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Contents
editorial
IMRAAN COOVADIA
Living with sorcerers
ZEINAB SHAATH
The Urgent Call of Palestine
ALLAN BOESAK
“HOW LONG FOR PALESTINE?”
MAKHOSINI MGITYWA
The Crux of the Matter
MALAIKA MAHLATSI
On the genocide in Palestine and the death of academic freedom and democracy in Western universities
BRANKO MARCETIC
Israel’s Gaza War Is One of History’s Worst Crimes Ever
CHRIS HEDGES
American Sadism
ARYAN KAGANOF
On Power and Powerlessness: Genocide in Gaza Through the Lens of Afropessimism and Decay Studies
MICHAEL SFARD
We Israelis Are Part of a Mafia Crime Family. It's Our Job to Fight Against It From Within
Theme Gaza
ZEENAT ADAM
Gaza and the Graveyard of Excuses
MAHMOUD AL SHABRAWI
Writing Between Fear and Survival
GOODENOUGH MASHEGO
Why I can’t condemn October 7
GARTH ERASMUS
Lamentations for GAZA
SALIM VALLY and ROSHAN DADOO
Africa’s strong bonds to Palestine
ZUKISWA WANNER
A Common Humanity
MUHAMMAD OMARUDDIN (DON MATTERA)
A Song for Palestine
TSHEPO MADLINGOZI
Ilizwe Lifile/Nakba: Le-fatshe & Crises of Constitution in (Neo)Settler Colonies
SINDRE BANGSTAD
Palestine, Israel and academic freedom in South Africa
GWEN ANSELL
Resistance music – a mirror reflecting truth; a hammer forging solidarity
FMFP (FREE MUSIC FREE PALESTINE)
Listening as an anti-colonial way of engaging
ATIYYAH KHAN
A movement against silencing: What the genocide in Palestine has taught us about journalism
ASHRAF HENDRICKS
Visual Memoirs of Solidarity with Palestine in Cape Town
ATIYYAH KHAN
GAZA: Where wearing a PRESS vest is a death sentence
VISUAL INTIFADA
NARRATIVE REPAIR
SHARI MALULEKE
A Prayer to the Olive Tree
THANDI GAMEDZE
Jesus of Occupied Palestine
NATHI NGUBANE
MALCOLM X IN GAZA
MARIAM JOOMA ÇARIKCI
The dark side of the rainbow: How Apartheid South Africa and Zionism found comfort in post-94 rhetoric
CRAIG MOKHIBER
The ICJ finds that BDS is not merely a right, but an obligation
ROSHAN DADOO
South African coal fuels a genocide: BOYCOTT GLENCORE NOW
IMĀN ZANELE OMAR
From the ground
DEAN HUTTON
Who would you be under Apartheid?
galleri
SÍONA O’CONNELL
Keys to Nowhere
SAMAR HUSSAINI
The Palette of Tradition and other, earlier works
SLOVO MAMPHAGA
Chronology of the Now
DEON MAAS
The Resistance
OLU OGUIBE
A Brief Statement on Art and Genocide
CANDICE BREITZ
8 may 2025 Berlin
ADLI YACUBI
A Moment Is On Its Way
TRACEY ROSE
If Hitler Was A Girl Who Went To Art School (2024-2025)
borborygmus
CHARLES LEONARD
Zeinab Shaath : the famous Teta
THE ALDANO COLLECTIVE
Withold
DIMA ORSHO
Excerpts from Half Moon, a film by Frank Scheffer
GARTH ERASMUS
Where is God?
LOWKEY FEATURING MAI KHALIL
Palestine Will Never Die
CHRIS THURMAN
Intertexts for Gaza (or, Thirteen ways of looking past a genocide)
KEENAN AHRENDS
The Wandering Dancer
NATHAN TRANTRAAL
‘D’ is vi destruction
INSURRECTIONS ENSEMBLE
Let Me Lie To You
RODRIGO KARMY BOLTON
Palestine’s Lessons for the Left: Theses for a Poetics of the Earth
MARYAM ABBASI
Drums, Incense, and the Unseen
frictions
HIBA ABU NADA
Not Just Passing
NICHOLAS MIRZOEFF
