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editorial
DAVID MWAMBARI
The pandemic can be a catalyst for decolonisation in Africa
Theme Night Music
SETUMO-THEBE MOHLOMI
Night Music 1: Amapiano waya waya
PLUTO PANOUSSIS
Night Music 2: Nagmusiek
TOM WHYMAN
Night Music 3: The Ghost has been summoned
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Night Music 4: Finding Specific Meaningfulness in Arnold van Wyk
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Tell them we are from here
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Everything is Real
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Pearls To Swine
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As my friend N'Man would say, "Makes me Wanna Holla"
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Sankomota – An Ode in One Album
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Ons is kroes
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Time Capsule: Illmatic as an Iteration of Utopian Time
ARTURO DESIMONE
PARTHENONS OF SILENCE: Censorship and the Art-world.
STEVEN ROBINS
Shit happens: How toilets became political
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ASHANTI KUNENE
Three Consensual Poems
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City Face Blues
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They
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Lockdown
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And that the sky is near (Five Kannada Poems and One Performance)
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The Release (excerpt)
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On the Other Side of the Curve
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THABISO BENGU
Dolar Vasani’s Not Yet Uhuru - Lesbian Love Stories: revealing the fluidity of sexuality
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Unengaged polarities - Musa Ngqungwana’s Odyssey of an African Opera Singer
MBE MBHELE
Policing the Black Man – who feels it already knows it
DEREK DAVEY
TRC – the people shall groove
ALLAN KOLSKI HORWITZ
Our Words, Our Worlds - branches of the same tree.
DANYELA DIMAKATSO DEMIR
Our Words, Our Worlds – critique as an act of love
LWAZI SIYABONGA LUSHABA
Decolonising Jesus: A Journey into the White Colonial Unconscious
ekaya
CHRISTINE LUCIA, MANTOA MOTINYANE & MPHO NDEBELE
Translating Mohapeloa in a time of many Englishes
off the record
INGE ENGELBRECHT
One speaker, two languages
SABATA-MPHO MOKAE
Umbhali ungumgcini wamarekhodi omphakathi
ANTJIE KROG
‘The Convert Writes Back’
MKHULU MAPHIKISA
On What Colonises
ARGITEKBEKKE
AFRIKAAPS complete script deel 2
VENICIA XOROLOO WILLIAMS
Carl Jonas' challenge for us today
hotlynx
shopping
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DICK TUINDER
Saving the world
TSHEPO MADLINGOZI
Roots of South Africa’s Transformative contra Decolonising Constitutionalism
the selecter
RUBY KWASIBA SAVAGE
DANGER DANGER DANGER DANGER
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the back page
MICHELLE KISLIUK
BaAka Singing in a State of Emergency: Storytelling and Listening as Medium and Message
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    #03
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MICHAEL C COLDWELL

Everything is Real

Everything is Real presents a series of architectural Rorschach tests inspired by the artist’s three year old daughter Zoë, who defiantly proclaims “everything is real!” whenever her fantasies are challenged. Despite alluding to something more fantastical – spaceships, monsters, objects from another world – everything about these photographs is actually real. The trace of a real place is preserved entirely intact in each image, the only creative intervention being the placement of a mirror – another technology we routinely rely on to tell us the truth. The viewer is tricked by reflective symmetry into seeing something which is not present, a psychological phenomenon known as pareidolia – the same illusion relied on in Rorschach tests. Does what we see in these meaningless forms have something to tell us about ourselves? All photographs have this latent ability, here rendered obvious through the simplest of manipulations.

In this series the artist revisits his own urban landscape photography, trying to see it afresh as if through the eyes of a child. “Reality” is a trick of perception and there are other ways of seeing it that we have forgotten. Photography should be about seeing through another set of eyes, perceiving banal and everyday things and spaces in new ways. As a manifesto this challenges the objectivity and authoritative “truth claim” of photography, something which has been shown as both false and politically problematic by key theorists such as John Tagg. At a time when reality itself seems to be bending out of recognition, it might be comforting to consider that how we look at things, has a profound ability to alter what we see – but equally, we might be troubled by how little we can trust the image as evidence.

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