• Issue #01
  • Issue #02
  • Issue #03
  • Issue #04
  • Issue #05
  • Issue #06
  • Issue #07
  • Issue #08
  • Issue #09
  • Issue #10
  • Issue #11
  • Issue #12
12
Contents
editorial
LUCAS LEDWABA
Festival in forgotten community seeks to amplify rural voices through art
RATO MID FREQUENCY
Social Death Beyond Blackness
HUGO KA CANHAM
Exchanging black excellence for failure
LOUIS CHUDE-SOKEI WITH IR INDIGENOUS RESISTANCE
Sharp as a Blade: Decolonizing Decolonization
Theme Timbila Library
MALAIKA WA AZANIA
The Timbila Library - 120 books to read by age 28
MING DI
“Through Multiculturalism We Become Better Humans”: A Conversation with Vonani Bila
MZWANDILE MATIWANA
The surviving poet
NOSIPHO KOTA
Seven Poems
MPHUTLANE WA BOFELO
Language is Land
MXOLISI NYEZWA
Seven Notes To A Black friend, The Dance of the Ancestors and Two Other Songs That Happened
VONANI BILA
Ancestral Wealth
PHILLIPPA YAA DE VILLIERS
Voices of the Land: Poets of Connection
MASERAME JUNE MADINGWANE
Three Poems
SANDILE NGIDI
Three Poems
VONANI BILA
Probing ‘Place’ as a Catalyst for Poetry
DAVID WA MAAHLAMELA
Four Poems
MAKHOSAZANA XABA
Poems from These Hands
TINYIKO MALULEKE
An Ode to Xilamulelamhangu: English-Xitsonga Dictionary
KGAFELA OA MAGOGODI
Five Outspoken Poems
MZI MAHOLA
Three Poems
VUYISILE MSILA
People’s English in the Poetry of Mzi Mahola and Vonani Bila
VONANI BILA
The Pig and four other poems
MPUMI CILIBE
American Toilet Graffiti: JFK Airport 1995
KELWYN SOLE
Craft Wars and ’74 – did it happen? (unpublished paper)
MAROPODI HLABIRWA MAPALAKANYE
Troublemaker’s Prison Letter
AYANDA BILLIE
Four Poems
VONANI BILA
Moses, we shall sing your Redemption Song
MM MARHANELE
Three Poems
VUYISILE MSILA
Four Poems
RAPHAEL D’ABDON
Resistance Poetry in Post-apartheid South Africa: An Analysis of the Poetic Works and Cultural Activism of Vonani Bila
THEMBA KA MATHE
Three Poems
ROBERT BEROLD
Five Poems
VONANI BILA
The Magician
galleri
KHEHLA CHEPAPE MAKGATO
TŠHIPA E TAGA MOHLABENG WA GAYO
THAIO ABRAHAM LEKHANYA
Mary Sibande: Reimagining the Figure of the Domestic Worker
TSHEPO SIZWE PHOKOJOE
The Gods Must Be Crazy
DATHINI MZAYIYA
Early Works
KEMANG WA LEHULERE & LEFIFI TLADI
In Correspondence
TENDAI RINOS MWANAKA
Mwanaka Media: all sorts of haunts, hallucinations and motivations
ROFHIWA MUDAU
Colour Bars
OBINNA OBIOMA
Anyi N’Aga (We Are Going )
THULILE GAMEDZE
No end, no fairytale: On the farce of a revolutionary ‘hey day’ in contemporary South African art
SAM MATHE
On Comic Books
VONANI BILA
Caversham Centre: A Catalyst for Creative Writing and Engagement with Writers and Artists
KEITH ADAMS
Vakalisa Arts Associates, 1982–1992: Reflections
borborygmus
