• Issue #01
  • Issue #02
  • Issue #03
  • Issue #04
  • Issue #05
  • Issue #06
  • Issue #07
  • Issue #08
  • Issue #09
  • Issue #10
  • Issue #11
  • Issue #12
12
Contents
editorial
LUCAS LEDWABA
Festival in forgotten community seeks to amplify rural voices through art
RATO MID FREQUENCY
Social Death Beyond Blackness
HUGO KA CANHAM
Exchanging black excellence for failure
LOUIS CHUDE-SOKEI WITH IR INDIGENOUS RESISTANCE
Sharp as a Blade: Decolonizing Decolonization
Theme Timbila Library
MALAIKA WA AZANIA
The Timbila Library - 120 books to read by age 28
MING DI
“Through Multiculturalism We Become Better Humans”: A Conversation with Vonani Bila
MZWANDILE MATIWANA
The surviving poet
NOSIPHO KOTA
Seven Poems
MPHUTLANE WA BOFELO
Language is Land
MXOLISI NYEZWA
Seven Notes To A Black friend, The Dance of the Ancestors and Two Other Songs That Happened
VONANI BILA
Ancestral Wealth
PHILLIPPA YAA DE VILLIERS
Voices of the Land: Poets of Connection
MASERAME JUNE MADINGWANE
Three Poems
SANDILE NGIDI
Three Poems
VONANI BILA
Probing ‘Place’ as a Catalyst for Poetry
DAVID WA MAAHLAMELA
Four Poems
MAKHOSAZANA XABA
Poems from These Hands
TINYIKO MALULEKE
An Ode to Xilamulelamhangu: English-Xitsonga Dictionary
KGAFELA OA MAGOGODI
Five Outspoken Poems
MZI MAHOLA
Three Poems
VUYISILE MSILA
People’s English in the Poetry of Mzi Mahola and Vonani Bila
VONANI BILA
The Pig and four other poems
MPUMI CILIBE
American Toilet Graffiti: JFK Airport 1995
KELWYN SOLE
Craft Wars and ’74 – did it happen? (unpublished paper)
MAROPODI HLABIRWA MAPALAKANYE
Troublemaker’s Prison Letter
AYANDA BILLIE
Four Poems
VONANI BILA
Moses, we shall sing your Redemption Song
MM MARHANELE
Three Poems
VUYISILE MSILA
Four Poems
RAPHAEL D’ABDON
Resistance Poetry in Post-apartheid South Africa: An Analysis of the Poetic Works and Cultural Activism of Vonani Bila
THEMBA KA MATHE
Three Poems
ROBERT BEROLD
Five Poems
VONANI BILA
The Magician
galleri
KHEHLA CHEPAPE MAKGATO
TŠHIPA E TAGA MOHLABENG WA GAYO
THAIO ABRAHAM LEKHANYA
Mary Sibande: Reimagining the Figure of the Domestic Worker
TSHEPO SIZWE PHOKOJOE
The Gods Must Be Crazy
DATHINI MZAYIYA
Early Works
KEMANG WA LEHULERE & LEFIFI TLADI
In Correspondence
TENDAI RINOS MWANAKA
Mwanaka Media: all sorts of haunts, hallucinations and motivations
ROFHIWA MUDAU
Colour Bars
OBINNA OBIOMA
Anyi N’Aga (We Are Going )
THULILE GAMEDZE
No end, no fairytale: On the farce of a revolutionary ‘hey day’ in contemporary South African art
SAM MATHE
On Comic Books
VONANI BILA
Caversham Centre: A Catalyst for Creative Writing and Engagement with Writers and Artists
KEITH ADAMS
Vakalisa Arts Associates, 1982–1992: Reflections
borborygmus
LYNTHIA JULIUS
Om ’n wildeperd te tem
EUGENE SKEEF
THEN AND NOW
BONGANI MADONDO
Out of Africa: Hip Hop’s half-a-century impact on modernity - a memoir of sound and youth, from the culture’s African sources, Caribbean “techno-bush” to its disco-infernal flourish.
KOPANO RATELE
You May Have Heard of the Black Spirit: Or Why Voice Matters
KWANELE SOSIBO
Innervisions: The Politricks of Dub
NDUDUZO MAKHATHINI
uNomkhubulwane and songs
RICHARD PITHOUSE
The radical preservation of Matsuli Music
CARSTEN RASCH
Searching for the Branyo
BONGANI TAU
Ukuqophisa umlandu: Using fashion to re-locate Black Psyche in a Township
VONANI BILA
Dahl Street, Pietersburg
FORTUNATE JWARA
Thinking Eroticism and the Practice of Writing: An Interview with Stacy Hardy
NOMPUMELELO MOTLAFI
The Fucking
frictions
IGNATIA MADALANE
Not on the List
SITHEMBELE ISAAC XHEGWANA
IMAGINED: (excerpt)
SHANICE NDLOVU
When I Think Of My Death
MPHUTLANE WA BOFELO
Biko, Jazz and Liberation Psychology
FORTUNATE JWARA
Three Delusions
ALEXANDRA KALLOS
A Kite That Bears My Name
NIEVILLE DUBE
Three Joburg Stories
M. AYODELE HEATH
Three Poems
ZAMOKUHLE MADINANA
Three Poems
VERNIE FEBRUARY
Of snakes and mice — iinyoka neempuku
KNEO MOKGOPA
Woundedness
VONANI BILA
The day I killed the mamba
JESÚS SEPÚLVEDA
Love Song for Renée Nicole Good
ALLAN KOLSKI HORWITZ
Three New Poems
