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12
Contents
editorial
LUCAS LEDWABA
Festival in forgotten community seeks to amplify rural voices through art
RATO MID FREQUENCY
Social Death Beyond Blackness
HUGO KA CANHAM
Exchanging black excellence for failure
LOUIS CHUDE-SOKEI WITH IR INDIGENOUS RESISTANCE
Sharp as a Blade: Decolonizing Decolonization
Theme Timbila Library
MALAIKA WA AZANIA
The Timbila Library - 120 books to read by age 28
MING DI
“Through Multiculturalism We Become Better Humans”: A Conversation with Vonani Bila
MZWANDILE MATIWANA
The surviving poet
NOSIPHO KOTA
Seven Poems
MPHUTLANE WA BOFELO
Language is Land
MXOLISI NYEZWA
Seven Notes To A Black friend, The Dance of the Ancestors and Two Other Songs That Happened
VONANI BILA
Ancestral Wealth
PHILLIPPA YAA DE VILLIERS
Voices of the Land: Poets of Connection
MASERAME JUNE MADINGWANE
Three Poems
SANDILE NGIDI
Three Poems
VONANI BILA
Probing ‘Place’ as a Catalyst for Poetry
DAVID WA MAAHLAMELA
Four Poems
MAKHOSAZANA XABA
Poems from These Hands
TINYIKO MALULEKE
An Ode to Xilamulelamhangu: English-Xitsonga Dictionary
KGAFELA OA MAGOGODI
Five Outspoken Poems
MZI MAHOLA
Three Poems
VUYISILE MSILA
People’s English in the Poetry of Mzi Mahola and Vonani Bila
VONANI BILA
The Pig and four other poems
MPUMI CILIBE
American Toilet Graffiti: JFK Airport 1995
KELWYN SOLE
Craft Wars and ’74 – did it happen? (unpublished paper)
MAROPODI HLABIRWA MAPALAKANYE
Troublemaker’s Prison Letter
AYANDA BILLIE
Four Poems
VONANI BILA
Moses, we shall sing your Redemption Song
MM MARHANELE
Three Poems
VUYISILE MSILA
Four Poems
RAPHAEL D’ABDON
Resistance Poetry in Post-apartheid South Africa: An Analysis of the Poetic Works and Cultural Activism of Vonani Bila
THEMBA KA MATHE
Three Poems
ROBERT BEROLD
Five Poems
VONANI BILA
The Magician
galleri
KHEHLA CHEPAPE MAKGATO
TŠHIPA E TAGA MOHLABENG WA GAYO
THAIO ABRAHAM LEKHANYA
Mary Sibande: Reimagining the Figure of the Domestic Worker
TSHEPO SIZWE PHOKOJOE
The Gods Must Be Crazy
DATHINI MZAYIYA
Early Works
KEMANG WA LEHULERE & LEFIFI TLADI
In Correspondence
TENDAI RINOS MWANAKA
Mwanaka Media: all sorts of haunts, hallucinations and motivations
ROFHIWA MUDAU
Colour Bars
OBINNA OBIOMA
Anyi N’Aga (We Are Going )
THULILE GAMEDZE
No end, no fairytale: On the farce of a revolutionary ‘hey day’ in contemporary South African art
SAM MATHE
On Comic Books
VONANI BILA
Caversham Centre: A Catalyst for Creative Writing and Engagement with Writers and Artists
KEITH ADAMS
Vakalisa Arts Associates, 1982–1992: Reflections
borborygmus
LYNTHIA JULIUS
Om ’n wildeperd te tem
EUGENE SKEEF
THEN AND NOW
BONGANI MADONDO
Out of Africa: Hip Hop’s half-a-century impact on modernity - a memoir of sound and youth, from the culture’s African sources, Caribbean “techno-bush” to its disco-infernal flourish.
KOPANO RATELE
You May Have Heard of the Black Spirit: Or Why Voice Matters
KWANELE SOSIBO
Innervisions: The Politricks of Dub
NDUDUZO MAKHATHINI
uNomkhubulwane and songs
RICHARD PITHOUSE
The radical preservation of Matsuli Music
CARSTEN RASCH
Searching for the Branyo
BONGANI TAU
Ukuqophisa umlandu: Using fashion to re-locate Black Psyche in a Township
VONANI BILA
Dahl Street, Pietersburg
FORTUNATE JWARA
Thinking Eroticism and the Practice of Writing: An Interview with Stacy Hardy
NOMPUMELELO MOTLAFI
The Fucking
frictions
IGNATIA MADALANE
Not on the List
SITHEMBELE ISAAC XHEGWANA
IMAGINED: (excerpt)
SHANICE NDLOVU
When I Think Of My Death
MPHUTLANE WA BOFELO
Biko, Jazz and Liberation Psychology
FORTUNATE JWARA
Three Delusions
ALEXANDRA KALLOS
A Kite That Bears My Name
NIEVILLE DUBE
Three Joburg Stories
M. AYODELE HEATH
Three Poems
ZAMOKUHLE MADINANA
Three Poems
VERNIE FEBRUARY
Of snakes and mice — iinyoka neempuku
KNEO MOKGOPA
Woundedness
VONANI BILA
The day I killed the mamba
JESÚS SEPÚLVEDA
Love Song for Renée Nicole Good
ALLAN KOLSKI HORWITZ