LYNTHIA JULIUS
Om ’n wildeperd te tem
EUGENE SKEEF
THEN AND NOW
BONGANI MADONDO
Out of Africa: Hip Hop’s half-a-century impact on modernity - a memoir of sound and youth, from the culture’s African sources, Caribbean “techno-bush” to its disco-infernal flourish.
KOPANO RATELE
You May Have Heard of the Black Spirit: Or Why Voice Matters
KWANELE SOSIBO
Innervisions: The Politricks of Dub
NDUDUZO MAKHATHINI
uNomkhubulwane and songs
RICHARD PITHOUSE
The radical preservation of Matsuli Music
CARSTEN RASCH
Searching for the Branyo
BONGANI TAU
Ukuqophisa umlandu: Using fashion to re-locate Black Psyche in a Township
VONANI BILA
Dahl Street, Pietersburg
FORTUNATE JWARA
Thinking Eroticism and the Practice of Writing: An Interview with Stacy Hardy
NOMPUMELELO MOTLAFI
The Fucking
frictions
IGNATIA MADALANE
Not on the List
SITHEMBELE ISAAC XHEGWANA
IMAGINED: (excerpt)
SHANICE NDLOVU
When I Think Of My Death
MPHUTLANE WA BOFELO
Biko, Jazz and Liberation Psychology
FORTUNATE JWARA
Three Delusions
ALEXANDRA KALLOS
A Kite That Bears My Name
NIEVILLE DUBE
Three Joburg Stories
M. AYODELE HEATH
Three Poems
ZAMOKUHLE MADINANA
Three Poems
VERNIE FEBRUARY
Of snakes and mice — iinyoka neempuku
KNEO MOKGOPA
Woundedness
VONANI BILA
The day I killed the mamba
JESÚS SEPÚLVEDA
Love Song for Renée Nicole Good
ALLAN KOLSKI HORWITZ
Three New Poems
claque
MAKHOSAZANA XABA
“Unmapped roads in us”: A Review of Siphokazi Jonas's Weeping Becomes a River
LINDA NDLOVU
Uhuru Portia Phalafala’s Mine Mine Mine
VONANI BILA
Kwanobuhle Overcast: Ayanda Billie's poetry of social obliteration and intimacy
WAMUWI MBAO
We Who Are Not Dead Yet: A Necessary Shudder
ENOCK SHISHENGE
Sam Mathe’s When You Are Gone
SIHLE NTULI
Channels of Discovery
MAKGATLA THEPA-LEPHALE
Lefatshe ke la Badimo by Sabata-mpho Mokae
PHILANI A. NYONI
The Mad
SEAN JACOBS
Mr. Entertainment
NELSON RATAU
On Culture and Liberation Struggle in South Africa — From Colonialism to Post-Apartheid, Lebogang Lance Nawa [Editor]
DIMAKATSO SEDITE
Morafe
MENZI MASEKO
Acknowledging Spiritual Power Beyond Belief - A Review of Restoring Africa’s Spiritual Identity by African Hidden Voices (AHV)
DOMINIC DAULA
Kassandra by Duo Nystrøm / Venter: Artistry inspired by Janus
RIAAN OPPELT
Get Jits or Die Tryin’
MZOXOLO VIMBA
The weight of the sack: Hessian, history and new meaning in Tshepo Sizwe Phokojoe’s “The Gods Must be Crazy” exhibition.
RICK DE VILLIERS
Review: Ons wag vir Godot – translated by Naòmi Morgan
GOODENOUGH MASHEGO
We Who Are Not Dead Yet by Aryan Kaganof
MAKGATLA THEPA-LEPHALE
SACRED HILLS, A Novel by Lucas Ledwaba
ekaya
MALIKA NDLOVU
Beloved sister Diana
VONANI BILA
The Timbila Poetry Project
MARK WALLER
