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Contents
editorial
LUCAS LEDWABA
Festival in forgotten community seeks to amplify rural voices through art
RATO MID FREQUENCY
Social Death Beyond Blackness
HUGO KA CANHAM
Exchanging black excellence for failure
LOUIS CHUDE-SOKEI WITH IR INDIGENOUS RESISTANCE
Sharp as a Blade: Decolonizing Decolonization
Theme Timbila Library
MALAIKA WA AZANIA
The Timbila Library - 120 books to read by age 28
MING DI
“Through Multiculturalism We Become Better Humans”: A Conversation with Vonani Bila
MZWANDILE MATIWANA
The surviving poet
NOSIPHO KOTA
Seven Poems
MPHUTLANE WA BOFELO
Language is Land
MXOLISI NYEZWA
Seven Notes To A Black friend, The Dance of the Ancestors and Two Other Songs That Happened
VONANI BILA
Ancestral Wealth
PHILLIPPA YAA DE VILLIERS
Voices of the Land: Poets of Connection
MASERAME JUNE MADINGWANE
Three Poems
SANDILE NGIDI
Three Poems
VONANI BILA
Probing ‘Place’ as a Catalyst for Poetry
DAVID WA MAAHLAMELA
Four Poems
MAKHOSAZANA XABA
Poems from These Hands
TINYIKO MALULEKE
An Ode to Xilamulelamhangu: English-Xitsonga Dictionary
KGAFELA OA MAGOGODI
Five Outspoken Poems
MZI MAHOLA
Three Poems
VUYISILE MSILA
People’s English in the Poetry of Mzi Mahola and Vonani Bila
VONANI BILA
The Pig and four other poems
MPUMI CILIBE
American Toilet Graffiti: JFK Airport 1995
KELWYN SOLE
Craft Wars and ’74 – did it happen? (unpublished paper)
MAROPODI HLABIRWA MAPALAKANYE
Troublemaker’s Prison Letter
AYANDA BILLIE
Four Poems
VONANI BILA
Moses, we shall sing your Redemption Song
MM MARHANELE
Three Poems
VUYISILE MSILA
Four Poems
RAPHAEL D’ABDON
Resistance Poetry in Post-apartheid South Africa: An Analysis of the Poetic Works and Cultural Activism of Vonani Bila
THEMBA KA MATHE
Three Poems
ROBERT BEROLD
Five Poems
VONANI BILA
The Magician
galleri
KHEHLA CHEPAPE MAKGATO
TŠHIPA E TAGA MOHLABENG WA GAYO
THAIO ABRAHAM LEKHANYA
Mary Sibande: Reimagining the Figure of the Domestic Worker
TSHEPO SIZWE PHOKOJOE
The Gods Must Be Crazy
DATHINI MZAYIYA
Early Works
KEMANG WA LEHULERE & LEFIFI TLADI
In Correspondence
TENDAI RINOS MWANAKA
Mwanaka Media: all sorts of haunts, hallucinations and motivations
ROFHIWA MUDAU
Colour Bars
OBINNA OBIOMA
Anyi N’Aga (We Are Going )
THULILE GAMEDZE
No end, no fairytale: On the farce of a revolutionary ‘hey day’ in contemporary South African art
SAM MATHE
On Comic Books
VONANI BILA
Caversham Centre: A Catalyst for Creative Writing and Engagement with Writers and Artists
KEITH ADAMS
Vakalisa Arts Associates, 1982–1992: Reflections
borborygmus
LYNTHIA JULIUS
Om ’n wildeperd te tem
EUGENE SKEEF
THEN AND NOW
BONGANI MADONDO
Out of Africa: Hip Hop’s half-a-century impact on modernity - a memoir of sound and youth, from the culture’s African sources, Caribbean “techno-bush” to its disco-infernal flourish.
KOPANO RATELE
You May Have Heard of the Black Spirit: Or Why Voice Matters
KWANELE SOSIBO
Innervisions: The Politricks of Dub
NDUDUZO MAKHATHINI
uNomkhubulwane and songs
RICHARD PITHOUSE
The radical preservation of Matsuli Music
CARSTEN RASCH
Searching for the Branyo
BONGANI TAU
Ukuqophisa umlandu: Using fashion to re-locate Black Psyche in a Township
VONANI BILA
Dahl Street, Pietersburg
FORTUNATE JWARA
Thinking Eroticism and the Practice of Writing: An Interview with Stacy Hardy
NOMPUMELELO MOTLAFI
The Fucking
frictions
IGNATIA MADALANE
Not on the List
SITHEMBELE ISAAC XHEGWANA
IMAGINED: (excerpt)
SHANICE NDLOVU
When I Think Of My Death
MPHUTLANE WA BOFELO
Biko, Jazz and Liberation Psychology
FORTUNATE JWARA
Three Delusions
ALEXANDRA KALLOS
A Kite That Bears My Name
NIEVILLE DUBE
Three Joburg Stories
M. AYODELE HEATH
Three Poems
ZAMOKUHLE MADINANA
Three Poems
VERNIE FEBRUARY
Of snakes and mice — iinyoka neempuku
KNEO MOKGOPA
Woundedness
VONANI BILA
The day I killed the mamba
JESÚS SEPÚLVEDA
Love Song for Renée Nicole Good
ALLAN KOLSKI HORWITZ
Three New Poems
claque
