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9
Contents
editorial
DON LETTS & SINÉAD O’CONNOR
Trouble of the World
MOEMEDI KEPADISA
A useful study in Democracy
FRED HO
Why Music Must Be Revolutionary – and How It Can Be
LOUIS CHUDE-SOKEI
Walking With Sound: Race and the Prosthetic Ear
Theme Lefifi Tladi
NUNU NGEMA
A Portrait of Ntate Lefifi Victor Tladi
MASELLO MOTANA
Tladi Lefifing!
SHEBA LO
Munti wa Marumo (Return to the source): Lefifi Tladi’s Cultural Contributions to the Struggle 1970-1980
SHANNEN HILL
CREATING CONSCIOUSNESS - Black Art in 1970s South Africa
EUGENE SKEEF
Convergence at the OASIS
LEFIFI TLADI
One More Poem For Brother Dudu Pukwana
DAVE MARKS
Liner Notes
PONE MASHIANGWAKO
My Journey with Mammoths: Motlhabane Mashiangwako and Lefifi Tladi.
GEOFF MPHAKATI & ARYAN KAGANOF
Giant Steps
ES’KIA MPHAHLELE
Renaming South Africa
LERATORATO KUZWAYO
Boitemogelo - Definitions of consciousness draped in Blackness
BRIDGET THOMPSON
Piecing Together Our Humanity and Consciousness, Through Art, Life and Nature: Some thoughts about friendship with the artist, musician and wordsmith: Lefifi Tladi
LEFIFI TLADI with REZA KHOTA & HLUBI VAKALISA
Water Diviner
PALESA MOKWENA
Bra Si and Bra Victor: The Black Consciousness Artists Motlhabane Mashiangwako & Lefifi Tladi
FRÉDÉRIC IRIARTE
Proverbs
ARYAN KAGANOF
Lefifi Tladi – The Score
DAVID LOCKE
Simultaneous Multidimensionality in African Music: Musical Cubism
MORRIS LEGOABE
A Portrait of Motlhabane Simon Mashiangwako, Mamelodi, 1978
ZIM NGQAWANA & LEFIFI TLADI
Duet of the Seraphim
PERFECT HLONGWANE
Voices in the Wilderness: A Trans-Atlantic Conversation with LEFIFI TLADI
LEFIFI TLADI with JOHNNY MBIZO DYANI & THABO MASHISHI
Toro for Bra Geoff
LEKGETHO JAMES MAKOLA
Facebook Post May 24 2023
KOLODI SENONG
Darkness After Light: Portraits of Lefifi Tladi
LEFIFI TLADI
The African Isness of Colour
EUGENE SKEEF
A Portrait of Lefifi Tladi, an Alchemist Illuminating Consciousness, London, 1980s.
galleri
BELKIS AYÓN
intitulada
LIZE VAN ROBBROECK & STELLA VILJOEN
Corpus of Ecstasy: Zanele Muholi at Southern Guild
BADABEAM BADABOOM
Excerpts from the genius cult book of black arts
PETKO IORDANOV
African Wedding (super8mm 9fps)
ANTHONY MUISYO
folk tales and traditions, the algorithm, ancient history and the city of Nairobi
NHLANHLA DHLAMINI
How to Fight the Robot Army and Win?
DZATA: THE INSTITUTE OF TECHNOLOGICAL CONSCIOUSNESS
A Repository of Thought
borborygmus
AMOGELANG MALEDU
Colonial collections as archival remnants of reclamation and (re)appropriation: reimagining the silenced Isigubu through Gqom
MALAIKA MAHLATSI
Townships were never designed for family recreation
BONGANI TAU
Can I get a witness: sense-less obsessions, brandism, and boundaries by design
SALIM WASHINGTON
The Unveiling
DYLAN VALLEY
Benjamin Jephta: “Born Coloured, Not Born Free”
EUGENE THACKER
Song of Sorrow
STANLEY ELKIN
The Flamenco Dancer
KEVIN BISMARK COBHAM
Plasticizing Frantz and Malcolm. Ventriloquism. Instrumentalization.
ARTURO DESIMONE
What the Devil do they Mean When they Say “Crystal Clear?’’
frictions
DIANA FERRUS
My naam is Februarie/My name is February
AFURAKAN
8 Poems From Poverty Tastes Like Fart! Ramblings, Side Notes, Whatever!
