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10
Contents
editorial
NYOKABI KARIŨKI
On Learning that one of the first Electronic Works was by an African, Halim El-Dabh
MARIMBA ANI
An Aesthetic of Control
JANNIKE BERGH in conversation with HAIDAR EID
Even Ghosts Weep in Gaza
WANELISA XABA
White psychology, Black indecipherability and iThongo
Theme African Psychology
DYLAN VALLEY & BISO MATHA RIALGO
An Epidemic of Loneliness - introduction to the African Psychology theme section of herri #10
KOPANO RATELE in dialogue with ARYAN KAGANOF
Psychology Contra Psychology: In Search of the Most Appropriate Definition of African Psychology
N CHABANI MANGANYI
On Becoming a Psychologist in Apartheid South Africa
THOMAS HYLLAND ERIKSEN
African Psychology: serving as a reminder of human universals which have been lost or forgotten in mainstream Western psychology.
AUGUSTINE NWOYE
From Psychological Humanities to African Psychology: A Review of Sources and Traditions
SAM MATHE
Naming
ZETHU CAKATA
Ubugqirha: healing beyond the Western gaze
KOPANO RATELE
Dethingifying
PUMEZA MATSHIKIZA
A Psychological Explanation of Myself
SYLVIA VOLLENHOVEN
The Elephants in the Room
GWEN ANSELL
A New African String Theory: The Art of Being Yourself and Being with Others
ISMAHAN SOUKEYNA DIOP
Exploring Afro-centric approaches to mental healthcare
KOPANO RATELE
Four (African) Psychologies
LOU-MARIE KRUGER
Hunger
FIKILE-NTSIKELELO MOYA
"We are a wounded people."
CHARLA SMITH
Die “kywies” by die deur
KOPANO RATELE
Estrangement
MWELELA CELE
Sisi Khosi Xaba and the translation of Frantz Fanon's The Wretched of the Earth into isiZulu
HUGO KA CANHAM
Leaving psychology to look for shades and complexity in despair
MALAIKA MAHLATSI
When Black academics leave historically White institutions
PAUL KHAHLISO
AGAINST COLONIAL PSYCHOLOGY
KOPANO RATELE
The interior life of Mtutu: Psychological fact or fiction?
MTUTUZELI MATSHOBA
Call Me Not a Man
WILFRED BARETT DAMON
James Joyce En Ek
ASHRAF KAGEE
Three friends in Gaza: We grieve, we mourn, we condemn, we deplore, we march, we demonstrate, we attend seminars and webinars, we wave flags, we wear keffiyas, we show off our t-shirts, but still the killing continues.
KOPANO RATELE AND SOPHIA SANAN
African Art, Black Subjectivity, and African Psychology: Refusing Racialised Structures of Aesthetic or Identity Theories
galleri
DATHINI MZAYIYA
Musidrawology as Methodology
STEVEN J. FOWLER
Dathini Mzayiya – the sound of the mark as it comes into being.
NONCEDO GXEKWA
Musidrawology as Portraits of the Artist Dathini Mzayiya & his Art
NONCEDO GXEKWA & NADINE CLOETE
Musidrawology as Methodology: a work of art by Dathini Mzayiya
NJABULO PHUNGULA
Like Knotted Strings
SPACE AFRIKA
oh baby
STRAND COMMUNITY ART PROJECT
Hands of the Future
DENIS-CONSTANT MARTIN
The Blue Notes: Searching for Form and Freedom
DESMOND PAINTER
'with all the ambivalence of a car in the city...'
KOPANO RATELE
Ngoana Salemone/Mother
SOPHIA OLIVIA SANAN
Art as commodity, art as philosophy, art as world-making: notes from a conversation with Kopano Ratele on African Art, Black Subjectivity and African Psychology
ROBIN TOMENS
"Why don't you do something right and make a mistake?"
SIMON TAYLOR
On The Ontological Status of the Image
borborygmus
NAPO MASHEANE
Manifesto ea mokha oa makomonisi
MAKHOSAZANA XABA
Curious and Willing: Ngazibuza Ngaziphendula, Ngahumusha Kwahumusheka
RICHARD PITHOUSE
The Wretched of the Earth becomes Izimpabanga Zomhlaba
FRANTZ FANON/ MAKHOSAZANA XABA
The Wretched of the Earth - Conclusion
EUGENE SKEEF
Yighube!
VUYOKAZI NGEMNTU
Amahubo
MBE MBHELE
Who cares about Mandisi Dyantyis Anyway?
KARABO KGOLENG
Women and Water
BONGANI TAU
Notes on Spirit Capital
ADDAMMS MUTUTA
Conflict Cultures and the New South Africa
ADAM KEITH
A Conversation with Debby Friday
