwana le bo Tsietsi. Tshwanetse re ye ko modung pele. 1994 ne e le ona ngwaga o nkebe  re kopane re le sechaba, re itshebe. Gore le bona baetamorago ba rena ba kgone gore tlhalosetsa gore boipuso bo, bo ra enge. Sa mathomo se nkebe se irilwe ke gore go ba ne le mmereko wa semoya, wa go ithlatswa, go ikolomaka. Mmereko wa go tlosa mabadi a Apartheid. Sa pele, se nkebe se irilwe….wa bona ka setso sa rena motho ge a ile tronkong, ge a tswa tronkong , wa tlhapisiwa. Ebile ka dinako tse dingwe, ba go tlhapisa o sa le ko veneng, ka mokgwa o tronko e na leng senyamanyama ka teng, le go e nkgella fela! Ge ke bolela ka go tlhapisiwa, ka itse gore bontšhi ba rena ba tlhapisitswe ko malapeng a bona mara ne re sa ya trokong ka mabaka a family. Re ile tronkong ka hobane ne re lwela setšhaba. Thats why ne re tlhoka a national cleansing ceremony.. Ebile ka 1994, ne re le letlhogonolo ka gore ne re sentse re na le dingaka tsa nnete, boCredo Mutwa. Ke bona ne ba tshwantse ba re etele pele ka go tlhapisa batho bo botlhe ba ne ba leng ko trongkong ya Robbers Island. Ne go le botlhokwa gore go be le lenaneo la go tlhapisiwa la sechaba, eseng fela ya ko lapeng. Ke nagana le gore go na le leina lateng, amsho ka seZulu, bare ba go tlhapisa sejindane. Nna ke itse go jinda ka setsotsi….. Ge ba fetsa go tlhapisa ba ne ba le ko chankaneng ko nokeng, ne tshwantse go latele matlola trata, ba ba reng ke ma-exile. Le bona ne ba tshwanetse ba tlhapisiwe ka gore ne ba le ko jarateng ya tronko. That’s what exile was all about! Endene ge ba fetsa ka ba, ne tshwanetse go tle  maburu a! Ene maburu a, they were supposed to having a cleansing and naming ceremony, so that they get their true identity as maSouth African. Instead of just talking in this amorphous superficial way, heh heh black and white shall live together. We have to live together as South Africans, irrespective of pigment. Trupa ya dilase, ke lena ma-inzile. Ka gore le lena ne le le gona ka mo jarateng ya tronko, le lena ne tshwantse le tlhapisiwe. Enden ge se ne ba tlhapisa batho bo botlhe, re kgopele baeng ba ba rona who dont technically qualify as South Africans. “Batho ba modimo goba ba satane, re tsweleng ka motse. Re nyaka go itsheba. Re kgone go tlhaloseta setšhaba gore bjanong tiro ya rona ke enge. Go na le buka e dese ya Nkrumah e bitswang Axioms of Nkrumah, e fang batho leano la gore maikarabelo a motho o mongwe le o mongwe o a leng karolo ya setšhaba ke enge in the collective upliftment. Ge se ne batho ba botlhe ba tsamaya ba ipoella ko bo bona, ne re tla re re tla ba bitsa ge re fetsa. Ka gore ba re thusitse gore re lwele tokollogo, re tla bona gore le re thusa bjang gore e tlhamalle. Thats why ke ngwetse sereto se se botlhokwa thata kgale ba re ke Ga re itshebeng. A re so be le nako ya go itsheba.” Ne tshwantse re bitse le boramatlhale ba ba alafang maikutlo le ditlhaloganyo, tsona disanusi tsa nnete, ge ele gore di sa le teng. Because it seems every Tom, Dick and Salamina setse e lethwasana. A re itse ke mang a jaivang, ke mang a na le nnete. Se se salang, ke nako ya  go itsheba sefya. Ge re itshebile, re tla itse gore ro thoma go ikalafa ko kae, wa bona? Dikalafi tsa mathomo tshwantse gore di be ko creche. Gape batho ba ba godisang bana ba rena a ba itse le gore botlhokwa ba bana ke enge. Every one of us, a re yeng to these day care centres, re nne fela motshegare, ebile a re bereke, re bolaiwa ke bolofa. A re yeng daar, ho re re utlwa gore bana enge. Go tloga mo, ke gona re tla thomang go ikopantsha.