Three New Poems
claque
MAKHOSAZANA XABA
“Unmapped roads in us”: A Review of Siphokazi Jonas's Weeping Becomes a River
LINDA NDLOVU
Uhuru Portia Phalafala’s Mine Mine Mine
VONANI BILA
Kwanobuhle Overcast: Ayanda Billie's poetry of social obliteration and intimacy
WAMUWI MBAO
We Who Are Not Dead Yet: A Necessary Shudder
ENOCK SHISHENGE
Sam Mathe’s When You Are Gone
SIHLE NTULI
Channels of Discovery
MAKGATLA THEPA-LEPHALE
Lefatshe ke la Badimo by Sabata-mpho Mokae
PHILANI A. NYONI
The Mad
SEAN JACOBS
Mr. Entertainment
NELSON RATAU
On Culture and Liberation Struggle in South Africa — From Colonialism to Post-Apartheid, Lebogang Lance Nawa [Editor]
DIMAKATSO SEDITE
Morafe
MENZI MASEKO
Acknowledging Spiritual Power Beyond Belief - A Review of Restoring Africa’s Spiritual Identity by African Hidden Voices (AHV)
DOMINIC DAULA
Kassandra by Duo Nystrøm / Venter: Artistry inspired by Janus
RIAAN OPPELT
Get Jits or Die Tryin’
MZOXOLO VIMBA
The weight of the sack: Hessian, history and new meaning in Tshepo Sizwe Phokojoe’s “The Gods Must be Crazy” exhibition.
RICK DE VILLIERS
Review: Ons wag vir Godot – translated by Naòmi Morgan
GOODENOUGH MASHEGO
We Who Are Not Dead Yet by Aryan Kaganof
MAKGATLA THEPA-LEPHALE
SACRED HILLS, A Novel by Lucas Ledwaba
ekaya
MALIKA NDLOVU
Beloved sister Diana
VONANI BILA
The Timbila Poetry Project
MARK WALLER
It’s time to make arts and culture serve the people
LUCAS LEDWABA
'I have nothing left' – flood victims count the costs
KOPANO RATELE & THE NHU SPACE POSSE
On The ‘NHU’ Space
LWAZI LUSHABA
A Video Call with Kopano Ratele on Politics and the Black Psyche, 22 July 2024
CHARLA SMITH & KOPANO RATELE
“Men cannot love if they are not taught the art of loving”: Blueprints for caring boys and men
LAING DE VILLIERS
A visit to the Mighty Men’s Conference and Uncle Angus: A perspective on masculinity
THOMAS HYLLAND ERIKSEN & RIAAN OPPELT
Post-apartheid diversification through Afrikaaps: language, power and superdiversity in the Western Cape
MARTIN JANSEN
Where is the Better Lyf You Promised Us?
THADDEUS METZ
Academic Publishing is a Criminal Operation
off the record
MIRIAM MAKEBA
Sonke Mdluli
ALON SKUY
Marikana 2012/2022
ZAKES MDA
Biko's Children (12 September 2001)
VONANI BILA
Ku Hluvukile eka ‘Zete’: Recovering history and heritage through the influence of Xitsonga disco maestro, Obed Ngobeni
IAN OSRIN
Recording Obed Ngobeni with Peter Moticoe
MATSULI MUSIC
The Back Covers
THEODORE LOUW
Reminiscing
GAVIN STEINGO
Historicizing Kwaito
LEHLOHONOLO PHAFOLI
The Evolution of Sotho Accordion Music in Lesotho: 1980-2005
DOUGIE OAKES
On Arthur Nortje, The Poet Who Wouldn’t Look Away
PULE LECHESA
Sophonia Machabe Mofokeng: Distinguished Essayist and Dramatist in the pantheon of Sesotho Literature
NOKUTHULA MAZIBUKO
Spring Offensive
feedback
OSCAR HEMER
16 October 2025
PALESA MOKWENA
9 October 2024
MATTHEW PATEMAN
11 August 2024
RAFIEKA WILLIAMS
12 August 2023
ARYAN KAGANOF
26 October 2021 – A letter to Masixole Mlandu
FACEBOOK FEEDBACK
Facebook
herri_gram FEEDBACK
Instagram
PhD
ALICE PATRICIA MEYER
Timbila Poetry: Vonani Bila’s Poetic Project
the selektah
VONANI BILA
Vonani's Choice
ARYAN KAGANOF
herri films
hotlynx
hotlynx
hotlynx are sizzling
shopping
SHOPPING
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contributors
CONTRIBUTORS
From Alice to Zama
the back page
WALTER MIGNOLO
Presentación El cine en el quehacer (descolonial) del *hombre*
MENZI APEDEMAK MASEKO
The Meaning of ‘Bantu’
ACHILLE MBEMBE
Decolonizing Knowledge and the Question of the Archive
ROLANDO VÁZQUEZ
Translation as Erasure: Thoughts on Modernity’s Epistemic Violence
SABELO J NDLOVU-GATSHENI
The Dynamics of Epistemological Decolonisation in the 21st Century: Towards Epistemic Freedom
MARGARET E. WALKER
Towards a Decolonized Music History Curriculum
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    #12
  • frictions

