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12
Contents
editorial
LUCAS LEDWABA
Festival in forgotten community seeks to amplify rural voices through art
RATO MID FREQUENCY
Social Death Beyond Blackness
HUGO KA CANHAM
Exchanging black excellence for failure
LOUIS CHUDE-SOKEI WITH IR INDIGENOUS RESISTANCE
Sharp as a Blade: Decolonizing Decolonization
Theme Timbila Library
MALAIKA WA AZANIA
The Timbila Library - 120 books to read by age 28
MING DI
“Through Multiculturalism We Become Better Humans”: A Conversation with Vonani Bila
MZWANDILE MATIWANA
The surviving poet
NOSIPHO KOTA
Seven Poems
MPHUTLANE WA BOFELO
Language is Land
MXOLISI NYEZWA
Seven Notes To A Black friend, The Dance of the Ancestors and Two Other Songs That Happened
VONANI BILA
Ancestral Wealth
PHILLIPPA YAA DE VILLIERS
Voices of the Land: Poets of Connection
MASERAME JUNE MADINGWANE
Three Poems
SANDILE NGIDI
Three Poems
VONANI BILA
Probing ‘Place’ as a Catalyst for Poetry
DAVID WA MAAHLAMELA
Four Poems
MAKHOSAZANA XABA
Poems from These Hands
TINYIKO MALULEKE
An Ode to Xilamulelamhangu: English-Xitsonga Dictionary
KGAFELA OA MAGOGODI
Five Outspoken Poems
MZI MAHOLA
Three Poems
VUYISILE MSILA
People’s English in the Poetry of Mzi Mahola and Vonani Bila
VONANI BILA
The Pig and four other poems
MPUMI CILIBE
American Toilet Graffiti: JFK Airport 1995
KELWYN SOLE
Craft Wars and ’74 – did it happen? (unpublished paper)
MAROPODI HLABIRWA MAPALAKANYE
Troublemaker’s Prison Letter
AYANDA BILLIE
Four Poems
VONANI BILA
Moses, we shall sing your Redemption Song
MM MARHANELE
Three Poems
VUYISILE MSILA
Four Poems
RAPHAEL D’ABDON
Resistance Poetry in Post-apartheid South Africa: An Analysis of the Poetic Works and Cultural Activism of Vonani Bila
THEMBA KA MATHE
Three Poems
ROBERT BEROLD
Five Poems
VONANI BILA
The Magician
galleri
KHEHLA CHEPAPE MAKGATO
TŠHIPA E TAGA MOHLABENG WA GAYO
THAIO ABRAHAM LEKHANYA
Mary Sibande: Reimagining the Figure of the Domestic Worker
TSHEPO SIZWE PHOKOJOE
The Gods Must Be Crazy
DATHINI MZAYIYA
Early Works
KEMANG WA LEHULERE & LEFIFI TLADI
In Correspondence
TENDAI RINOS MWANAKA
Mwanaka Media: all sorts of haunts, hallucinations and motivations
ROFHIWA MUDAU
Colour Bars
OBINNA OBIOMA
Anyi N’Aga (We Are Going )
THULILE GAMEDZE
No end, no fairytale: On the farce of a revolutionary ‘hey day’ in contemporary South African art
SAM MATHE
On Comic Books
VONANI BILA
Caversham Centre: A Catalyst for Creative Writing and Engagement with Writers and Artists
KEITH ADAMS
Vakalisa Arts Associates, 1982–1992: Reflections
borborygmus
LYNTHIA JULIUS
Om ’n wildeperd te tem
EUGENE SKEEF
THEN AND NOW
BONGANI MADONDO
Out of Africa: Hip Hop’s half-a-century impact on modernity - a memoir of sound and youth, from the culture’s African sources, Caribbean “techno-bush” to its disco-infernal flourish.
KOPANO RATELE
You May Have Heard of the Black Spirit: Or Why Voice Matters
KWANELE SOSIBO
Innervisions: The Politricks of Dub
NDUDUZO MAKHATHINI
uNomkhubulwane and songs
RICHARD PITHOUSE
The radical preservation of Matsuli Music
CARSTEN RASCH
Searching for the Branyo
BONGANI TAU
Ukuqophisa umlandu: Using fashion to re-locate Black Psyche in a Township
VONANI BILA
Dahl Street, Pietersburg
FORTUNATE JWARA
Thinking Eroticism and the Practice of Writing: An Interview with Stacy Hardy
NOMPUMELELO MOTLAFI
The Fucking
frictions
IGNATIA MADALANE
Not on the List
SITHEMBELE ISAAC XHEGWANA
IMAGINED: (excerpt)
SHANICE NDLOVU
When I Think Of My Death
MPHUTLANE WA BOFELO
Biko, Jazz and Liberation Psychology
FORTUNATE JWARA
Three Delusions
ALEXANDRA KALLOS
A Kite That Bears My Name
NIEVILLE DUBE
Three Joburg Stories
M. AYODELE HEATH
Three Poems
ZAMOKUHLE MADINANA
Three Poems
VERNIE FEBRUARY
Of snakes and mice — iinyoka neempuku
KNEO MOKGOPA
Woundedness
VONANI BILA
The day I killed the mamba
JESÚS SEPÚLVEDA
Love Song for Renée Nicole Good
ALLAN KOLSKI HORWITZ