It’s time to make arts and culture serve the people
LUCAS LEDWABA
'I have nothing left' – flood victims count the costs
KOPANO RATELE & THE NHU SPACE POSSE
On The ‘NHU’ Space
LWAZI LUSHABA
A Video Call with Kopano Ratele on Politics and the Black Psyche, 22 July 2024
CHARLA SMITH & KOPANO RATELE
“Men cannot love if they are not taught the art of loving”: Blueprints for caring boys and men
LAING DE VILLIERS
A visit to the Mighty Men’s Conference and Uncle Angus: A perspective on masculinity
THOMAS HYLLAND ERIKSEN & RIAAN OPPELT
Post-apartheid diversification through Afrikaaps: language, power and superdiversity in the Western Cape
MARTIN JANSEN
Where is the Better Lyf You Promised Us?
THADDEUS METZ
Academic Publishing is a Criminal Operation
off the record
MIRIAM MAKEBA
Sonke Mdluli
ALON SKUY
Marikana 2012/2022
ZAKES MDA
Biko's Children (12 September 2001)
VONANI BILA
Ku Hluvukile eka ‘Zete’: Recovering history and heritage through the influence of Xitsonga disco maestro, Obed Ngobeni
IAN OSRIN
Recording Obed Ngobeni with Peter Moticoe
MATSULI MUSIC
The Back Covers
THEODORE LOUW
Reminiscing
GAVIN STEINGO
Historicizing Kwaito
LEHLOHONOLO PHAFOLI
The Evolution of Sotho Accordion Music in Lesotho: 1980-2005
DOUGIE OAKES
On Arthur Nortje, The Poet Who Wouldn’t Look Away
PULE LECHESA
Sophonia Machabe Mofokeng: Distinguished Essayist and Dramatist in the pantheon of Sesotho Literature
NOKUTHULA MAZIBUKO
Spring Offensive
feedback
OSCAR HEMER
16 October 2025
PALESA MOKWENA
9 October 2024
MATTHEW PATEMAN
11 August 2024
RAFIEKA WILLIAMS
12 August 2023
ARYAN KAGANOF
26 October 2021 – A letter to Masixole Mlandu
FACEBOOK FEEDBACK
Facebook
herri_gram FEEDBACK
Instagram
PhD
ALICE PATRICIA MEYER
Timbila Poetry: Vonani Bila’s Poetic Project
the selektah
VONANI BILA
Vonani's Choice
ARYAN KAGANOF
herri films
hotlynx
hotlynx
hotlynx are sizzling
shopping
SHOPPING
Order Online | Pay Online |
contributors
CONTRIBUTORS
From Alice to Zama
the back page
WALTER MIGNOLO
Presentación El cine en el quehacer (descolonial) del *hombre*
MENZI APEDEMAK MASEKO
The Meaning of ‘Bantu’
ACHILLE MBEMBE
Decolonizing Knowledge and the Question of the Archive
ROLANDO VÁZQUEZ
Translation as Erasure: Thoughts on Modernity’s Epistemic Violence
SABELO J NDLOVU-GATSHENI
The Dynamics of Epistemological Decolonisation in the 21st Century: Towards Epistemic Freedom
MARGARET E. WALKER
Towards a Decolonized Music History Curriculum
© 2026
Archive About Contact
    • Issue #01
    • Issue #02
    • Issue #03
    • Issue #04
    • Issue #05
    • Issue #06
    • Issue #07
    • Issue #08
    • Issue #09
    • Issue #10
    • Issue #11
    • Issue #12
    #12
  • Theme Timbila Library

