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Contents
editorial
KEVIN DAVIDSON
“Soulbrother #1”
TESHOME GABRIEL
Ruin and The Other: Towards a Language Of Memory
MLADEN DOLAR
Singing in Pursuit of the Object Voice
Theme Graham Newcater
STEPHANUS MULLER
Sapphires and serpents: In Search of Graham Newcater
ARYAN KAGANOF
Of Fictalopes and Jictology (2018)
MEGAN-GEOFFREY PRINS
Toccata for Piano (2012): The gift of newness
OLGA LEONARD
The Leonard Street Meetings (2008-2012)
ARYAN KAGANOF
Her first concert - 15 October 2011
STEPHANUS MULLER & GRAHAM NEWCATER
Interview (2008, transcribed 2010)
AMORÉ STEYN
The Properties of the Raka Tone Row as seen within the Context of other Newcaterian Rows
STEPHANUS MULLER
The Island
GRAHAM NEWCATER
CONCERTO in E Minor Op. 5 (1958)
ARNOLD VAN WYK
A Letter from Upper Orange Street, 14th June 1958
GRAHAM NEWCATER
Concert Overture Op. 8 (1962-3)
GRAHAM NEWCATER
Variations For Orchestra Op 11 (1963)
GRAHAM NEWCATER
Nr.1 Klange An Thalia Myers (1964)
GRAHAM NEWCATER
Allegretto e Espressivo (1966)
GRAHAM NEWCATER
Variations de Timbres (1967)
GRAHAM NEWCATER
String Quartet (1983/4)
GRAHAM NEWCATER
Songs of the Inner Worlds (1991)
GRAHAM NEWCATER
ETUDE I For Horn with Piano Accompaniment (2012)
GRAHAM NEWCATER
ETUDE II For Horn with Piano Accompaniment (2012)
GRAHAM NEWCATER
SONATINA for Pianoforte (2014)
GRAHAM NEWCATER
CANTO for Pianoforte (2015)
LIZABÉ LAMBRECHTS
The DOMUS Graham Newcater Collection Catalogue
galleri
TAFADZWA MICHAEL MASUDI
Waiting For A Better Tomorrow
ILZE WOLFF
Summer Flowers
NIKKI FRANKLIN
Sans Visage
BAMBATHA JONES
Below the Breadline
TRACY PAYNE
Veiled
STAN ENGELBRECHT
Miss Beautiful
ALEKSANDAR JEVTIĆ
We Are The Colour of Magnets and also Their Doing
GRAHAM NEWCATER
Augenmusik & Some Tarot Cards
EUGENE SKEEF
Monti wa Marumo!
borborygmus
PASCALE OBOLO
Electronic Protest Song As Resistance Through the Creation of Sound
AXMED MAXAMED & MATHYS RENNELA
A Conversation on the Bleaching of Techno: How Appropriation is Normalized and Preserved
FANA MOKOENA
A problem of classification
PHIWOKAZI QOZA
Choreographies of Protest Performance:
MASIXOLE MLANDU
On Fatherhood in South Africa
VULANE MTHEMBU
We are ancestors in our lifetime – AI and African data
TIMBAH
All My Homies Hate Skrillex – a story about what happened with dubstep
TETA DIANA
Three Sublime Songs
LAWRENCE KRAMER
Circle Songs
NEIL TENNANT
Euphoria?
frictions
LYNTHIA JULIUS
Vyf uit die Kroes
NGOMA HILL
This Poem Is Free
MSIZI MOSHOETSI
Five Poems
ABIGAIL GEORGE
Another Green World
OMOSEYE BOLAJI
People of the Townships
RIAAN OPPELT
The Escape
DIANA FERRUS
Daai Sak
KUMKANI MTENGWANA
Two Poems
VADIM FILATOV