claque
MAKHOSAZANA XABA
“Unmapped roads in us”: A Review of Siphokazi Jonas's Weeping Becomes a River
LINDA NDLOVU
Uhuru Portia Phalafala’s Mine Mine Mine
VONANI BILA
Kwanobuhle Overcast: Ayanda Billie's poetry of social obliteration and intimacy
WAMUWI MBAO
We Who Are Not Dead Yet: A Necessary Shudder
ENOCK SHISHENGE
Sam Mathe’s When You Are Gone
SIHLE NTULI
Channels of Discovery
MAKGATLA THEPA-LEPHALE
Lefatshe ke la Badimo by Sabata-mpho Mokae
PHILANI A. NYONI
The Mad
SEAN JACOBS
Mr. Entertainment
NELSON RATAU
On Culture and Liberation Struggle in South Africa — From Colonialism to Post-Apartheid, Lebogang Lance Nawa [Editor]
DIMAKATSO SEDITE
Morafe
MENZI MASEKO
Acknowledging Spiritual Power Beyond Belief - A Review of Restoring Africa’s Spiritual Identity by African Hidden Voices (AHV)
DOMINIC DAULA
Kassandra by Duo Nystrøm / Venter: Artistry inspired by Janus
RIAAN OPPELT
Get Jits or Die Tryin’
MZOXOLO VIMBA
The weight of the sack: Hessian, history and new meaning in Tshepo Sizwe Phokojoe’s “The Gods Must be Crazy” exhibition.
RICK DE VILLIERS
Review: Ons wag vir Godot – translated by Naòmi Morgan
GOODENOUGH MASHEGO
We Who Are Not Dead Yet by Aryan Kaganof
MAKGATLA THEPA-LEPHALE
SACRED HILLS, A Novel by Lucas Ledwaba
ekaya
MALIKA NDLOVU
Beloved sister Diana
VONANI BILA
The Timbila Poetry Project
MARK WALLER
It’s time to make arts and culture serve the people
LUCAS LEDWABA
'I have nothing left' – flood victims count the costs
KOPANO RATELE & THE NHU SPACE POSSE
On The ‘NHU’ Space
LWAZI LUSHABA
A Video Call with Kopano Ratele on Politics and the Black Psyche, 22 July 2024
CHARLA SMITH & KOPANO RATELE
“Men cannot love if they are not taught the art of loving”: Blueprints for caring boys and men
LAING DE VILLIERS
A visit to the Mighty Men’s Conference and Uncle Angus: A perspective on masculinity
THOMAS HYLLAND ERIKSEN & RIAAN OPPELT
Post-apartheid diversification through Afrikaaps: language, power and superdiversity in the Western Cape
MARTIN JANSEN
Where is the Better Lyf You Promised Us?
THADDEUS METZ
Academic Publishing is a Criminal Operation
off the record
MIRIAM MAKEBA
Sonke Mdluli
ALON SKUY
Marikana 2012/2022
ZAKES MDA
Biko's Children (12 September 2001)
VONANI BILA
Ku Hluvukile eka ‘Zete’: Recovering history and heritage through the influence of Xitsonga disco maestro, Obed Ngobeni
IAN OSRIN
Recording Obed Ngobeni with Peter Moticoe
MATSULI MUSIC
The Back Covers
THEODORE LOUW
Reminiscing
GAVIN STEINGO
Historicizing Kwaito
LEHLOHONOLO PHAFOLI
The Evolution of Sotho Accordion Music in Lesotho: 1980-2005
DOUGIE OAKES
On Arthur Nortje, The Poet Who Wouldn’t Look Away
PULE LECHESA
Sophonia Machabe Mofokeng: Distinguished Essayist and Dramatist in the pantheon of Sesotho Literature
NOKUTHULA MAZIBUKO
Spring Offensive
feedback
OSCAR HEMER
16 October 2025
PALESA MOKWENA
9 October 2024
MATTHEW PATEMAN
11 August 2024
RAFIEKA WILLIAMS
12 August 2023
ARYAN KAGANOF
26 October 2021 – A letter to Masixole Mlandu
FACEBOOK FEEDBACK
Facebook
herri_gram FEEDBACK
Instagram
PhD
ALICE PATRICIA MEYER
Timbila Poetry: Vonani Bila’s Poetic Project
the selektah
VONANI BILA
Vonani's Choice
ARYAN KAGANOF
herri films
hotlynx
hotlynx
hotlynx are sizzling
shopping
SHOPPING
Order Online | Pay Online |
contributors
CONTRIBUTORS
From Alice to Zama
the back page
WALTER MIGNOLO
Presentación El cine en el quehacer (descolonial) del *hombre*
MENZI APEDEMAK MASEKO
The Meaning of ‘Bantu’
ACHILLE MBEMBE
Decolonizing Knowledge and the Question of the Archive
ROLANDO VÁZQUEZ
Translation as Erasure: Thoughts on Modernity’s Epistemic Violence
SABELO J NDLOVU-GATSHENI
The Dynamics of Epistemological Decolonisation in the 21st Century: Towards Epistemic Freedom
MARGARET E. WALKER
Towards a Decolonized Music History Curriculum
© 2026
Archive About Contact
    • Issue #01
    • Issue #02
    • Issue #03
    • Issue #04
    • Issue #05
    • Issue #06
    • Issue #07
    • Issue #08
    • Issue #09
    • Issue #10
    • Issue #11
    • Issue #12
    #12
  • frictions

