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9
Contents
editorial
DON LETTS & SINÉAD O’CONNOR
Trouble of the World
MOEMEDI KEPADISA
A useful study in Democracy
FRED HO
Why Music Must Be Revolutionary – and How It Can Be
LOUIS CHUDE-SOKEI
Walking With Sound: Race and the Prosthetic Ear
Theme Lefifi Tladi
NUNU NGEMA
A Portrait of Ntate Lefifi Victor Tladi
MASELLO MOTANA
Tladi Lefifing!
SHEBA LO
Munti wa Marumo (Return to the source): Lefifi Tladi’s Cultural Contributions to the Struggle 1970-1980
SHANNEN HILL
CREATING CONSCIOUSNESS - Black Art in 1970s South Africa
EUGENE SKEEF
Convergence at the OASIS
LEFIFI TLADI
One More Poem For Brother Dudu Pukwana
DAVE MARKS
Liner Notes
PONE MASHIANGWAKO
My Journey with Mammoths: Motlhabane Mashiangwako and Lefifi Tladi.
GEOFF MPHAKATI & ARYAN KAGANOF
Giant Steps
ES’KIA MPHAHLELE
Renaming South Africa
LERATORATO KUZWAYO
Boitemogelo - Definitions of consciousness draped in Blackness
BRIDGET THOMPSON
Piecing Together Our Humanity and Consciousness, Through Art, Life and Nature: Some thoughts about friendship with the artist, musician and wordsmith: Lefifi Tladi
LEFIFI TLADI with REZA KHOTA & HLUBI VAKALISA
Water Diviner
PALESA MOKWENA
Bra Si and Bra Victor: The Black Consciousness Artists Motlhabane Mashiangwako & Lefifi Tladi
FRÉDÉRIC IRIARTE
Proverbs
ARYAN KAGANOF
Lefifi Tladi – The Score
DAVID LOCKE
Simultaneous Multidimensionality in African Music: Musical Cubism
MORRIS LEGOABE
A Portrait of Motlhabane Simon Mashiangwako, Mamelodi, 1978
ZIM NGQAWANA & LEFIFI TLADI
Duet of the Seraphim
PERFECT HLONGWANE
Voices in the Wilderness: A Trans-Atlantic Conversation with LEFIFI TLADI
LEFIFI TLADI with JOHNNY MBIZO DYANI & THABO MASHISHI
Toro for Bra Geoff
LEKGETHO JAMES MAKOLA
Facebook Post May 24 2023
KOLODI SENONG
Darkness After Light: Portraits of Lefifi Tladi
LEFIFI TLADI
The African Isness of Colour
EUGENE SKEEF
A Portrait of Lefifi Tladi, an Alchemist Illuminating Consciousness, London, 1980s.
galleri
BELKIS AYÓN
intitulada
LIZE VAN ROBBROECK & STELLA VILJOEN
Corpus of Ecstasy: Zanele Muholi at Southern Guild
BADABEAM BADABOOM
Excerpts from the genius cult book of black arts
PETKO IORDANOV
African Wedding (super8mm 9fps)
ANTHONY MUISYO
folk tales and traditions, the algorithm, ancient history and the city of Nairobi
NHLANHLA DHLAMINI
How to Fight the Robot Army and Win?
DZATA: THE INSTITUTE OF TECHNOLOGICAL CONSCIOUSNESS
A Repository of Thought
borborygmus
AMOGELANG MALEDU
Colonial collections as archival remnants of reclamation and (re)appropriation: reimagining the silenced Isigubu through Gqom
MALAIKA MAHLATSI
Townships were never designed for family recreation
BONGANI TAU
Can I get a witness: sense-less obsessions, brandism, and boundaries by design
SALIM WASHINGTON
The Unveiling
DYLAN VALLEY
Benjamin Jephta: “Born Coloured, Not Born Free”
EUGENE THACKER
Song of Sorrow
STANLEY ELKIN
The Flamenco Dancer
KEVIN BISMARK COBHAM
Plasticizing Frantz and Malcolm. Ventriloquism. Instrumentalization.
ARTURO DESIMONE
What the Devil do they Mean When they Say “Crystal Clear?’’
frictions
DIANA FERRUS
My naam is Februarie/My name is February