MAKHOSAZANA XABA
“Unmapped roads in us”: A Review of Siphokazi Jonas's Weeping Becomes a River
LINDA NDLOVU
Uhuru Portia Phalafala’s Mine Mine Mine
VONANI BILA
Kwanobuhle Overcast: Ayanda Billie's poetry of social obliteration and intimacy
WAMUWI MBAO
We Who Are Not Dead Yet: A Necessary Shudder
ENOCK SHISHENGE
Sam Mathe’s When You Are Gone
SIHLE NTULI
Channels of Discovery
MAKGATLA THEPA-LEPHALE
Lefatshe ke la Badimo by Sabata-mpho Mokae
PHILANI A. NYONI
The Mad
SEAN JACOBS
Mr. Entertainment
NELSON RATAU
On Culture and Liberation Struggle in South Africa — From Colonialism to Post-Apartheid, Lebogang Lance Nawa [Editor]
DIMAKATSO SEDITE
Morafe
MENZI MASEKO
Acknowledging Spiritual Power Beyond Belief - A Review of Restoring Africa’s Spiritual Identity by African Hidden Voices (AHV)
DOMINIC DAULA
Kassandra by Duo Nystrøm / Venter: Artistry inspired by Janus
RIAAN OPPELT
Get Jits or Die Tryin’
MZOXOLO VIMBA
The weight of the sack: Hessian, history and new meaning in Tshepo Sizwe Phokojoe’s “The Gods Must be Crazy” exhibition.
RICK DE VILLIERS
Review: Ons wag vir Godot – translated by Naòmi Morgan
GOODENOUGH MASHEGO
We Who Are Not Dead Yet by Aryan Kaganof
MAKGATLA THEPA-LEPHALE
SACRED HILLS, A Novel by Lucas Ledwaba
ekaya
MALIKA NDLOVU
Beloved sister Diana
VONANI BILA
The Timbila Poetry Project
MARK WALLER
It’s time to make arts and culture serve the people
LUCAS LEDWABA
'I have nothing left' – flood victims count the costs
KOPANO RATELE & THE NHU SPACE POSSE
On The ‘NHU’ Space
LWAZI LUSHABA
A Video Call with Kopano Ratele on Politics and the Black Psyche, 22 July 2024
CHARLA SMITH & KOPANO RATELE
“Men cannot love if they are not taught the art of loving”: Blueprints for caring boys and men
LAING DE VILLIERS
A visit to the Mighty Men’s Conference and Uncle Angus: A perspective on masculinity
THOMAS HYLLAND ERIKSEN & RIAAN OPPELT
Post-apartheid diversification through Afrikaaps: language, power and superdiversity in the Western Cape
MARTIN JANSEN
Where is the Better Lyf You Promised Us?
THADDEUS METZ
Academic Publishing is a Criminal Operation
off the record
MIRIAM MAKEBA
Sonke Mdluli
ALON SKUY
Marikana 2012/2022
ZAKES MDA
Biko's Children (12 September 2001)
VONANI BILA
Ku Hluvukile eka ‘Zete’: Recovering history and heritage through the influence of Xitsonga disco maestro, Obed Ngobeni
IAN OSRIN
Recording Obed Ngobeni with Peter Moticoe
MATSULI MUSIC
The Back Covers
THEODORE LOUW
Reminiscing
GAVIN STEINGO
Historicizing Kwaito
LEHLOHONOLO PHAFOLI
The Evolution of Sotho Accordion Music in Lesotho: 1980-2005
DOUGIE OAKES
On Arthur Nortje, The Poet Who Wouldn’t Look Away
PULE LECHESA
Sophonia Machabe Mofokeng: Distinguished Essayist and Dramatist in the pantheon of Sesotho Literature
NOKUTHULA MAZIBUKO
Spring Offensive
feedback
OSCAR HEMER
16 October 2025
PALESA MOKWENA
9 October 2024
MATTHEW PATEMAN
11 August 2024
RAFIEKA WILLIAMS
12 August 2023
ARYAN KAGANOF
26 October 2021 – A letter to Masixole Mlandu
FACEBOOK FEEDBACK
Facebook
herri_gram FEEDBACK
Instagram
PhD
ALICE PATRICIA MEYER
Timbila Poetry: Vonani Bila’s Poetic Project
the selektah
VONANI BILA
Vonani's Choice
ARYAN KAGANOF
herri films
hotlynx
hotlynx
hotlynx are sizzling
shopping
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contributors
CONTRIBUTORS
From Alice to Zama
the back page
WALTER MIGNOLO
Presentación El cine en el quehacer (descolonial) del *hombre*
MENZI APEDEMAK MASEKO
The Meaning of ‘Bantu’
ACHILLE MBEMBE
Decolonizing Knowledge and the Question of the Archive
ROLANDO VÁZQUEZ
Translation as Erasure: Thoughts on Modernity’s Epistemic Violence
SABELO J NDLOVU-GATSHENI
The Dynamics of Epistemological Decolonisation in the 21st Century: Towards Epistemic Freedom
MARGARET E. WALKER
Towards a Decolonized Music History Curriculum
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    #12
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MAKGATLA THEPA-LEPHALE