IGNATIA MADALANE

Not on the List

I left home before the sun was fully awake. Gogo stood at the door with her shawl tight around her shoulders. Her hands were shaking as she packed my food into a small plastic bag. Pap and fried chicken. She said it would last longer that way. Gogo always thought about things lasting. Food. Life. Me.

“Uzoziphatha kahle,” she said. You will look after yourself. I nodded, even though I did not know how to do that without her.

My whole life fitted into one small bag. Clothes. Soap. Toothbrush. One pair of shoes. When I hugged her, I held her longer than usual. She smelled like firewood and cooking oil. I wanted to carry that smell with me to the city.

In the taxi, my heart was beating too fast. I kept touching my bag to make sure it was still there. I thought of Gogo sitting alone in the house, listening to the radio, waiting for my call. I promised myself I would not cry. I was a university student now. Strong people do not cry.

When I arrived, the city swallowed me. Noise everywhere. People shouting. Taxis hooting. Vendors pulling at my sleeve. I felt small, like I had walked into a storm without knowing how to swim.

“Ngena la! Woza la!”

I held my bag tightly. A man offered me a taxi. R300. I almost laughed, but my stomach turned. That was more money than I had for days of food.

“No, thank you,” I said and walked away fast. I remembered Mandla’s warning. Not everyone who smiles means well. I remembered Gogo saying, “Open eyes are better than open hands.”

I asked a security guard for directions. He pointed without looking at me and said nothing else. I walked. My legs were tired but I kept walking. Gogo walked far for me, I told myself. I can walk for myself.

At one point a woman shouted at me, calling me “my darling.” Her lipstick was too bright. Her eyes too sharp. I walked faster. My heart climbed into my throat.

“Gogo,” I whispered. “Help me.”

