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5
Contents
editorial
KHADIJA TRACEY HEEGER
Redefined
GEORGE LEWIS
New Music Decolonization in Eight Difficult Steps
GIORGIO AGAMBEN
The Supreme Music. Music and Politics
Theme Social Impact
SAIDIYA HARTMAN
Riot and Refrain
THOMAS BERNHARD
Executioners
WILLEMIEN FRONEMAN & STEPHANUS MULLER
Music’s “non-Political Neutrality”: When race dare not speak its name
STEVEN ROBINS
Spectres of Racial Science at Stellenbosch University: From Eugen Fischer’s Eugenics to the Department of Sport Sciences’ Retracted Article
MOHAMMAD SHABANGU
Education as the Practice of Freedom: Towards a Decolonisation of Desire
CHUMANI MAXWELE
The Solitary Protest That Gave Birth To #RhodesMustFall
SISCA JULIUS
Chappies bubblegum
EMILE YX? JANSEN
Heal the Hood & World with Afrocation
MESULI NALE
Move For Two: Educating for Leadership Through Dance
SARAH MALOTANE HENKEMAN
On the Social Impact of Telling Your Own Story in Your Own Way
ACHMAT DAVIDS
The Social Impact of Language: The "Coloured" Image of Afrikaans in Nineteenth Century Cape Town
JACKIE SHANDU
On the Social Impact of Self Hatred
AZOLA DAYILE
Imbamba – Uthunyiwe: On the Social Impact of Migrant Labour
YAMKELA F. SPENGANE
On the Social Impact of Name Changes
ANELE NZIMANDE
On the Social Impact of Motherhood
ZIYANA LATEGAN
Problems of and for Philosophy
galleri
JOAN OTIENO
Art as the Social Impact of Repurposing Waste Materials
GARTH ERASMUS
Xnau
GARTH ERASMUS
Virulent Strain
ANDREA ROLFES
Not the Paradise Garden
MZOXOLO VIMBA
Sunday best, kakade!
ROCHÉ VAN TIDDENS
Four Compositions
JAMES OATWAY & ALON SKUY
[BR]OTHER
borborygmus
ZIYANA LATEGAN
Invention as Ideological Reproduction
LETTA MBULU
Not Yet Uhuru (Amakhandela)
TUMI MOGOROSI
De
ANDREA LEIGH FARNHAM
A bad relationship with the truth
DAVID MWAMBARI
On the Social Impact of Reading Radical Literature
PHIWOKAZI QOZA
Choreographies of Protest Performance: 2. Somatic Communication and the experience of intensity
DUANE JETHRO
Shangaan Electro: shaping desire @180bpm
CLARE LOVEDAY
WOMEN IN MUSIC.co.za - A website for South African women music practitioners
ERNIE LARSEN
Escape Routes
LIZ SAVAGE
Myanmar: a post-colonial tale of fear, treachery and hope
STEVEN CRAIG HICKMAN
Weird Literature as Speculative Philosophy
frictions
VANGILE GANTSHO
"we have forgotten who we are"
JETHRO LOUW & GARTH ERASMUS
21st Century Khoisan Man
LUCY VALERIE GRAHAM
Seven settler poems
SERGIO HENRY BEN
Some Monday shit.
RIAAN OPPELT
The Boys in the Box
TRICIA WARDEN
Five Poems Two Songs and a Video
JOHAN VAN WYK
Man Bitch
ARI SITAS, GEORGE & DEBBIE MARI
Cold was the ground - A Requiem for Elephants Too**
ARI SITAS, GEORGE & DEBBIE MARI
Cold Was The Ground- A Requiem For Elephants Too* Part I
ARI SITAS, GEORGE & DEBBIE MARI
Cold was the ground - A Requiem for Elephants Too** Part II
claque
JANNOUS NKULULEKO AUKEMA
Something of Inexplicable Value: A Resurrection
FRANK MEINTJIES
From collective to corrective: South African poems of decolonisation
KNEO MOKGOPA
“This Bloodless Wound” - A Review of Kirsty Steinberg’s Confrontation
RONELDA S. KAMFER