Azsacra: Nihilism of Dancing Comets, The Destroyer of the Destroyers
claque
ZAKES MDA
Culture And Liberation Struggle In South Africa: From Colonialism To Apartheid (Edited By Lebogang Lance Nawa)
MPHUTHUMI NTABENI
The Promise of genuine literary stylistic innovation
ZUKISWA WANNER
[BR]OTHER – Coffee table snuff porn, or...?
SEAN JACOBS
Davy Samaai The People's Champion
KNEO MOKGOPA
I Still See The Sun/ The Dukkha Economy
CHRISTINE LUCIA
Resonant Politics, Opera and Music Theatre out of Africa
ARI SITAS
The Muller’s Parable
ZIMASA MPEMNYAMA
CULTURE Review: The Lives of Black Folk
RIAAN OPPELT
Club Ded: psychedelic noir in Cape Town
DYLAN VALLEY
Nonfiction not non-fiction (not yet)
DEON MAAS
MUTANT - a crucial documentary film by Nthato Mokgata and Lebogang Rasethaba
GEORGE KING
Unknown, Unclaimed, and Unloved: Rehabilitating the Music of Arnold Van Wyk
THOMAS ROME
African Art As Philosophy: Senghor, Bergson, And The Idea Of Negritude. By Souleymane Bachir Diagne.
SIMBARASHE NYATSANZA
Ngũgĩ wa Thiong’o: Making Africa visible in an upside-down World
ekaya
BRIDGET RENNIE-SALONEN & YVETTE HARDIE
Creating a healthy arts sector ecosystem: The Charter of Rights for South African Artists
KOPANO RATELE
What Use Would White Students Have For African Psychology?
NICKI PRIEM
The Hidden Years of South African Music
INGE ENGELBRECHT
“Die Kneg” – pastor Simon Seekoei in conversation.
SCORE-MAKERS
Score-making
off the record
BARBARA BOSWELL
Writing as Activism: A History of Black South African Women’s Writing
MPHUTLANE WA BOFELO
MUSIC AS THE GOSPEL OF LIBERATION: Religio-Spiritual Symbolism and Invocation of Martyrs of Black Consciousness in the Azanian Freedom Songs
IGNATIA MADALANE
From Paul to Penny: The Emergence and Development of Tsonga Disco (1985-1990s) Pt.2
ADAM GLASSER
In Search of Mr. Paljas
TREVOR STEELE TAYLOR
Censorship, Film Festivals and the Temperature at which Artworks and their Creators Burn
PATRIC TARIQ MELLET
The Camissa Museum – A Decolonial Camissa African Centre of Memory and Understanding @ The Castle of Good Hope
IKERAAM KORANA
The Episteme of the Elders
OLU OGUIBE
Fela Kuti
MICHAEL TAUSSIG
Walter Benjamin’s Grave
ANTHONY BURGESS
On the voice of Joyce
feedback
FRÉDÉRIC SALLES
This is not a burial, it’s a resurrection : Cinema without the weight of perfection.
FACEBOOK FEEDBACK
Social Media Responses to herri 5
the selektah
boeta gee
Hoor Hoe Lekker Slat’ie Goema - (An ode to the spirit of the drum)
PhD
MARY RÖRICH
Graham Newcater's Orchestral Works: Case Studies in the Analysis of Twelve-Tone Music
hotlynx
shopping
contributors
the back page
DANIEL MARTIN
Stuttering From The Anus
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SEAN JACOBS