AFURAKAN
8 Poems From Poverty Tastes Like Fart! Ramblings, Side Notes, Whatever!
KHULILE NXUMALO & SIHLE NTULI
The Gcwala Sessions
LESEGO RAMPOLOKENG
Gwala Reloaded
ARI SITAS
Jazz, Bass and Land
ZOE BOSHOFF & SABITHA SATCHI
Love, War and Insurrection - A discussion about poetry with Ari Sitas
RICO VERGOTINE
Botmaskop (Afrikaanse Mistress)
RAPHAEL D’ABDON
kings fools and madwomen (after dario fo and janelle monae)
claque
JIJANA
home is where the hut is - Notes for a future essay on Ayanda Sikade’s Umakhulu
MATTHIJS VAN DIJK
Bow Project 2: Bowscapes – In Memory of Jürgen Bräuninger
PATRICK LEE-THORP
A discourse in the language of the Global North based on the colonial history of copyright itself: Veit Erlmann's Lion’s Share.
PERFECT HLONGWANE
A close reading of Siphiwo Mahala’s Can Themba – The Making and Breaking of an Intellectual Tsotsi: A Biography
RITHULI ORLEYN
The Anatomy of Betrayal: Molaodi wa Sekake’s Meditations from the Gutter
NCEBAKAZI MANZI
Captive herds. Erasing Black Slave experience
KARABO KGOLENG
Chwayita Ngamlana’s If I Stay Right Here: a novel of the digital age
WAMUWI MBAO
Nthikeng Mohlele’s The Discovery of Love: a bloodless collection.
RONELDA KAMFER
The Poetry of Victor Wessels: black, brooding black
NATHAN TRANTRAAL
Ons is gevangenes van dit wat ons liefhet: Magmoed Darwiesj gedigte in Afrikaans
ARYAN KAGANOF
Khadija Heeger's Thicker Than Sorrow – a witnessing.
KYLE ALLAN
Zodwa Mtirara’s Thorn of the Rose
ADDAMMS MUTUTA
Third Cinema, World Cinema and Marxism without a single African Author?
ekaya
NDUDUZO MAKHATHINI
Spirituality in Bheki Mseleku’s Music
ESTHER MARIE PAUW
Africa Open Improvising & AMM-All Stars
STEPHANUS MULLER
An interview with Jürgen Bräuninger and Sazi Dlamini
off the record
TSITSI ELLA JAJI
Charlotte Manye Maxeke: Techniques for Trans-Atlantic Vocal Projection
KGOMOTSO RAMUSHU
Skylarks and Skokiaan Queens: Jazz women as figures of dissent
OLIVIER LEDURE
Some Posters and LP Covers of South African JAZZ Designed by South African Artists
HERMAN LATEGAN
Memories of Sea Point
ANDERS HØG HANSEN
Sixto and Buffy: Two Indigenous North American Musical Journeys
REINBERT DE LEEUW
Sehnsucht
RICK WHITAKER
The Killer in Me
feedback
VANGILE GANTSHO
Thursday 8 December 2022
KEV WRIGHT
Monday 2 January 2023
WILLIAM KELLEHER
Wednesday, 1 February 2023
STEFAN MAYAKOVSKY
Thursday 2 March 2023
FACEBOOK FEEDBACK
Facebook
herri_gram FEEDBACK
Instagram
the selektah
TENDAYI SITHOLE
Underground: The Sphere of 2SMan
PhD
DIE KOORTJIE UNDERCOMMONS
Inhoudsopgawe
INGE ENGELBRECHT
1. Entering the undercommons
INGE ENGELBRECHT
2. Conserve undercommons
INGE ENGELBRECHT
3. Die Kneg en die Pinksterklong
INGE ENGELBRECHT
4. To be or not to be
INGE ENGELBRECHT
5. Ôs is dai koortjie
INGE ENGELBRECHT
6. Decoding die koortjie
INGE ENGELBRECHT
7. Die Holy of Holies
INGE ENGELBRECHT
8. Epilogue
hotlynx
shopping
SHOPPING
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contributors
the back page
DOROTHEE RICHTER
(NON-)THINGS or Why Nostalgia for the Thing is Always Reactionary
ANASTASYA VANINA
War
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    #09
  • frictions