Avoiding the obvious routes: Jolyn Phillips deconstructs the legend of Bientang
UNATHI SLASHA
Partaking in the Séance: Preliminary Remarks on Lesego Rampolokeng’s Bird-Monk Seding
WAMUWI MBAO
There are no barbarians: Michel Leiris - more phantom than Africa
ESTHER MARIE PAUW
Jess Auerbach's From Water to Wine: Becoming Middle Class in Angola
MBE MBHELE
Not nearly a review of Ontologicial Terror: Blackness, Nihilism, and Emancipation by Calvin L. Warren
MBALI KGAME
Mphutlane wa Bofelo's Transitions: from Post-Colonial Illusions to Decoloniality What went wrong and what now?
MALAIKA WA AZANIA
Why Do I Scream at God for the Rape of Babies?
TOAST COETZER
Country Conquerors: van blikkiesband tot firebrands – on the Social Impact of Rastafari
GEORGE KING
One Disc, Two Composers, Four Works: When Seven Defines the Music of Friendship
ERNESTO GARCIA MARQUES
Live Jimi Presley: white noise a la Neubauten
ekaya
DEREK DAVEY
Dodging the sjambok
CHRISTINE LUCIA
A Reflection on the Mohapeloa Edition
THEMBELA VOKWANA
Towards a Decolonial South African Musicology: Reflections on Christine Lucia’s Michael Mosoeu Moerane Scholarly Edition.
ANKE FROEHLICH & INGE ENGELBRECHT
Genadendal Music Collections Catalogue: an introduction
off the record
PETER DELPEUT
The Forgotten Evil pilot project digital version
PETER DELPEUT
The Forgotten Evil pilot chapter 5 charisma
PETER DELPEUT
The Forgotten Evil pilot chapter 9 The Forest of Astravas
PETER DELPEUT
The Forgotten Evil, pilot chapter 11 character
LOUIS CHUDE-SOKEI
When Echoes Return: roots, diaspora and possible Africas (a eulogy)
VEIT ERLMANN
The Disappearance of Otherness: ‘Africa Civilised, Africa Uncivilised’: Local Culture, World System and South African Music
IGNATIA MADALANE
From Paul to Penny: The Emergence and Development of Tsonga Disco (1985-1990s)
NIKLAS ZIMMER
Basil Breakey: Jazz contacts, Jazz culture.
OLIVIER LEDURE
Ted Joans
SAM MATHE
NDIKHO DOUGLAS XABA
CAN THEMBA
The Bottom of the Bottle
DANFORD TAFADZWA CHIBVONGODZE
Jonah Sithole’s Sabhuku
feedback
ALEXANDRA DODD
herri: a plenitude of material, ideas, sounds and voices
FACEBOOK FEEDBACK
Social Media Responses to herri issues 1 - 4
the selektah
ZARA JULIUS
A call for renewed internationalism: A sonic liberation front
PhD
DECENTERING THE ARCHIVE:
Visual Fabrications of Sonic Memories
NICOLA DEANE
FRAGMENTS By Way of Introduction
NICOLA DEANE
PASSAGE I: SURFACES A Surface Reading of the DOMUS Archive: framing space & time
NICOLA DEANE
PASSAGE II: INVAGINATION A Subjective Fold of the DOMUS Archive: a pocket of one’s own
NICOLA DEANE
PASSAGE III: NOISE A Hauntological Reconstruction of the DOMUS Archive: the noise remains
NICOLA DEANE
PASSAGE IV: THE MASK (De)Scripting the DOMUS Archive as Faceless Protagonist
NICOLA DEANE
ELISABETH UNMASKED by Nicola Deane
NICOLA DEANE
CONCLUSION Irresolution
hotlynx
shopping
SHOP
Purchase or listen
KOLEKA PUTUMA
Black Girl Live
contributors
the back page
MIKE VAN GRAAN
Covid-19 and its Existential Challenge to Theatre
© 2024
Archive About Contact Africa Open Institute
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    #05
  • Theme Social Impact