Davy Samaai The People's Champion

Davy Samaai

The governing body of world tennis is the ITF or International Tennis Federation. It organizes games between professional players, ranks them and sanctions tournaments. This includes junior players. Every year the top junior players compete in a series of graded tournaments around the world. The first tier is known as the junior “Grand Slams.” Like with the senior circuit, this refers to the four traditional open tournaments played at Wimbledon, in France, the US and Australia. Below these four are a group of six “Grade A” tournaments. One of these Grade A tournaments is played every October in Cape Town, South Africa. Since 2019, that tournament was renamed the David Samaai Junior Open. 

Samaai was the first black (and coloured) South African to play at Wimbledon in 1949 when he was 21 years old. He did so again in 1951, 1954 and 1960. His best performance was reaching the third round in 1954. In addition, he also played in the French, German and Swiss Opens. While overseas, he also won several smaller tournaments (mainly in Britain), and played against several of his white countrymen, beating some of them convincingly, including the captain of South Africa’s all-white Davis Cup (national) team, Gordon Forbes. As Samaai would later describe his game against Forbes; it was “a match which could never have materialized at home.”  

In June 2019, a few months before the announcement of the David Samaai Junior Open, Samaai died at his home in Paarl in the Western Cape province.  He was 91 years old. At the time, Gavin Crookes, then-CEO of Tennis South Africa (the body that runs organized tennis in South Africa), said about the renaming: “Whilst this tribute will never adequately recognise the challenges he had to overcome as a black South African, playing in an era that was strictly amateur, as well as the achievements he attained as a top player in the world of tennis, I have little doubt the fact that these trophies will be presented to two of the top juniors in world tennis will go some way to making him proud – in his quiet and modest way.”

Crookes’ praise aside, his reference to Samaai’s “quiet and modest way,” was telling. 

Despite Samaai’s singular achievement – at a time when South Africa’s white regime intensified its oppression of the majority black population – he is hardly mentioned in popular discourses about sports, especially in local and international media, and the legacies of racism in South Africa. And when he is, there is a lot of talk about his quiet resilience. 

1. By the age of 15 Davy was beating all comers. • 2. David with a drop shot at the net. • 3. Samaai was known for his scorching backhand.

The silence in popular media and culture around Samaai’s achievements is even more depressing given that he played at a time when black tennis players hardly featured internationally. Althea Gibson, the black American tennis player, would only win Wimbledon in 1957, while Arthur Ashe would become the first global black tennis star from the mid-1970s onwards. (Ashe would get his first world number one ranking in 1975). If you google “who was the first black (or African)  player to compete at Wimbledon,” references to Gibson come up. 

One reason for this, may be that the American narrative about everything, including designating who was “the first” at anything, dominates. Another may be that Samaai downplayed his achievement despite racism, insisting on a certain colour blindness. His biographer Michael Le Cordeur writes that Samaai hated being referred to as a “coloured tennis player.” A third reason could be how coloured people are viewed in South Africa; in some accounts they are not counted as blacks. At the same time, some coloureds don’t identify as black. However, there is no evidence that Samaai had anti-black politics. In fact, after he retired from tennis, he played a leading role in school sport organized by SACOS, known for its boycottt stance vis-a-vis apartheid segregated sports and for forging a political consciousnes among black (including coloured and Indian) sports people at grassroots level. 

4. Competing at Maitland at 17! • 5. Competing at Maitland at 17! • 6. WP Champion at 18! David Samaai, champion at 18!

A much more plausible reason may be that tennis is hardly considered a mass sport – whether in South Africa or elsewhere. However, Samaai’s own involvement in tennis as a player and administrator and the deep well of organized tennis culture in coloured, Indian and African townships under apartheid, put a lie to it. Samaai’s father, for example, played tennis in the 1930s, belonged to a club in Paarl and later built a tennis court for his sons in their backyard. Samaai himself met his wife on the court and they played mixed doubles together in amateur tournaments organized by a well-coordinated national coloured tennis association around the province and the country. Nevertheless, to this day, most South Africans experience tennis as a TV sport happening somewhere in Europe or North America, living vicariously through Venus and Serena Williams (the latter is arguably the greatest tennis player of all time), or Roger Federer (whose mother is a white South African).

South African Champion!

7. David packing his bags to leave South Africa for England. • 8. Determined to reach his goal: David Samaai looking for an opportunity in England. • 9. Determined to impress: David arrives in London.

Tennis, like other modern sporting codes, came to South Africa with colonialism. Unlike those others, tennis as a game became more associated with white elites and with money. The cost of playing (finding a court, court fees, equipment, the right attire) was prohibitive. As a result, tennis never developed the political or social connotations of sports like cricket (with English South Africans and false notions of equality), rugby (Afrikaner nationalism and white resilience and triumph in the face of international criticism of Apartheid) or soccer and boxing (with black mass participation, fame and class mobility) under Apartheid. (Again, though sports like rugby and cricket have deep histories among the black population that parallel those of whites, the idea that black people came to them late, persists.)

As for the professional game in South Africa – both under apartheid and now – it is mostly white players who represented the country overseas, even when South Africa was the subject of sports sanctions. The ITF ostensibly banned South Africa from international tennis, but it still played the Davis Cup into the late 1970s after the ITF let South Africa qualify via the Latin American region. On top of it, white South Africans weren’t banned from competing as individuals. As a result, players like Forbes, Cliff Drysdale, Ray Moore, and later Johan Kriek and Kevin Curran, still played world tennis on the ITF circuit throughout and right till the end of Apartheid. 