The Visible and the Unspeakable (For Mahmoud Khalil)
MPHUTLANE WA BOFELO
Before You Kill Them
ABIGAIL GEORGE
4 Struggle Songs for Palestine
MIKE VAN GRAAN
4 Poems for Gaza
EUGENE SKEEF
To The Demise of War Mongers (a suite for the people of GAZA).
ALLAN KOLSKI HORWITZ
Gaza: two poems
MALIKA LUEEN NDLOVU
At the end of a thread, holding my breath, beading
NGOMA HILL
From the River to the Sea
JESÚS SEPÚLVEDA
Gaza 2024
ARYAN KAGANOF
GAZA (body double)
VONANI BILA
Under Rubble
JACKSON MAC LOWE
Social Significance
FRANK MEINTJIES
5 poems from A Place to night in
DIANA FERRUS
Burdened man
claque
FINN DANIELS-YEOMANS
‘If Cannes did not want to go to Gaza, Gaza had to go to Cannes’: Institutional Censorship at Film Festivals post-October 7.
FRANK MEINTJIES
Abigail George’s SONGS FOR PALESTINE - "struggle poems" in an age of livestreamed genocicde
PHILLIPPA YAA DE VILLIERS
ukuphelezela and Nida Younis’ Two Bodies/Zwei Korper
RUTH MARGALIT
Writing the Nakba in Hebrew
NATHAN TRANTRAAL
Ons is gevangenes van dit wat ons liefhet: Magmoed Darwiesj gedigte in Afrikaans
HEIN WILLEMSE
Frank Meintjies: a mature poet, intellectually astute with a refined social, political and ecological consciousness
M. SOGA MLANDU
'Tell Them I Am Dead’: Sithembele Isaac Xhegwana’s Dark Lines of History
NIKLAS ZIMMER
Détourning the cut
ekaya
LYNTHIA JULIUS
I believe the children for the future
JENNIFER KESTIS FERGUSON
Nikita
CHERYL DAMON
No Ordinary Rage
SKHUMBUZO PHAKATHI
Don’t forget Phila Ndwandwe
INGRID ORIT HURWITZ
SHATTERED
STEVEN ROBINS
The blindspots of Zionist history and the ‘ancient scripts’ of primordial Jewish victimhood
LIESL JOBSON
Sorrowful Mysteries
herri
Towards a Preliminary Archaeology of herri
off the record
STEPHEN CLINGMAN
The Voices in My Head: Reflections on South Africa, Israel, Palestine, Gaza
ANNI KANAFANI
Ghassan Kanafani
FILMS
by Palestinian Women
STEVEN ROBINS
Re-reading Jabotinsky’s The Iron Wall in the time of genocide in Gaza.
JANNIKE BERGH in conversation with HAIDAR EID
Even Ghosts Weep in Gaza
ASHRAF KAGEE
Three friends in Gaza
AMIRA HASS
"Resist the Normalization of Evil": On Palestine and Journalism
GEORGE KING
Fields, Forests and Fakery: ‘Green Colonialism’ in Palestine
HEIDI GRUNEBAUM
The Village Under the Forest
MEIR KAHANE
Jewish Terror: A JEWISH STATE VERSUS WESTERN DEMOCRACY
FRANK ARMSTRONG
Ireland and Palestine: A Crucial Vote Awaits
NIKHIL SINGH
The Siege of Gaza 332 BC
feedback
DENIS EKPO
1 April 2025
DEON-SIMPHIWE SKADE
23 March 2025
LIZ SAVAGE
10 January 2025
CEDRIK FERMONT
10 August 2024
AZSACRA ZARATHUSTRA
6 August 2024
FACEBOOK FEEDBACK
Facebook
PhD
COLE MEINTJIES
Power in Relation to Life and Death: Israel's genocide in Gaza
the selektah
CHRISTINA HAZBOUN
Palestinian Women’s Voices in Music and Song – 2025 version
ATIYYAH KHAN
IQRA!
hotlynx
shopping
SHOPPING
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contributors
the back page
MICHAEL TAUSSIG
Two Weeks In Palestine
GEORGE STEINER
This is called History
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    #11
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EUGENE SKEEF