SISCA JULIUS

Chappies bubblegum

I am writing this piece sitting in the University of Sol Plaatje’s Library and Resources Centre. My laptop is plugged in and I am hoping there will be no loadshedding today, because my laptop is on life-support (I have considered writing an email to our counsellor telling her that my mental health, panic attacks and depression can only be improved by a MacBook but before I could click send, we had loadshedding and I thought better of it when the power came back on). And I have a deadline. And I tend to convince myself that I work well under pressure as a means to justify my procrastination. I should start a procrastination club, but I’ll do it tomorrow.

Doing my B.A. Honours in Afrikaans, I am required to write a thesis and I’ve decided to write about the lexicalisation process and the ways in which power, politics and exclusion are made manifest in the reproduction of knowledge, with regards to the Afrikaans word “korrelkop” (coarse head) which is still written up in the Handwoordeboek vir die Afrikaanse Taal (2015!) as “bakleier, rusiemaker” (aggressor, fighter, brawler). There’s also an idiom “So dom soos ’n korrelkop” (as dumb as a coarse-head). So much for socio-political linguistic change.

Not everyone knows about our university, but it is located in Kimberley, and is the only university in the Northern Cape. Also, one of the few, if any, postcolonial, postapartheid universities in South Africa. Anyway, our library has a section that looks as though you’re outside, in a garden with trees and benches and glass walls through which you can see the adjacent street. We as students, of course take advantage of this and use it as a smoker’s section. Don’t tell anyone, please.

I come to varsity early every morning and watch the traffic from our smoker’s section. Watching the people walking by with their handbags clutched under their armpits tightly, or their hands fisted deep inside of their pockets enclosing their wallets and phones and other valuables. All looking in front of them. Like an army of ants who know where the sugar is and is running to get the biggest clod.

I am one of the few students who lived in this city before the existence of the university. I can still remember how this very spot was only an open field, that we, as young people, took advantage of. Here, we congregated on Saturdays to partake in underage drinking. We did not even know the difference between vodka and gin, whiskey and brandy, and so we would chase anything with coke, and deem ourselves extremely cool, long cigarettes dangling from our fingers. We never clutched our handbags or fisted our hands in our pockets.

Back then, I had a wide circle of friends. We would never be afraid to walk to Overland Liquor or to the park in New Park where we would go to switch it up from time to time. We could speak about anything, from Kendrick Lamar mixtapes to the best forms of birth control to what we love and hate about Afrikaans. We would conclude that Afrikaans is like being completely consumed by a lover that does not want you back. That chews you up and spits you back out if you’re not the right flavour.

Now, my circle is small. On Saturdays I play dominoes with my siblings, we don’t walk to Overland Liquor to purchase our brown-bottle beers or gin which we chase with tonic water. We can’t: students are targeted because the muggers know we have laptops (although they’re on life-support), and they also want to teach us that we may be booksmart but we’re not streetsmart.

Now, the people in our street don’t greet us, and it is our fault. We tend to speak about syntax, semantic values and structural violence. When we play dominoes with them, we cheat by using codes such as “1652” which would indicate that one has more blank dominoes, or “structural violence” which would indicate “four corners” (prisons) so I, for example, have more fours, and that my partner should play accordingly. We know they won’t decipher our codes and so we always win (they call my brother and I The Terrible Twins). We know we’re making ourselves social pariahs. Perhaps we can’t help it. Perhaps we don’t want to help it.

In the beginning of the year, I was financially excluded from my university despite having a stellar academic record. At first, I laughed about it, then I cried about it, and then I became enraged. I wanted to approach the campus with a tank of gasoline and matches, set it all alight and then light my cigarette in the very same flames and walk off to the police station to turn myself in. Okay, setting the varsity on fire is a bit drastic, but my reasoning was that if I go to prison, it would mean free education. Isn’t education what I was taught to seek after? I wanted them to take me back because I work hard. I wanted them to understand that it is the only place I had left: Afrikaans does not love me back, not while perpetuating hurtful stereotypes about people with my hair texture. Society doesn’t want me, not when a man followed me into a public toilet, tried to kiss me and when I fought him off, he punched me right in the face. When I told my friends about it, they laughed and asked what I was wearing. And I can no longer sit next to my mother in church and look up at blonde, blue-eyed Jesus carrying his own cross. So university is the reason that home is now neither here nor there. How could it be so cruel as to leave me outside?

I was finally registered after all, and no, I didn’t burn down my varsity. I was going to do it, but I convinced myself that I burn things much better under pressure…

Now, I am back in the humdrum routine of reading articles and writing essays, questioning things and getting no answers, sitting in the university’s Library and Resources Centre and watching everyone around me have panic attacks, bouts of violence, suicidal thoughts and attempts, as they gradually burn out the further they are into their tertiary education, like moths circling to the inevitable incineration. What is life anyway but a long terminal illness?

University has taught me to critically assess what development means. Developmental anthropology taught me that if development is not for and by the people, it is no development at all. That is what I answer in essays and assignments and examinations when they ask me. My argument, however, is that tertiary education has taught me that life is like a cabbage: you can chew a Chappy all day, but a taxi can’t fly.

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CHUMANI MAXWELE
EMILE YX? JANSEN
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