When I reached the gates, I felt proud. Like I had crossed a river without drowning. For a moment, I stood taller. I had made it.

Registration was long and confusing. Offices. Queues. Papers. Stamps. People speaking fast. I nodded even when I did not understand.

Poor people learn early how to hide confusion. We learn how to pretend we belong.

By the time I finished, my stomach was empty and my body was heavy. I went to the residence office with hope beating in my chest. This was the last step. A bed. A room. A place to breathe.

The counter was high. I had to stand on my toes to be seen. The woman behind it did not look at my face, only at my papers. I borrowed a pen from the student behind me because mine had no ink. I felt their eyes on my back.

She typed my name.

She frowned.

She typed again.

“You are not on the list,” she said.

I smiled because I thought she was joking. She did not smile back.

“I… I have a scholarship,” I said. “I was told I would have accommodation.”

She shook her head. “You are not on the residence system.”

Something inside me dropped.
Not loudly.
Quietly.
Like a stone into deep water.

“So where do I sleep?” I asked.

She sighed. “You need to take it up with administration.”

“But administration is closed.”

“That is policy,” she said. “There is nothing we can do.”

Policy.
Nothing we can do.
Those words were heavier than my bag.

I stood there for a moment too long. People behind me cleared their throats. I moved away slowly, as if I was the problem blocking their progress.

Outside, I sat on the steps with my bag between my legs. Students passed by laughing. Some complained about slow Wi-Fi. Others argued about what to eat. I watched them and wondered how many of them knew what it felt like to have no place to put your body at night.

I held my phone.
Gogo’s name was right there.
One press away.

My finger hovered.
My chest tightened.

If I called her, her heart would break in that quiet way old hearts break.
If I called her, she would blame herself.
If I called her, she would feel helpless.

So I put the phone down.

That was the hardest thing I did that day.

I felt anger then, small but hot.
I had worked too hard to be erased by a list.
I had crossed too many roads to be told I did not exist.

Shame followed the anger.
Shame always follows anger when you are poor.

I pressed my hands together the way Gogo used to when she prayed.
“UNkulunkulu akakushiyi,” she always said. God does not abandon you.

But I felt abandoned.
By the city.
By the university.
By a system that said I was good enough to study, but not important enough to be sheltered.

A girl from the SRC stopped when she saw me sitting there.

“What’s wrong?” she asked.

I told her. My voice was thin. I hated that.

She made calls. She argued. She sighed. Then she said, “My cousin can take you for tonight.”

For tonight.
Not forever.
Just tonight.

She put R70 into my hand. I stared at the money like it was something holy. I had not asked. She had seen.

That night I slept on a mattress on the floor in a stranger’s house. The ceiling was unfamiliar. The sounds were unfamiliar. But I was safe.

Before I closed my eyes, I saw Gogo’s hands. Wrinkled. Warm. Strong. I whispered, “I am still alive, Gogo.”

The next days were slow. Explaining myself again and again. Being polite while being scared. Being brave while being tired. Being invisible while needing help.

I learned something then.
Poverty is not only about having nothing. It is about being made to feel like you do not belong where your dreams take you. It is about being treated as a mistake.

But I learned something else too.

Even when systems fail, people can still choose kindness.
And sometimes, kindness is enough to keep you breathing.

I was not on the list.
But I was still here. And tomorrow, I would try again.

A response from herri’s Guest Editor Vonani Bila

“Not on the list” is a true South African tale that most black students can relate to. My own son is enrolled at UP but the university couldn’t shelter him. We found him a private accommodation at an accredited student facility, but for the past four days, there hasn’t been electricity at that residence. I have paid a lot of money to secure his accommodation, but he is crammed in a small room with four other first year students. In their so-called fully furnished room, there is a fridge, stove, etc, but no hot water, no comfort. It’s dark at night, and reaching 8th floor and knowing it’s dark is torture.

These are some thoughts I had after reading Ignatia’s story. So I like it a lot. It is simple, uses accessible language. It explores youth marginalisation convincingly. It breaks down the complex politics and economics of education without quoting theorists. I hope this story will attract the youth to begin to follow herri, and for them to be more active in shaping their own future (like the Fees Must Fall generation).
Best regards,
Bila

Share
Print PDF
frictions
SITHEMBELE ISAAC XHEGWANA
© 2026
Archive About Contact