NOSIPHO KOTA

Seven Poems

Township Woman

There is a woman in our township
She lives by herself in a two-bedroomed
house
Her cats are her only children
there are huge trees around her yard.

She is called iqgwirha
because she is dark-skinned,
old and wrinkled.
She wears black attire and that qualifies her
as a witch.

There is a woman in our township
she lives alone,
her husband died.
Her children are gone.

She is called umhlolokazi.
The dogs bark at her.
Taxi drivers don’t want her in their taxis,
its assumed she’ll bring bad luck.

There is a woman in our township
she lives alone,
in her subsidised house.

She is called amarosha,
by other women,
who think that she is out to get their men.
no one invites her to the social gatherings.

There is a woman in our township
She is an alcoholic
She drinks herself to oblivion.

She is called unotap,
she uses her children’s maintenance grant
to fund her booze consumption.

There is a woman in our township
She is baby-making machine
She produces a child every two years.

She is called inkomazi
She seldom goes out,
cause she has to breastfeed her lot.

There is a woman in our township
She is a small business woman,
And asks nothing from nobody.

She is called Iscwinana
Her home is well-furnished.
She eats out in fancy restaurants.

There is a woman in our township.
She shops at exclusive boutiques,
her wallet bulges with credit cards.

She is called umadam.
Her hobbies include going to the movies,
and come Sunday morning, she’s off to
Health and Racquet.

There is a woman in our township,
She is unemployed.
She basks in the sun all day long, gossiping.

She is called unolokishi.
She is obsessed with other people’s affairs,
drinking tea with our people’s miseries.

There is a woman in our township
She is beggar and thief.
She’s ungrateful

She is called ubergie,
She takes without permission.
And would sell her soul for a piece of meat.

There is a woman in our township
she is a shebeen queen.
Men’s wages are her means of survival.

She is called unosekeni.
She is loud and speaks non-stop.
She should have become a soccer commentator

There is a woman in our township
She sells vegetables at the bus terminal.
She earns her living doing laundry for Mrs
van Niekerk.

She is called unokitshi.
She wears takkies and blue overalls, with a
pretty apron,
that madam gave her for Christmas.

There is a woman in our township.
She is happily married or so she says.
She eats Kentucky Fried Chicken every
Friday.

She is called umastandi.
She looks after children and her in-laws.
Does her chores to perfection,
on month-ends her husband’s wages is
tucked in her bosom.
On His Funeral

His obituary
Was brief and short.

Only twelve lines.

He left no grieving spouse.
No children, no parents.

His coffin lay on the concrete stoep,
Plain cheap wood.

No flowers.
No tears.

No speeches.
No lies.

Just the simple funeral of a young man.
Until I Saw You

Until I saw you
I thought nobody lived there.
Until I saw you one evening,
Sitting on the red stoep,
Your feet firmly placed on the pavement,
A cigarette dangling from your chubby fingers.

Until I saw you,
I thought your home,
Was like the sea
On a cloudy day,
Deep and
Well-rested.

Now I see that it is you
Who lives in the cottage
With the curtains forever drawn,
The doors constantly locked,
No sounds coming from your home,
No smell of chicken soup in the air.
Leaving

A tug in my heart
A lump in my throat
A stone in my stomach
A sigh in my mouth

The car lights are on
Metro FM plays a song
The windows are down
The car reverses

Windows are rolled down
We say the last words
Thoughts fly on
Mother stands at the gate alone

It’s Sunday night
The robots are green
The road is empty
The tar is wet

A few men stand at the corner
A cigarette-light on
Grey smoke makes a circle
From the mouth and nose of the smoker.

The darkness doesn’t scare me
The moon shines on
The stars witness
My leaving home.
Neighbours

Neighbours always know
what’s going on
but on that night
when her body was found
with fourteen knife wounds
her underwear hanging on her neck,
her blood painting the wooden floors,

everybody said they did not hear a thing,
they swore.

She died alone.

No one heard her screams
piercing through her shack.
The neighbours were sleeping
while she was battered,
hacked,
and left to die alone.
Like a Log

My body
is mine,
skin,
blood and veins.

When you enter,
you push,
you thrust,
and fumble in.

It eludes me,
how you groan and moan,
sweat and sigh,
while I lay there,
revolted.
A House

There have been days
when I have felt
like a house
left
destitute
on a mountain-top

‘Township Woman’ and ‘Like a log’ appeared in Timbila 2001. ‘Leaving’, ‘Neighbours’, ‘Until I saw you’, ‘On his funeral’ appeared in Timbila 2002. ‘A house’ was published in Insight (Timbila & Bila Publishers, 2003)

Share
Print PDF
MZWANDILE MATIWANA
MPHUTLANE WA BOFELO
© 2026
Archive About Contact