Three New Poems
claque
MAKHOSAZANA XABA
“Unmapped roads in us”: A Review of Siphokazi Jonas's Weeping Becomes a River
LINDA NDLOVU
Uhuru Portia Phalafala’s Mine Mine Mine
VONANI BILA
Kwanobuhle Overcast: Ayanda Billie's poetry of social obliteration and intimacy
WAMUWI MBAO
We Who Are Not Dead Yet: A Necessary Shudder
ENOCK SHISHENGE
Sam Mathe’s When You Are Gone
SIHLE NTULI
Channels of Discovery
MAKGATLA THEPA-LEPHALE
Lefatshe ke la Badimo by Sabata-mpho Mokae
PHILANI A. NYONI
The Mad
SEAN JACOBS
Mr. Entertainment
NELSON RATAU
On Culture and Liberation Struggle in South Africa — From Colonialism to Post-Apartheid, Lebogang Lance Nawa [Editor]
DIMAKATSO SEDITE
Morafe
MENZI MASEKO
Acknowledging Spiritual Power Beyond Belief - A Review of Restoring Africa’s Spiritual Identity by African Hidden Voices (AHV)
DOMINIC DAULA
Kassandra by Duo Nystrøm / Venter: Artistry inspired by Janus
RIAAN OPPELT
Get Jits or Die Tryin’
MZOXOLO VIMBA
The weight of the sack: Hessian, history and new meaning in Tshepo Sizwe Phokojoe’s “The Gods Must be Crazy” exhibition.
RICK DE VILLIERS
Review: Ons wag vir Godot – translated by Naòmi Morgan
GOODENOUGH MASHEGO
We Who Are Not Dead Yet by Aryan Kaganof
MAKGATLA THEPA-LEPHALE
SACRED HILLS, A Novel by Lucas Ledwaba
ekaya
MALIKA NDLOVU
Beloved sister Diana
VONANI BILA
The Timbila Poetry Project
MARK WALLER
It’s time to make arts and culture serve the people
LUCAS LEDWABA
'I have nothing left' – flood victims count the costs
KOPANO RATELE & THE NHU SPACE POSSE
On The ‘NHU’ Space
LWAZI LUSHABA
A Video Call with Kopano Ratele on Politics and the Black Psyche, 22 July 2024
CHARLA SMITH & KOPANO RATELE
“Men cannot love if they are not taught the art of loving”: Blueprints for caring boys and men
LAING DE VILLIERS
A visit to the Mighty Men’s Conference and Uncle Angus: A perspective on masculinity
THOMAS HYLLAND ERIKSEN & RIAAN OPPELT
Post-apartheid diversification through Afrikaaps: language, power and superdiversity in the Western Cape
MARTIN JANSEN
Where is the Better Lyf You Promised Us?
THADDEUS METZ
Academic Publishing is a Criminal Operation
off the record
MIRIAM MAKEBA
Sonke Mdluli
ALON SKUY
Marikana 2012/2022
ZAKES MDA
Biko's Children (12 September 2001)
VONANI BILA
Ku Hluvukile eka ‘Zete’: Recovering history and heritage through the influence of Xitsonga disco maestro, Obed Ngobeni
IAN OSRIN
Recording Obed Ngobeni with Peter Moticoe
MATSULI MUSIC
The Back Covers
THEODORE LOUW
Reminiscing
GAVIN STEINGO
Historicizing Kwaito
LEHLOHONOLO PHAFOLI
The Evolution of Sotho Accordion Music in Lesotho: 1980-2005
DOUGIE OAKES
On Arthur Nortje, The Poet Who Wouldn’t Look Away
PULE LECHESA
Sophonia Machabe Mofokeng: Distinguished Essayist and Dramatist in the pantheon of Sesotho Literature
NOKUTHULA MAZIBUKO
Spring Offensive
feedback
OSCAR HEMER
16 October 2025
PALESA MOKWENA
9 October 2024
MATTHEW PATEMAN
11 August 2024
RAFIEKA WILLIAMS
12 August 2023
ARYAN KAGANOF
26 October 2021 – A letter to Masixole Mlandu
FACEBOOK FEEDBACK
Facebook
herri_gram FEEDBACK
Instagram
PhD
ALICE PATRICIA MEYER
Timbila Poetry: Vonani Bila’s Poetic Project
the selektah
VONANI BILA
Vonani's Choice
ARYAN KAGANOF
herri films
hotlynx
hotlynx
hotlynx are sizzling
shopping
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contributors
CONTRIBUTORS
From Alice to Zama
the back page
WALTER MIGNOLO
Presentación El cine en el quehacer (descolonial) del *hombre*
MENZI APEDEMAK MASEKO
The Meaning of ‘Bantu’
ACHILLE MBEMBE
Decolonizing Knowledge and the Question of the Archive
ROLANDO VÁZQUEZ
Translation as Erasure: Thoughts on Modernity’s Epistemic Violence
SABELO J NDLOVU-GATSHENI
The Dynamics of Epistemological Decolonisation in the 21st Century: Towards Epistemic Freedom
MARGARET E. WALKER
Towards a Decolonized Music History Curriculum
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    #12
  • Theme Timbila Library