LESEGO RAMPOLOKENG

Gwala Reloaded

1

We are    being Other than

Nothing abstract in the Mthuli ka Shezi  death-train tracks

Thus I pledge allegiance   to the Gwala Fanonian concept :

‘literature should not be the refrigerated food of the bourgeois’

But) to service of the world’s wretched

Content fit form     survive liberal critic storm

    dictates WORD crawl in slime-line

            humming through slaughter   (Ondaatje apologies in a clown mask

Chapman-esque ‘ Soweto Poetry’  stickered arse fake formulation

standing at dead intellect ceremony

   demanding-&-supplying (commanding, if we talk essentials

factory-line conveyer-belt run disposable syntheticised township aesthetic

race hatchet created         sick & sickle cells    heavy-mental pickled brain

     (mediocre clone farmhands    uniform imagination bovine

Down the maggot food-chain

Black historic wounds fester   brain-blasted  gangrened past the green

Beneath the master-stand-in jackboot

Forget manicure    wave amputated fists     impotence manifest

    as hammers death-pound chain-blocks

             split open unlock Malombo spirit-sounds

       bound free beyond where first strange fruits swung odd Southern trees

 from thina to Nina race-shuttle time&space travel

2

Hisses hiding behind kisses     hugs given to hide bugs

Consumptive government     first the rejection      then post-demise

                hypocrite celebration   elite debauched abandonment

cos ‘ maverick a strike’ inna Finley Quaye chant      down deception

the power-block’s spiritual putrefaction

                   beyond Hail Marys & Our Fathers  absolution

                                     be still     (peace to Regina Mundi & Hail the Black Theological

blessed liberatory sermon  AMEN

now Blackness is….endangered species

3

Devil Thesis

First dehumanize next extinguish the guilt-light

  flip the mind-switch     perverse render the universe white

conjure-create slave original & duplicate

lymphatic on the world’s margins

black man hunt literal


the animals are rabid in the capital hole

force of the habitat     the asset-people

       tear-sludge cry Black so much it leaves ink-trails down the face

to write Black….pen-dig to the land’s entrails     & beyond

deeper than blood-minerals

4

Some hair turn soap

Others flowers on sycamore trees

Land pillage mind-rape

On tan castration dreamscapes

They melanin phallus obsess

Sharpen blades on sterile testicular whet-stones

5

Evil scales     guilt measurement

Inhumanity feed

Murderous innocence

Hell hath a story to tell

But) we are lived reality

Of) how Silence breed cruelty

          slashes conscience’s arteries

6

They WORD demarcate    taste arbitrate

Standardise their limitations   judgement sit—-

Sentinels for their west (& worst

The Gwala question stands :

‘what is poetic about that?’


Human flesh fertilise the boerewors jungle

Sharpeville’s blood flowed in flood  down the bulleted street

    & dripped thick into the water reservoir

racist heart-tongues lapped it    darker red than vampire fangs

                                                                               worm-victuals
   (fire-dam…

          they dangled Mickey Mouse trinket- freedoms off the edge)

split butt-cheek prophetic

Mind shrink breath constrict cardiac strangle rusty braincell-rattle

                                     freak abattoir scene

system necrophiliac         rick relish

‘unpoetic to write that’  -said the civil academic

… language is a race hiding place

7

Of incest bloodlines & lineages in-bred

Tear-songs at execution gone mortar-fears

How murder-farms harvest freedom

                                   & souls rich at rest

Human immolation

Massacre force-fires in Babi Yar

Truth  rings where conscience sings Victor Cassaus

 ‘Cuba si Yanqui non!’  Sierra Madre man-mountain

                                       UP against Caucasus vermin

Vo Nguyen Giap    Old Man Ho

Vietnam come alive in poem-form

The Black Word Bantu Ghost

Nicolas Guillen      the poet is a revolution

For some the war-zones     others….healing-fields

Narcotics for lullabies

Liberation WORD-music make   Hendrixian children

Parkered heroes

Clock tick time call villain slime-slink crawl towards a Humpty fall

The rhyme is on the toilet-wall.

8

Concentration-camp manufacture   gas-chamber creation

From Namibia to Belsen a supremacist sickness

Who make play & game of slay & slaughter

Then reap negotiated yields

Human stock market shares through the rafters

As on the slave-auction block

Civilization is a barbaric shock

Life not linear experience non-chronologic

Why attempt freeze the Black Consciousness moment in time cryogenic?

Black is a Forever Burn Eternal Flame

Its poetry a distillation of existence

We engrave that in our genetics.

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KHULILE NXUMALO & SIHLE NTULI
ARI SITAS
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Archive About Contact Africa Open Institute