Masello Motana: Ke dumellana thata le mantswe a mogolo wa ka, mo ke sa dumellaneng le ena ke mo a reng re kobe batho ba go tswa ko ntle re kgone go itsheba. Potsiso ya ka ke gore ko ntle ga enge? A se gona go buselletsa methalo ya manong ge re re re lokisa go ya  ka methalo ya Berlin? Bothata a se gore go na le mathata mo South Africa, aowa, South Africa ke yona bothata bo bo golo. Ge re sa utlwisise seo, re tlo nna re boella mo bolwetsing ba nkebe.

Karolo ya bobedi: Tlhokaleina.

Lefifi Tladi: Go na le dilo tse dine tse botlhokwa go bopa naga. Mo Afrika, tsatsi le dinaga di belegwang, di neiwa leina. Naga e tseiwa bjana ka lesea le le thlokang go fiwa leina. Dinaga tse ne di theilwe ka di direction, di filwe maina a mphya. Bontšhi ba bana ba rena a ba itse gore le go na le naga e bitswang South West Africa, e rile ge e belegwa ba re ga e sa le direction, ke Namibia. E ne ba re ke Bechuanaland, ge e belegwa  ba re ke Botswana. E ne ba re ke Southern Rhodesia, ge e belegwa ba e theile Zimbabwe. Northern Rhodesia ya ba Zambia. Upper Volta, ba re ke Burkina Faso. Wa di bona tse tsotlhe gore di filwe maina a mphya. Ya rena erile ge e belegwa ba e tlogela ntse e le direction. Ebile batho ba ko kgole ba na le go tlabega ge ba re botsisa gore re tswa kae. Nagana ba go botsisa gore ngwana gao ke mang, e be o re ke North West! Naga e ya rena, ke tlhoka leina. Ne ntse re bolela ka taba ya leina la naga ka matsatsi ale, ge ke gopola le Don Mattera esale a dumellana le rena gore South Africa e, e tlhoka leina. We have to come up with the appropriate name. The most appropriate name we thought of was Gazania. Gazania ke leina la lelomo le basarwa ba le berekisang ge ba alafa. Ba bangwe ne ba na le pelaelo ka lelomo. Ge batho ba kgona go theya lewatle le lotlhe ka climate ba re ke Meditarenaean sea. Why can’t we call our country after a healing flower? Sa bobedi a re na flaga. Ka gore flaga e re e berekisang, ne ba rile ke Flag of National Unity, De Klerk e sa le Vice President ya Mandela. De Klerk never even finished his term. That flag of national unity e sa le ya fellwa ke mmereko tsatsi le ba ngadileng Nationalist Party. Tabakgolo ke gore flaga e ke cut and paste ya mebala ya ANC le ya Nationalist Party. Bjanong ka gore ga e sa le teng, what are we pledging to? Ene bontšhi a re itse le gore lentswe le la pledge le ra enge. It was called a flag of transition, it never transitioned so technically a re na flaga. Ba bangwe ba re, it was adopted. Ene ka sekgowa ge o adopter ke gore o amogela selo se e seng sa gago. Ya boraro, a re na le anthem. E re e opelang a se ya mo gae. E opediwa ko AU le dinaga tse dingwe. Ko bofellong re e bethile cut and paste le disteme. Ka madimabe batho ba bantšhi ba rena ashinki ba e bale disteme e, a ba itse le go re e ra goreng. Re opela dilo tse re sa di itseng, tsona tse bakileng June 16 e re bolelang ka yona kajeno, ka leleme le la bona batho ba bolaileng bana ba Soweto.

Lefifi Tladi, Akala, Stockholm, Friday 4 August 2023. Photo: Julian Birbrajer.

Sa bone se se bothlokwa ke gore naga e ngwe le engwe ge e kreya independence, e fa chelete ya yona leina. Le yona South Africa ge e tlo ba republic ba ngadile diponto tsa maBrittishi ba thoma go berekisa ranta. Basotho ba na le maluti, Batswana ba na le dipula, Maswati a na le malangeni. Rena sentse re kakatletse mosela wa Paul Kruger.

Mathe a omile bana ba mmu, a se lebogiwe.

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Archive About Contact Africa Open Institute