M. AYODELE HEATH

Three Poems

Things My Father Gave Me (Which I Never Asked For)

Life. A backyard with a pitching mound.
A split-finger fastball, a slider, a curve.
How to break in a glove. When to slide headfirst. A family name to uphold. Open arms.

Time. A Huffy bike. How to crack pecans. A sandbox. How to piss. How to be a rock. When to till the Earth. How to make a fist. When to fight. When to smile. How to trap a rabbit. How to catch a liar. How to play dumb. How to speak when White people are present. How to talk when White folk ain't. Prejudice. The difference between a flathead, a Phillips head, and a hard head. A roof over my head. Room to grow.

How to shoot a free throw. When to call a foul. How to drive. A high-top fade. Marvin Gaye. Confidence. How to ask out a lady, how to let her be a womon. How to put out a brush fire. How to pump gas. A pimpstroll. How to use a level. How to keep your cool. When to be cool. Cool.

How to mow the lawn, to hammer, to saw. How to change a tire, when to change the oil, how to handle change. How to smoke out wasps. Where to get good fish. Funk & Wagnalls. Skepticism. How to pick good watermelon. When to ask for help, when to give it. How to speak when you have something to add. How to listen when you don't. A love of brown. Talbotton. How to tie a tie. How to lead. How to follow. How to read the spread. When to swallow your pride. Quiet strength. How to raise a fence. How to use a knife as a pencil sharpener. When to shoot a gun.

A Black hero. How to earn an honest dollar. A key. How to shake a man's hand. How to look him in the eye. How to tip. How to save. A day of rest. Humility. Sunday drives. A thirst to learn. A bookcase. Peace in the home. Muscadines. Nights to dream. Dreambooks. A reason to cry. Dark skin. Strong teeth. Full lips. A narrow frame. Forgiveness. The thickness of blood. A brother. How to care for elders, how to honour them. How to buy a suit. How to admit when you’re wrong. How to apologize before the funeral. How to love. How to always come Home.
The Falls
(Howick Falls, Kwazulu Natal)

Far beyond the polished metallic fence, disrupting the endless expanse of a green so green it burned the eyes, tons and tons of thunderous waters poured. & poured. & poured. Far off one could see in the mist, three Zulu women in bright headscarves at the waterfall's edge, tediously beating clothes against rocks, just footsteps from an astounding 30-storey death.

Loitering to my left: a lone native child in school uniform - yellowed shirt untucked from his shorts, nose running, face the ruddy darkness of dust. My first instinct: Lock your heart, or he’ll hustle you for money. What, then, if more come? But when he opened his mouth, the black moons of his eyes swallowed me. My heart broke.

IsiZulu or IsiNdebele or Sesotho or IsiXhosa or Tshivenda or Xitsonga Sepedi or Setswana? All I knew was that the falling syllables were not English, & unlike European tongues, in which I can often fish some semblance of meaning from webs in sound, here, an American in Zululand, my net returned without so much as bones.

My mouth turned to stone as I heard his tongue click, watched his lips move. Sawubona was what my skin had said to him, but which my vocal tones could not. As the waters rushed, the women laundering shirts defying the sunset, here stood a poet who could offer Nothing to the boy - not even words, not even tears.
On a Fieldtrip to the Jim Crow Museum, Kenya Learns (the Meaning of No)

Here’s an oak gavel
No Negro ever swung. Over here, a 1st base
no Nigra ever reached. Here, a stethoscope
to never touch a Negro chest. And here, a pine pulpit
Where no Nigger has ever preached.

Here’s a ballot box
to never hold a Negro vote. Here, a lunch counter
where no Negro was ever fed. Here is a frontdoor
no Coon ever crossed. And here, graveyard soil
that never buried no nigger dead.

Here is a swearing Bible
no Darkie ever used. Here is a ticket window
no Tarbaby ever used. Here, a Coca-Cola machine
no Sambo ever used. And here, a whole half of a bus
no Nigger will ever use!

Here is a drinking fountain
to never wet no Niggerlips. Here, a spotless toilet
Where no nigger ever shit. And locked here, dear,
a textbook no Nigger has ever read, filled with a knowledge

No Nigger will ever get.

These poems first appeared in Timbila 2005:A Journal of Onion Skin Poetry.

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NIEVILLE DUBE
ZAMOKUHLE MADINANA
© 2026
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