KHULILE NXUMALO & SIHLE NTULI
The Gcwala Sessions
LESEGO RAMPOLOKENG
Gwala Reloaded
ARI SITAS
Jazz, Bass and Land
ZOE BOSHOFF & SABITHA SATCHI
Love, War and Insurrection - A discussion about poetry with Ari Sitas
RICO VERGOTINE
Botmaskop (Afrikaanse Mistress)
RAPHAEL D’ABDON
kings fools and madwomen (after dario fo and janelle monae)
claque
JIJANA
home is where the hut is - Notes for a future essay on Ayanda Sikade’s Umakhulu
MATTHIJS VAN DIJK
Bow Project 2: Bowscapes – In Memory of Jürgen Bräuninger
PATRICK LEE-THORP
A discourse in the language of the Global North based on the colonial history of copyright itself: Veit Erlmann's Lion’s Share.
PERFECT HLONGWANE
A close reading of Siphiwo Mahala’s Can Themba – The Making and Breaking of an Intellectual Tsotsi: A Biography
RITHULI ORLEYN
The Anatomy of Betrayal: Molaodi wa Sekake’s Meditations from the Gutter
NCEBAKAZI MANZI
Captive herds. Erasing Black Slave experience
KARABO KGOLENG
Chwayita Ngamlana’s If I Stay Right Here: a novel of the digital age
WAMUWI MBAO
Nthikeng Mohlele’s The Discovery of Love: a bloodless collection.
RONELDA KAMFER
The Poetry of Victor Wessels: black, brooding black
NATHAN TRANTRAAL
Ons is gevangenes van dit wat ons liefhet: Magmoed Darwiesj gedigte in Afrikaans
ARYAN KAGANOF
Khadija Heeger's Thicker Than Sorrow – a witnessing.
KYLE ALLAN
Zodwa Mtirara’s Thorn of the Rose
ADDAMMS MUTUTA
Third Cinema, World Cinema and Marxism without a single African Author?
ekaya
NDUDUZO MAKHATHINI
Spirituality in Bheki Mseleku’s Music
ESTHER MARIE PAUW
Africa Open Improvising & AMM-All Stars
STEPHANUS MULLER
An interview with Jürgen Bräuninger and Sazi Dlamini
off the record
TSITSI ELLA JAJI
Charlotte Manye Maxeke: Techniques for Trans-Atlantic Vocal Projection
KGOMOTSO RAMUSHU
Skylarks and Skokiaan Queens: Jazz women as figures of dissent
OLIVIER LEDURE
Some Posters and LP Covers of South African JAZZ Designed by South African Artists
HERMAN LATEGAN
Memories of Sea Point
ANDERS HØG HANSEN
Sixto and Buffy: Two Indigenous North American Musical Journeys
REINBERT DE LEEUW
Sehnsucht
RICK WHITAKER
The Killer in Me
feedback
VANGILE GANTSHO
Thursday 8 December 2022
KEV WRIGHT
Monday 2 January 2023
WILLIAM KELLEHER
Wednesday, 1 February 2023
STEFAN MAYAKOVSKY
Thursday 2 March 2023
FACEBOOK FEEDBACK
Facebook
herri_gram FEEDBACK
Instagram
the selektah
TENDAYI SITHOLE
Underground: The Sphere of 2SMan
PhD
DIE KOORTJIE UNDERCOMMONS
Inhoudsopgawe
INGE ENGELBRECHT
1. Entering the undercommons
INGE ENGELBRECHT
2. Conserve undercommons
INGE ENGELBRECHT
3. Die Kneg en die Pinksterklong
INGE ENGELBRECHT
4. To be or not to be
INGE ENGELBRECHT
5. Ôs is dai koortjie
INGE ENGELBRECHT
6. Decoding die koortjie
INGE ENGELBRECHT
7. Die Holy of Holies
INGE ENGELBRECHT
8. Epilogue
hotlynx
shopping
SHOPPING
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contributors
the back page
DOROTHEE RICHTER
(NON-)THINGS or Why Nostalgia for the Thing is Always Reactionary
ANASTASYA VANINA
War
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Archive About Contact Africa Open Institute
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    #09
  • Theme Lefifi Tladi