SACRED HILLS, A Novel by Lucas Ledwaba

A common trait in Lucas Ledwaba’s writing oeuvre is his ability to tackle complex issues that affect ordinary South Africans in their daily lives, from writing about land reform to putting human faces on the mining sector’s struggle in South Africa.

When Sacred Hills hit the shelves, it was expected to add to his body of work in voicing social justice issues in South Africa. Sacred Hills, is his debut novel and adds a twist to his known storytelling, bringing to the attention of South Africans the issues affecting the forgotten Black masses. Sacred Hills adds a new dimension to his thematic corpus by introducing a love story amid the struggle against forced removals.

At first, I was skeptical of the narrative, because it’s slightly different to his other offerings in the literary space. However, the book proves to be worthwhile since it is a novel packed with diverse emotions and lively characters. Sacred Hills traces the Ndebele people of Rhwasha and narrates a story of love, calamity, land resistance and cultural norms and values among Africans. Growing up in the villages, I have always known kgoro as the highest court in traditional communities. Ledwaba’s historical novel also emphasizes the importance of Nkrundla as the highest court for the people of Rhwasha.

Even though the book is fiction, it puts the Ndebele people—who are among the most marginalized communities in South Africa—and their language at the centre of the storytelling. 32 years after democracy, IsiNdebele remains one of the country’s marginalized languages. It’s very rare to come across a book written in IsiNdebele or one that speaks to the Ndebele people and their struggle. Sacred Hills provides a breath of fresh air in closing that gap. The book tells the story of a community fighting and defending its sacred land against the brutal system of apartheid that wanted to annex the ancestral land to build on it a resort. It’s the story of a community defending their heritage, honour and the land where their ancestors are buried.

At the heart of the novel is the people of Rhwasha, whose lives were tormented and marred by the atrocities of the evil system of land dispossession. The tragic interruption of their lives began first in 1854 and again in 1974, as their land was targeted for forced removal.  When Jacobus Potgieter entered the Valley of Rhwasha, his mission was to disrupt and disrespect the lives of the people. He acted with so much impunity and pomposity that he even slept with women of the Valley. He acted as if he owned the people of Rhwasha, just as his forefathers did in 1854, which is why they suffered the same fate.