KGAFELA OA MAGOGODI

Five Outspoken Poems

the carrot

the carrot attracts a crooked habit
rabbits cross the floor to chew the rot
vote right
there’s no carrot on the left
the parrot sings praises cos the carrot
is in the pot
the only truth to the tooth is the carrot
liars strangle no more they dangle the carrot
to suck you into the rot
they put the carrot in your pocket
to keep you quiet
no more riot
no more riot
just the grinding of rot
the carrot dance is a national sport
see how they run like judas iscariot
to grab the all mighty carrot
liars raise the flag of the carrot
even in the toilet
now children are taught
that life is about who eats more carrot
to excrete more rot
no more riot
no more riot
just the grinding of rot
you’re a true patriot
even if you get caught
stealing the carrot
you buy court
change the law to suit your rot

Chu chew train

there’s a train. that chu chu chews
human flesh. it blows a blood bubble gum.
it pops red blues.
newspapers say the train has lost its head
but the tail is still on track. the train has
lost its head but the tail is still on track.
bra hugh there’s a train. the chu chew train
coughs out flu. the air is sick
with germs. blame the tramps,
rats & cockroaches in third class
coaches. “what do you expect
from people who eat stole dumpling
bloody beetroot le matonkomane
in a train”, says he who
talks like his pee is strawberry
milkshake. the fake crawls out of a hole
in the buttocks of some cosmetic box.
who said money will facelift a frog they lied.
but cash could cover your ass with a first class
ticket to houghton by chew train. it doesn’t stop
for the park station crowd. too loud to ride
with makgoa. the train chu chu chews
the fat of the promised land. it stops not
for me & you who pickpocket
til you win the lotto. maybe then you’ll get a photo
with thibos & say cheese. cheese in the
new blue train. or buy your own yengeni
if you don’t mind the kiss of the scorpion. the
chu chew train has more teeth than truth.
it chews the hands that laid the bricks
to build mandela bridge.

