• Issue #01
  • Issue #02
  • Issue #03
  • Issue #04
  • Issue #05
  • Issue #06
  • Issue #07
  • Issue #08
  • Issue #09
  • Issue #10
3
Contents
editorial
DAVID MWAMBARI
The pandemic can be a catalyst for decolonisation in Africa
Theme Night Music
SETUMO-THEBE MOHLOMI
Night Music 1: Amapiano waya waya
PLUTO PANOUSSIS
Night Music 2: Nagmusiek
TOM WHYMAN
Night Music 3: The Ghost has been summoned
DANIEL-BEN PIENAAR & STEPHANUS MULLER
Night Music 4: Finding Specific Meaningfulness in Arnold van Wyk
LEONHARD PRAEG
Night Music 5: A Melancholy Anatomy
JAMES BALDWIN
Night Music 6: Sonny’s Blues
CORNELIUS CARDEW & GARTH ERASMUS
Night Music 7: Acceptance of Death
AYI KWEI ARMAH
Night Music 8: The Final Sound
galleri
LEVY POOE
A re yeng kerekeng
AKIN OMOTOSO
Tell them we are from here
MICHAEL C COLDWELL
Everything is Real
borborygmus
MSAKI & NEO MUYANGA & DAVID LANGEMANN
Pearls To Swine
NDUDUZO MAKHATHINI
Uyisithunywa Esihle (John Coltrane)
JEFFREY BABCOCK
Jeffrey's underground cinemas
LINDOKUHLE NKOSI
yokuvala umkhokha
SALIM WASHINGTON
As my friend N'Man would say, "Makes me Wanna Holla"
PHEHELLO J. MOFOKENG
Sankomota – An Ode in One Album
PATRIC TARIQ MELLET
A Warning From Wolfie
SISCA JULIUS
Ons is kroes
DARA WALDRON
Time Capsule: Illmatic as an Iteration of Utopian Time
ARTURO DESIMONE
PARTHENONS OF SILENCE: Censorship and the Art-world.
STEVEN ROBINS
Shit happens: How toilets became political
frictions
ASHANTI KUNENE
Three Consensual Poems
GADDAFI MAKHOSANDILE
City Face Blues
SERGIO HENRY BEN
Gayle
CHWAYITA NGAMLANA
They
BONGANI MICHAEL
Lockdown
STEPHANUS MULLER & MANFRED ZYLLA
The Illustrated Journey to the South (précis)
MAMTA SAGAR
And that the sky is near (Five Kannada Poems and One Performance)
MAMTA SAGAR
For Gauri
JOHAN VAN WYK
Man Bitch
ERIC MIYENI
The Release (excerpt)
LUCY VALERIE GRAHAM
On the Other Side of the Curve
claque
THABISO BENGU
Dolar Vasani’s Not Yet Uhuru - Lesbian Love Stories: revealing the fluidity of sexuality
HILDE ROOS
Unengaged polarities - Musa Ngqungwana’s Odyssey of an African Opera Singer
MBE MBHELE
Policing the Black Man – who feels it already knows it
DEREK DAVEY
TRC – the people shall groove
ALLAN KOLSKI HORWITZ
Our Words, Our Worlds - branches of the same tree.
DANYELA DIMAKATSO DEMIR
Our Words, Our Worlds – critique as an act of love
LWAZI SIYABONGA LUSHABA
Decolonising Jesus: A Journey into the White Colonial Unconscious
ekaya
CHRISTINE LUCIA, MANTOA MOTINYANE & MPHO NDEBELE
Translating Mohapeloa in a time of many Englishes
off the record
INGE ENGELBRECHT
One speaker, two languages
SABATA-MPHO MOKAE
Umbhali ungumgcini wamarekhodi omphakathi
ANTJIE KROG
‘The Convert Writes Back’
MKHULU MAPHIKISA
On What Colonises
ARGITEKBEKKE
AFRIKAAPS complete script deel 2
VENICIA XOROLOO WILLIAMS
Carl Jonas' challenge for us today
hotlynx
shopping
feedback
DICK TUINDER
Saving the world
TSHEPO MADLINGOZI
Roots of South Africa’s Transformative contra Decolonising Constitutionalism
the selecter
RUBY KWASIBA SAVAGE
DANGER DANGER DANGER DANGER
contributors
the back page
MICHELLE KISLIUK
BaAka Singing in a State of Emergency: Storytelling and Listening as Medium and Message
© 2024
Archive About Contact Africa Open Institute
    • Issue #01
    • Issue #02
    • Issue #03
    • Issue #04
    • Issue #05
    • Issue #06
    • Issue #07
    • Issue #08
    • Issue #09
    • Issue #10
    #03
  • Theme Night Music

AYI KWEI ARMAH

Night Music 8: The Final Sound

I did not know how easy the coming would be. I have been with you in dreams and night wishes, but often this was only when the world was not going well with me. Aches and fears and troubles brought my thoughts running to you.

AYI KWEI ARMAH 7

I am confessing to you now. Be kind to me: a new child coming back to you. You knew me ready to die again and enter this world those here above think so real, this world which you know is only the passing flesh of everything that lasts, the soul of our people.

AYI KWEI ARMAH 15

Coming home to you put fear into me at times. Do not laugh at me. I did not see you clearly, and I had been so long in this other world that I had no idea but fear.

AYI KWEI ARMAH 14

Death. That was the frightening thing, the final sound. Now I see in it another birth, just as among you the birth of an infant here is mourned as the traveling of another spirit.

AYI KWEI ARMAH 2

Do not judge me harshly for the times I thought less of you than of the thousand things I had gathered around my body to give it comfort; they were to me then like living babies bound to me by thirty navels, and I thought I could never bear to cut them; there have been times when life was so sweet. For what purpose do you throw us such blinding sweetness when our aim is death?

AYI KWEI ARMAH 5

I am reproaching you. Forgive me. I know of the screens of life you have left us: veils that rise in front of us, cutting into easy pieces eternity and the circle of the world, so that until we have grown tall enough to look behind the next veil we think the whole world and the whole of life is the little we are allowed to see, and this little we clutch at with such desperation.

AYI KWEI ARMAH 12

What a thing for you to laugh at, when we grow just tall enough and, still clutching the useless shreds of a world worn out, we peep behind the veil just passed and find in wonder a more fantastic world, making us fools in our own eyes to have believed that the old paltriness was all.

AYI KWEI ARMAH 11

But again we hold fast to the new shadows we find. We are fooled again, and once more taste the sharp unpleasantness of surprise, though we thought we had grown wise.

AYI KWEI ARMAH 10

I am here against the last of my veils. Take me. I am ready. You are the end. The beginning. You have have no end. I am coming

Fragments, 1969

AYI KWEI ARMAH 4
Share
Print PDF
CORNELIUS CARDEW & GARTH ERASMUS
galleri
© 2024
Archive About Contact Africa Open Institute