10. Appeal for Funding. • 11. David and his Dunlop racquets. Photo: D Samaai.

South African tennis thus took on a very white and very exclusive image. The combined effect of these media constructions and how the game was organized was to obscure tennis’ appeal among the black population and their role in its development as a sport. Samaai’s story is wound up with the independent tradition of black tennis and is a corrective to these misconceptions. 

He was born in 1927 in Paarl, a medium-sized town in wine country about an hour’s drive to the northeast of central Cape Town. Paarl is the largest town in the Cape Winelands, an area which foundation is built on slavery at the Dutch Cape Colony. It was also where Afrikaner nationalists plotted to rewrite the history of the Afrikaans language as white instead of a vibrant creole. David was the oldest of seven sons. The late 1920s was not a good time to be born black in South Africa, less so to imagine a career as a black tennis player. While Apartheid would only be formally introduced after 1948, the Union of South Africa – the white-run state – was already implementing a slew of new discriminatory laws limiting black advancement. 

First sponsorship

12. David beat W.E Turley in his first game in England. Photo D Samaai. • 13. Finding his feet: Samaai’s first practice on lawn.

Samaai’s parents, John and Sophia, were of modest income, but owned a house at 19 Du Toit Street in Paarl’s downtown. In 1950 that section of town would be declared a whites-only “group area.” The Samaais held on for another nearly two decades, before they became the last family to be forcibly removed to a nearby coloured township.

John Samaai, according to David, was “a competent social player.” By the 1950s, there were five tennis clubs in Paarl with mostly coloured members, and John was a member of the Ivy Lawn Tennis club. John naturally introduced his eldest son to the game, andt it helped that the family lived next to a tennis court. David started hitting the ball with his dad at the club from around 5 years old. It soon became clear that he had a feel for the game. David complimented his father’s training with street tennis played with wooden bats. At some point, John Samaai built the family their own tennis court in their backyard and David practiced there with one of his brothers, Frankie.

Not long after, David began to compete at club level, playing with a borrowed racquet. (He only got his own racquet when he went to play overseas.) When David was 18, he was already national champion (the South African Coloured Tennis Championship) of the South African Tennis Board, which organized the game amongst coloureds. He would retain that title for the next 21 years. (A sidenote: Samaai was a talented sportsman; he also got provincial colors in rugby.)

15. David and Roger Becker of England. Photo: D Samaai. • 16. This picture was taken at Wimbledon on 27 June 1949 and shows David’s own handwriting. Photo: David Samaai. • 17. David and Barbara Knapp receiving their trophies after winning the Malvern mixed doubles. • 18. David with Paddy Roberts on 22nd June 1951.

As he couldn’t try himself against the best local white tennis players who enjoyed better facilities and training, he decided he would try his luck overseas. Le Cordeur writes that David’s form should have made him an automatic choice for the 1949 Davis Cup team, but apartheid denied him this honor. “For the first time, David felt that apartheid was standing in his way to greater success” and that it was time to try his luck overseas. (Later in the UK, he beat South African Davis Cup players like Abe Segal, Gordon Forbes and Cliff Drysdale in practice.)  

He would talk about the level of competition among his cohort of coloured players: “I have no doubt in my mind that we would have beaten any other white club in South Africa had we had the chance to show of our skills.” 

David’s trip to Europe was fundraised from the local coloured community. When he arrived in the UK, he received an invite to visit the Dunlop offices in London, where he was given six tennis racquets as a sponsorship. At first he struggled on the English grass courts, but soon settled in, becoming known for “his big forehand, scorching backhand, fearsome serve, balance, anticipation, impeccable net play, speed around the court and stamina.” One of his first victories, along with his English doubles partner, Colin Hannan, was a victory over a white South African duo, N. Cockburn and S. Levy. A number of other victories over white South African players, who he was prohibited from competing against back home, followed. David’s supporters in the coloured community followed his progress closely via the local press and when he played Forbes in 1954, “were buying newspapers everyday to monitor his progress.”

19. N. Cockburn (SA), S. Levy (SA), C. Hannam (Eng) and D. Samaai. 9 June 1949. • 20 .David with the winning trophy after beating Josip Palada in the Malvern Final. Photo: D. Samaai. • 21. David with Ong Chew Bee. • 22. David with Mary Harris. Photo: D. Samaai.