The second cuming

you are waiting for who’s cum
make your own cum
cos jesus is taking his holy time
coming in slow motion
tumbling down from heaven
if he comes at all
will he cum like an ant
on a grain of sand
or cum like a blue whale
make a storm in the sea
shake off unseen shackles
wreck invisible ships
of slave drivers land grabbers and grave robbers
or will he give the other cheek
take a second slap in the face like azania
this time they go for the skull
they crush the cranium and scramble the brain
it’s the second cuming of tarzan
swinging on christmas trees
in shopping malls out to lynch azania’s children
these days you watch your own slaughter
on big screens
you get free popcorn and slush puppy
to wash down their delicious cum
they have no shame
they skommel in public
cum in gallons
until they block your throat
even when you speak
in the name of the people
it’s their cum in costume
that flows from your mouth
they stole your cum
long time ago
taking away the boom gates
from the northern suburbs
is not enough
until you pull the bloody rug of stolen land
from under their feet
they’ll keep coming
like chamelons in a million colours
you won’t even know
if they are going or second cuming

outspoken

outspoken
mouth wide open
i stick my tongue out
let loose the word
refuse to seal my lips
tongue-lash you
i crack skulls open
to release brain waves of slaves
in days of fongkong freedoms
chains are more insane
they run trains of virus
in the veins to kill us dead
in the head
but i escape the rape
of good hope i break out
of rib cages of dead pages
i translate rebel souls
to recreate mind states
when i bim-sala-bim
will sara baartman
return to the soil
as caliban or a taliban

outspoken
count on the open mic
to amplify
my truly irie lyrics
i rip voortrekker diaries
to pieces
i sink memories
of dromedaries
it sounds hip
when i wreck van riebeeck’s ship
i crush history’s kak stories
to ground zero
but i am just a scribe
not ahero
i bleed for the blue
i bleed floods of whispers
from homeless talk papers
scripting the fall of skyscrapers
because they rape us
skyscrapers rape us
skyscrapers
and tribes of poisonous rats
breed lice
and syrup-crusted diseases
broken sewerage pipes
reek faeces
to choke souls
in the undergrowth
of stink holes

outspoken
i puke ear-piercing pulses
louder than heartbeats
of suicide bombs
in palestine
in rainbowstine
rubber bullets
are back in fashion
to erase a nation of tramps
in squatter camps
official stamps
cut out power lamps
they send
red ants to kill the lights
red ants to shut down water taps
red ants to end my flow
sometimes they throw
crumbs in the slums
it only comes
laced with shots of teargas
for the landless
they yell i tell
they yell i tell

outspoken
i raise my voice
to break the bone of silence…
silence is not a place
to hide the tide of violence
i spit out beats of free verse
streams of rebel prose
come down my running nose
you can’t wipe it away
mucous sticks to your fingers
it matters more
than the metaphor
it’s a matter of shelter
for my daughter
and good food
in the neighbourhood
i am in the mood
to rap it out of your grip
escape
through the gap
between your front teeth
you failed to chew me
i still breathe

outspoken
i walk the frank talk
i mount uprisings
with my writings
i ride chariots of riots
i strike matchsticks
and rub stones
to fashion more fire
scorch a liar’s tongue
‘til the lies die
like it’s enter-the-dragon rhyme
i vomit flames
through the open mic
you can’t blow me out
cos i am not candlelight
i am the sun
i set and rise again
i am the sun
i set and rise again
my rhymes are rain
i wet the soil
to feed the seed

All poems from Timbila 2005.

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TINYIKO MALULEKE
MZI MAHOLA
© 2026
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