DICK EL DEMASIADO
Some Notes on Cumbia and Dub
MULTIPLE AUTHORS
Thinking decolonially towards music’s institution: A post-conference reflection
frictions
AAKRITI KUNTAL
Still
FORTUNATE JWARA
In between wor(l)ds
KHADIJA TRACEY HEEGER
A Love Letter
SHAFINAAZ HASSIM
Take your freedom and run
MPHUTLANE WA BOFELO
10 New Poems
KHULILE NXUMALO
Two Poems For
HENNING PIETERSE
Translating Van den vos Reynaerde (Of Reynaert the Fox) into Afrikaans
OSWALD KUCHERERA
Words to Treasure
MTUTUZELI MATSHOBA
To kill a man's pride
KELWYN SOLE
Political Fiction, Representation and the Canon: The Case of Mtutuzeli Matshoba
SABATA-MPHO MOKAE
Maboko a ga Alexander Pushkin 1799 - 1837
NAÒMI MORGAN
Why translate Godot into Afrikaans?
TENZIN TSUNDUE
Three Poems
claque
DILIP M. MENON
Hugo ka Canham’s Riotous Deathscapes
BARBARA ROUSSEAUX
Undoing Fascism: Notes on Milisuthando
WAMUWI MBAO
Ngũgĩ wa Thiong’o: Reclaiming the Territory of the Mind
SISCA JULIUS
Ausi Told Me: My Cape Herstoriography
SERGIO HENRY BEN
Read. Write. Relevance. A review of Herman Lategan's Hoerkind.
MARIO PISSARRA
the Imagined New is a Work in Progress
MPHUTHUMI NTABENI
The city is mine by Niq Mhlongo: A review
KARABO KGOLENG
The Comrade’s Wife by Barbara Boswell
DOMINIC DAULA
Pain, Loss, and Reconciliation in Music and Society
KNEO MOKGOPA
Normal Bandits: Mix Tape Memories by Anders Høg Hansen
ADDAMMS MUTUTA
‘Southern Cinema Aesthetics’: broadly imagined in multiple frames
RUTH MARGALIT
Writing the Nakba in Hebrew
LESEGO RAMPOLOKENG
Coming to Johnson
ekaya
KOPANO RATELE
From "Wilcocks" to "Krotoa": The Name Changing Ceremony
ARYAN KAGANOF
The herriverse: Introducing a new kind of Research Method, one that is Structural or even Meta- insofar as it exists in the Reader’s Navigation of the Curated Space and the Possible Contingent Connections as much as in the Objects being Curated; an Epistemic Construction therefore, that is obliquely but absolutely determined by Ontologically Unpredictable Exchanges.
MARTIJN PANTLIN
Introducing herri Search
off the record
UHURU PHALAFALA
Keorapetse Kgositsile & The Black Arts Movement Book Launch, Book Lounge, Cape Town Wednesday 24 April 2024.
PALESA MOKWENA
Lefifi Tladi - "invisible caring" or, seeing and being seen through a spiritual lens
CHRISTOPHER BALLANTINE
Edmund "Ntemi” Piliso Jazzing Through Defeat And Triumph: An Interview
DENIS-CONSTANT MARTIN
CHRIS McGREGOR (1936-1990): Searching for Form and Freedom
SHAUN JOHANNES
In Memoriam Clement Benny
VEIT ERLMANN
"Singing Brings Joy To The Distressed" The Social History Of Zulu Migrant Workers' Choral Competitions
SAM MATHE
Stimela Sase Zola
MARKO PHIRI
Majaivana's Odyssey
EZEKIEL MPHAHLELE
The Non-European Character in South African English Fiction
BASIAMI “CYNTHIA” WAGAFA
Hyper-Literary Fiction: The (meta)Poetics Of Digital Fragmentation – an interview with August Highland
feedback
DIANA FERRUS
Thursday 20 February, 2020
LWAZI LUSHABA
Saturday 4 April 2020
NJABULO NDEBELE
Sunday 5 December 2021
BEN WATSON
6 June 2023 20:50
FACEBOOK FEEDBACK
Facebook
herri_gram FEEDBACK
Instagram
the selektah
LERATO “Lavas” MLAMBO
Real human person – a mix by Lavas
SIEMON ALLEN & CHRIS ALBERTYN
Celebrating the genius of Ntemi Edmund Piliso: A mix-tape of twenty five tunes recorded on 78rpm shellac in 25 years – 1953 to 1968
ALEKSANDAR JEVTIĆ
Stone Unturned 18: The Static Cargo of Stars
PhD
WARRICK SWINNEY
Stick Fighting against extinction: end beginnings and other dada nihilismus polemics
hotlynx
HOTLYNX
hotlynx
shopping
SHOPPING
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contributors
the back page
ELMI MULLER
Fugitive reflections on pain, death, and surgery
DICK TUINDER
Rob Schröder (13 November 1950 - 6 July 2024)
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    #10
  • Theme African Psychology