To The Demise of War Mongers (a suite for the people of GAZA).

to the demise of war mongers

there is a huge hole
in the middle of the mahogany forest
that was ravaged
to provide the wood
to build the large tables
for war cabinets to gather

this raw material feeds their gluttony
as dealers and traders
in the commodification of our blood

will that with time the gaping hole
may fill with the bones
of purveyors of death
and prompt the growth
of a new forest of softwoods
that will sway to the tender cadences
of a lasting peace

160424

Tell Us Your Truth

Eugene Skeef: composer, percussion, voice | Adam Glasser: piano, harmonica | Alice Zawadzki: viola, voice | Abel Selaocoe: cello, voice| Margaret Atungoza: voice, percussion.
Recorded ambiently on a Zoom H6 audio recorder.

the illusion of conquest
(war and peace?)

the silence after any war
is never that of peace
but a sign of the hollowness
of all promises
that come wrapped
in the shroud of death's
frayed flag of conquest

when the dust has settled
it is only the beginning
of the learning that has been
injected with new life
through the restoration
of the innocence of the departed

the power of death
empties all thought
and restores innocence to the departed
regardless of their actions

witness how lilies
can dominate a field
and make it seem cleansed
of all guilt in nature's harmonious obligation

120624

the fire this time
(for all those who have disappeared)

humanity has been plagued
by crusades for millennia

dogmatic doctrinal crews still raid
the yielding lands of the meek
to fabricate their own paradise on earth
while they trick the confidence
of their converts into believing
that they will find their paradise
after they are buried in the infertile earth
that has inherited them incomplete

these days news crews cover every aid cruise
along a crisscross of devastation
across fractured lines of fragile division

but every neuron of knowledge
possesses the entire memory genome
mapped in each fragment of desolation
and this makes the silence
of the disappeared incendiary

let us use our belief in ourselves
to reactivate the missing link
between the adjacent parts
of our scattered brains..

040524

beyond the recurring decimation
(for the children of gaza)

a chronicle of a tempered melody of hair
floating from the luxuriant scalp of africa
sent a scented waft of ancient song
along the imperial corridors of wanton whispers
to ascend the wary coastline
of the basin where many had washed
their weary heads to cleanse the guile
of time’s intolerable burden on their dreams

but in the novitiate’s vessel of ablutions
no fragrant essence or nourishing tonic
can wash out the indelible stain
of the turbulent mediterranean memories
yet still we must be open to the visitation
of the wrath of our ill crafted angels
wearing prefabricated wings fashioned
from the ashes of ptolmaic platitudes

a child surfaced from the bottom of the sea
where she had been rummaging among the wreckage
she sang of how the truth about the curved walls
of the earth’s sole temple had eluded
even the wisest among the people who had
embarked on the endeavour of purifying themselves
in all the time that could be remembered
by those who journeyed far from their mother’s home

she told the gathered creatures who also knew
that she was really an aquatic epiphany of the dome
that the curved walls of their shared temple
encircled them all as far as they could imagine
and that even as the walls connected heaven to earth
the seams never closed but remained forever welcomingly open

and those who listened deeply learned that
you can never erase a people like a bad equation
that identity and belonging are not disposable quotients
nor do human rights belong on a white board
that you can wipe ethnically clean with a cloth
cut from confiscated flags of freedom

there is no disinfectant that can remove
the bacteria proliferating in your demonic brain
no amount of sanitising your deceptive ploys
will make your churned lies more palatable

cadenza of sanctity

the child looked up at the endless ceiling of the dome
with light emanating from where her eyes would have been
and she saw infinitely long threads of coloured silk
flowing from all directions to converge at the loom
between the dexterous hands of another child
who sat and rhythmically blended the threads
into a magnificently colourful tapestry of geometric shapes
and the emerging harmonious patterns danced
to the simply beautiful intricate rhythms

010825

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MIKE VAN GRAAN
ALLAN KOLSKI HORWITZ
© 2025
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