ES’KIA MPHAHLELE

Renaming South Africa

Renaming South Africa

Zim Ngqawana: We used to question the name, the name of this country that has never been looked at or an attempt to change it and yet streets have been renamed you know, but the actual name for the country, even the continent, you know, we have always had problems with that: Africa, South Africa. The origin of the name Africa can you share that with us? Where does it come from? What does it mean? Africa? African? South Africa?

Es’kia Mphalele: Well South Africa is a geographical description of the part of Africa, not so?

Lefifi Tladi: There was South West Africa too.

Es’kia Mphahlele: South West Africa, East Africa, and West Africa, those were multiple countries in a region but this is one country, South Africa so it just came to stay. Now Africa itself comes from Latin, comes from the Romans. You know how the Roman empire spread throughout a very large part of Africa, North Africa which is closer to Rome, and the Middle East and so on. And up to England, it created a whole empire. Now, names are names, we borrow names, and they become our tools, they become our possessions. OK, I am not particularly thrilled by “South Africa” as a name and I think we can get a better name, but the question is can we really spend much time, so much time, on debating a name when there is so much else to do. Very important things to do. If we do things the name will grow out of that. We don’t do anything so no name is going to grow out of our cultural development. We are not doing much. So let us not debate the name South Africa until we ourselves have organised our cultural development so well that the name itself becomes a natural development of it, and we will know what to call it.

Zim Ngqawana: Culturally speaking you know the importance of the name, when a child is born. I would imagine at this re-birth that we should emphasize on the name. I mean I know in my tradition when your wife is pregnant for those nine months the husband has to be in that state of meditation so he has to come up with the right name that will resonate positively to the child when that name is resounded.

Es’kia Mphahlele: Sure, there’s no doubt about that, but that’s when we talk about individuals. When we talk about a country we’re talking about a collective of people. We then have to modify our thinking, that’s the way I see it. Modify our way of thinking so that we arrive at the right kind of name which will still resonate our history but it won’t resonate a static history, it will resonate a history in motion, a history in action, a dynamic history that goes on.

Lefifi Tladi: Going back to what uZim was saying here, I think that when SWAPO took over they didn’t wait that, let this South West Africa continue and then we will see what will come out of it, they called it Namibia and the white people who are living there they realised that they are in another country and I think the perception of white people in South Africa hasn’t changed, they think they are still in South Africa.

Es’kia Mphahlele: I agree with you. Yes.

Lefifi Tladi: The naming of a country: When people said they were Zimbabweans, not Southern Rhodesians.

Zim Ngqawana: What happened to Azania and all the other names that came with that? And also I would like to know finally, the meaning of Africa itself?

Es’kia Mphahlele: The meaning of Africa? Nobody’s ever, really, as far as I know, our historians haven’t dug into that except that we happen to know that this is what the Romans called the continent and so we just adopted it. We don’t know exactly where, what brought it into life.

Lefifi Tladi: There’s another explanation, if I may punctuate, that I read in another book that actually this word is an anagram, when you write it and mix it, all of it, you find AF RI KA becomes KA FI RA, which is a derogatory way of looking at these non-believers that were on this continent.

Es’kia Mphahlele: The Arabic is kafir.

Lefifi Tladi: Kafir. And this guy, I don’t know much about linguistics and things, but he was saying if you say Kafira, that’s his own opinion, but it makes sense from my…

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GEOFF MPHAKATI & ARYAN KAGANOF
LERATORATO KUZWAYO
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Archive About Contact Africa Open Institute