PUMEZA MATSHIKIZA

A Psychological Explanation of Myself

I want to say something but first I want to explain part of my psychology. It is said that we don’t necessarily see things as they are but how we are.

My grandmother worked as a maid around the suburbs of Cape Town; Constantia, Tokai and Sea Point.

There’s nothing wrong with being a maid but being a maid in the Apartheid era was tough. She retired at 55 from being overworked. She always said the Jewish family finished her, they worked her like a horse, with very little pay. She had to cook, iron clothes, clean and look after this family’s children for almost nothing. Also they had fisheries where she worked part-time. The husband died in her arms, he actually called for her after having a hard verbal fight with his wife. His last words were to my grandmother, that he couldn’t do this anymore and had a heart attack. My grandmother was not educated but extremely intelligent, emotionally and cognitively.

Anyway, I was 8 yrs old when on this one occasion I had to go with her to where she worked. I think it was Tokai. She told me the day before we went that she had a name for me that we’ll use for her employers, not Phumeza (yes my original name has an H which I took out), so that it’s easier for them. It was an English name. I cried so much, telling her that I didn’t want that name, that my name was Phumeza.

The next day came. Like all days come, even the day of our death will come. We went. Did she not introduce me to Mrs Higgins as E*^*xx?

I corrected her with my non existent English, “My name is Phumeza.”

Mrs Higgins welcomed my correction and called me, Phumeza. Let’s park this one here.

My family and I lived in KTC, Nyanga around this time. Those who know this area well, know that from Nyanga taxi rank, New Cross Roads is on your left and KTC on your right. KTC was a sea of slums, ghetto or shacks. I spent a substantial part of my childhood there. It was tough; nightly gunshots, which most people in Europe heard only on television. I’ll insert a photo of a typical slum around Cape Town for reference.

Now this is the story I want to tell you. On some occasions I’ll be coming from school, remember there was a lot of unrest especially at this time as it was close to the end of Apartheid, I’d see ashes of a dead people who were burned for being spies (iimpimpi) for the apartheid regime.

I still remember the cry of one man who had been necklaced and was begging for mercy whilst burning. No one helped him. Necklacing people was putting an old tyre on their necks, petrol and throw a lit matchstick. They’d eventually burn to death. The situation was so dire that no-one thought we were children and we shouldn’t be seeing all this. Children and adults alike watched these scenes as if they were normal. At this point I believe my trust in adults fell to a low point. How no-one’s heart moved anyone to stop this madness, it wasn’t making sense to my small psyche.

Back to what I wanted to say. I value freedom more than anything. I was brought up as a Seventh Day Adventist from the very tender age of 5 and left the church at 17. My main reason for leaving church, funny enough, was that I liked women and I chose women over God (the God of the bible and church) and am still happy with that choice.

I can’t help it but say, when something is not in order, or doesn’t sit well with me even though we’re all meant to be these docile followers of whatever pays us or otherwise… I despise that “OTHERWISE” I can be wrong but I want the freedom to be wrong, for myself and everyone, for discussions to continue openly rather than cancelling people for saying things we don’t agree with, even when not harming anyone emotionally nor physically!

I worry that freedom is dying whilst we profess to be living in democratic and free countries. This is sad. Freedom doesn’t give notice before disappearing!

Two things I think are possible for someone like me: to have lots of money so as to have a say, or to make peace with poverty. I’m not afraid of poverty, I know what it is. Now I’m an adult so it can never be as bad as it was as a child and I could never be that helpless. I value my freedom. To express myself in not fashionable ways. When I say uncomfortable stuff, know that I can’t help myself and if need be, freedom will always be the hill on which I lose everything.

I’m a woman in a world rife with misogyny, I’m black in a world with racism and I’m queer in a world with queerphobia but most importantly I’m a person with many many many lovely people. People of all races, genders and sexual inclinations and that’s where my main concentration is.

Now, on being political as classical music practitioners. I think it’s a mistake. One I once believed in. If you have open sympathy for Navalny and not for Assange, then the activism is questionable, if only Putin must answer to the ICC but not Blair and Bush, then again same as above etc.

It’s either we embrace holistic activism or concentrate on our top Cs and Mahler 5ths.

If I’d follow political activism, given the history between Europeans and Africans, basically I wouldn’t be singing the music of “ dead white men” as one intellectual told me in South Africa, to which I pointed out that as far as I know, suits and a BMW, which was his valued possession, weren’t necessarily an African invention. I promised to give up this music if he gave up his love for BMW.

A friend of mine had to urgently travel from Berlin to Russia today because her father is extremely ill. A journey that usually takes just less than three hours is more than 12 hours and overnight. The politicians aren’t suffering, they hop on private jets.

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KOPANO RATELE
SYLVIA VOLLENHOVEN
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