To get into Wimbledon, you had to be nominated by your country association. David could expect no help from the white tennis establishment at home to make this happen. He had to earn the right by playing in a series of smaller qualifying tournaments in the UK, which he did. In his first try at Wimbledon in 1949 he was beaten by an Australian, Jack Harper, 6-1, 6-4 and 6-3 in the first round. 

He would qualify again in 1951. During the same year, he made it to the second round of the French Open. (It is unclear if, apart from being the first black South African to play in the French Open, he was also the first black player from the African continent to do so.)  In 1954, which witnessed his best performance at Wimbledon, he ended up playing his third round match on center court, where he lost to Australian Ken McGregor. This match was his “career highlight” and obviously served to showcase black tennis from South Africa on a global scale. 

23. David in Action. • 24. David in action against McGregor in 1954. • 25. Samaai in action during the second round at Wimbledon 1951. Photos: David Samaai. • 26. David with KH Ip from Hong Kong. • 27. David and Mary Harris, Bedford winners in mixed doubles. • 28. David winning the men’s singles at Tally Ho, Birmingham.

In 1960, at 32 years old, Samaai qualified for Wimbledon for the last time. But by then, his priorities had changed. He had married Winnie, his longtime girlfriend and mixed doubles partner and started a family. Although Samaai would make a few more trips to Europe to play in club tournaments and back in Paarl played in competitive tournaments well into old age and after Apartheid ended, he switched his priorities to teaching for which he had qualified before he left for Europe the first time. He threw himself into the teaching profession with the same dedication he showed to tennis.

29. Michael Davies congratulating David. • 30. Samaai and Thloczinski after their match. • 31. Mike Gangster, Shirley Brasher (UK), Pat Steward (USA) and David. • 32. Samaai and John McDonald (NZ). • 33.Samaai with Winston Petersen after the match at the SALTU tournament. • 34. Veteran wins. • 35. Samaai (right) with his lifelong friend and competitor, Herman Abrahams, and S. Smith. • 36. David seen here with his daughter Fiona, youngest brother Ivan and son Glenn, after a doubles match on the court in the Samaais’ back yard.

Michael le Cordeur’s book Davy Samaai The People’s Champion despite its title and cover image (Samaai hitting a backhand shot at Wimbledon), spends as much time detailing Samaai’s long career as a tennis player, but equally as a teacher, choir director and his being instrumental “in broadening access to higher education for the rural Afrikaans speaking community.” Le Cordeur, a professor of education, ascribes Samaai’s success to his family dynamic (two other brothers, Ronnie and Gerald, had fame as performers and artists), to his local community, and “because he led by example.”

37/38. David with his wife Winnifred (Winnie), his mixed doubles partner. Photos: D. Samaai.

Le Cordeur’s book is not the usual sports biography. Text is interspersed with photographs (giving a scrapbook effect), verbatim testimonies by friends and relatives (his children, grandchildren) and clippings from old newspapers. The result is a celebration of Samaai’s life. (Even Samaai’s funeral is extensively covered.) Le Cordeur writes in the introduction that the current generation don’t know who Samaai was “because our history has been deleted from the mainstream media in South Africa, which refused to acknowledge what David and people like him did to liberate South Africa.”

Le Cordeur wants to “take ownership of our sport and education, and to take back our space.” I suspect what he is referring to, but he doesn’t elaborate, so we don’t know exactly what Le Cordeur planned to do. At some level, however, Le Cordeur’s call to take ownership, gels with the call to decolonize knowledge, which by itself is a worthwhile undertaking and which has gained impetus in South African history writing and in popular discourses about South Africa’s past.

39. Five of the seven Samaai brothers on the tennis court: David, Ivan, Ronnie, Vicky and Gerald. • 40. Frank received the Sport Legend Award from the Western Cape Minister of Sport, Anroux Marais. Photo: Frank Samaai. • 41. Glenn Samaai. • 42. Fiona Samaai. • 43. The Boland junior tennis team of 1986 with Fiona Samaai (front, far left), Glenn Samaai (front 2nd from right) and Vera du Plessis (back, far left). Photo: Frank Samaai.