During the struggle period, every community would have young people rising to protect their communities against injustices inflicted by those who wanted to disturb their peace.  Ledwaba traces the history of resistance to these injustices, focusing on Lebone’s courage as he fights to protect his ancestral land. Land dispossession refuses to be settled, even long after the country has gained its questionable ‘freedom.’’ 

What is freedom without land? What is freedom when the majority of Black South Africans remain landless?

The book also delves into the story of young love that was interrupted by the very same system that sought to annex the sacred land of Rhwasha. As the people of Rhwasha grew defiant and struggled to hold on to the land of their ancestors, a blossoming love story was to be disrupted by the system before it could unfold. Lebone fell in love with Morongwa. Their love was constant amidst the uncertainty of the people of Rhwasha. But their relationship was tested when was detained in Pretoria with his life hanging in the balance. Morongwa was left devastated after losing the love of her life to prison.

The book also delves into the importance of communality over individuality, as is demonstrated during the prayer session held at Lebone’s home. How village mothers carried Lebone’s mother during the difficult time of praying for the safe return of his son from Prison walls. It was not only women who showed moral support for Lebone’s family, but also the community, which gathered at Nkrundla to get updates on Lebone’s trial. 

Lebone’s mother did not have to carry the pain of losing his son to prison alone; instead, it became a pain that was collectively shared by the community of Rwasha. The gathering of men, women and youth of Rhwasha to support Lebone whenever he was summoned to appear in court was a true definition of solidarity and the spirit of community. This is also evident in the community’s reaction when it heard that Lebone had been found guilty. The book says some women wept, while others threw themselves down in pain, which is a clear indication of a strong community, bound by a shared love and a spiritual unity.

One of the things that colonialism thrived on was the divide-and-rule strategy. It always targeted those it deemed weak and vulnerable. The people of Rhwasha were not immune to such a divide-and-rule strategy. The annexation issue nearly tore the community apart. Potgieter stood leaning against the truck, watching the Black men fight each other to protect him. There was a satisfied smile on his face as he stood watching them. The division was even among the women, as during one of their walks to the river to fetch water, some were flirting with the idea of moving to the “location” because it promised a comfortable life without collecting wood or drawing water from the river.

Some women lamented that the only homes and life they knew, was the one in Rhwasha, with others vowing to rather die than move. Ultimately the divide and rule strategy did not win because the people of Rhwasha stood firm in their defiance. The consistency with which they fought for their land was a testament to their traditional value system. Despite facing adversity and brutality, the people of Rhwasha did not lose their essence or their values. 

In every community, there is always a wise elder, whose wisdom always prevails at uncertain times. The people of Rhwasha were fortunate to have such an elder in Nkhulu. The counsel of Elder Nkhulu is a true reflection of what an African community that prides itself on its values is characterized by. Nkhulu was a senior member of Nkrundla and a trusted advisor to Nkrosi Gegana. At the age of 74, Elder Nkhulu still had the courage to fight for what is right even in the face of death. His political statement in the courtroom reflected bravery, consistency in fighting for what is right, and honour for his ancestors and their land.

Ledwaba’s novel resonates with countless stories of land dispossession throughout South Africa.

The fact that, for every village matter, the people of Rhwasha rely on Nkrundla to provide solutions and counsel for their issues is a clear indication of how Africans pride themselves on their value system. Nkrundla, was, and in some villages still is, the highest arbitrator in resolving communal issues. The people of Rhwasha believed in the leadership of their chief and his traditional council.

Although the story of the people of Rhwasha is filled with tragedy and uncertainty, Ledwaba’s storytelling compels readers to engage deeply with the characters and their circumstances. Sacred Hills argues for the recognition and reflection on the painful legacies of colonialism and apartheid, particularly around the land question and its impact on the people. 

The book is not short of humour amid tragedy, especially when women are having conversations about removals during their walk to the river. Books provide readers with questions, answers, or even clarity, regardless of genre. Ledwaba’s book has left me with burning questions that I am not sure where I will get the answers from. Do we still have brave young men such as Lebone amongst our communities? Old men who possess the wisdom of Nkhulu with their values intact? Is kgoro or Nkrundla still relevant in our modern democracy? What becomes the role of traditional councils under the democratic dispensation? Sacred Hills is a great book written in simple terms that the ordinary masses can comprehend. An important addition to the literary landscape.

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