As a player, Samaai wasn’t viewed as particularly politically radical. He felt his tennis should speak for him. Nevertheless, Le Cordeur describes him as a “loyal member” of the South African Council on Sport or SACOS “in their fight against discrimination and apartheid.” (SACOS was founded in the early 1970s to coordinate anti-apartheid sports among black sports bodies explicitly opposed to Apartheid, many dating their origins back to the 1880s. SACOS’ leadership was close to the sports boycott movement in exile and locally to black consciousness, Trotskyist tendencies and the Pan-Africanist Congress and later some elements in the United Democratic Front. SACOS advocated for “no normal sports in an abnormal society” and rejected any sponsorships or state support that implied segregation. It was prominent until the end of the 1980s when it was overtaken by the National Sports Congress, a new sports coordinating body which was effectively the sporting arm of the ANC. A proper history of SACOS still needs to be written.)

The Hall of Fame. • 55. I photographed David Samaai in front of his own Wall of Fame in his house after my last interview with him in 2016. (Michael le Cordeur).

A British journalist who interviewed Samaai for a short profile in 1961, described his relations with the white South African tennis contingent as “cordial.” When pressed, David said: “I hope they are not embarrassed by having me here. I don’t think they are, do you? We seem to get on very well together. When I arrive, everyone wants to know, ‘How did you get on with the South African players.’ My answer will always be ‘we are very good friends’.” In his last match in the UK in 1961 (a tournament in Birmingham), Samaai and his doubles partner, John McDonald from New Zealand, played against the white South Africans Ian Vermaak and Berti Gaertner in the final. The matchup was significant, as it was “the first time a non-white South African had ever played against white South Africans in a tennis final.” For context: back home the white South African government of Prime Minister Hendrik Verwoerd had decided to leave the Commonwealth over a demand that it end Apartheid and instead declared a whites-only republic. It had also begun to imprison and banish to exile its main political opposition in the ANC, Communist Party and the Pan-Africanist Congress. 

One of the last photos taken of all seven Samaai brothers: Back: Lennie, Gerald, Frankie. Seated: Ivan, David, Ronnie and Vicky.

Samaai and McDonald won the game and afterwards the two white South Africans, according to Le Cordeur, “seemed completely at ease with this quiet, dignified man.” Le Cordeur quotes Samaai (it is unclear when) saying that after the match the three players discussed politics and the white South Africans wanted to know “both sides of the story.” 

Today people would call that false equivalence. 

Samaai then told his white countrymen “my personal opinion of things,” that “I would not come here and criticize our government’s policies. It wouldn’t be the right thing to do. After all, I am South African.” 

It may be that he was either apolitical and didn’t have a framework to understand what was going on in South Africa or he did, and was too scared to take the political risk. Le Cordeur’s decision to project this as a beacon of forgiveness on the part of Samaai and Vermaak and Gaettner is a stretch (“these tennis players had reached reconciliation 34 years ahead of what was called the Truth and Reconciliation Commission in 1995”).

Nothing was more important to David Samaai than his family. Here he is seen with Fiona and her husband Tommy and Glenn in front.  At the back are Glenn’s wife, Erica, Leanne with her husband Riaan Daniels and their son, Rourke, and Inés. Egon was studying in the USA when this photo was taken. Photo: G. Samaai.

Which brings me back to those characterizations of Samaai as “quiet and modest” and a “quiet, dignified man.” At some level it feeds a notion of coloured political (and sports) actors as nobly long-suffering and meek, and ultimately apolitical, as opposed to rowdy and troublesome blacks. The problem is Samaai’s actual life doesn’t gel with that. Later in Davy Samaai The People’s Champion” in a short chapter, Le Cordeur documents some of Samaai’s life as a sports administrator and simultaneously activist against Apartheid sport and building alternative sports structures. It is also where we get a semblance of Samaai’s sports politics which was far from quiet or dignified. Samaai played a key role in the formation of the Tennis Association of South Africa (TASA), who played under the SACOS banner, helping to grow tennis in mostly coloured townships. Also, Samaai was associated with figures like Frank van der Horst, Hassan Howa and Eddie Fortuin, all SACOS leaders and associated with a strident anti-apartheid politics.

Le Cordeur writes that Samaai and other TASA leaders and coaches rejected attempts at bribing them, refusing to be forced into doing “what was against their principles.” Following unification between white and black tennis in 1999 to form the TSA, as a sign of how imperfect the process was (to a large extent it kept old class and racial inequalities intact in the sport), Samaai became vice president and Crookes president. That same year, President Thabo Mbeki awarded Samaai the Presidential Sports Award for Lifetime Achievement. 

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