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10
Contents
editorial
NYOKABI KARIŨKI
On Learning that one of the first Electronic Works was by an African, Halim El-Dabh
MARIMBA ANI
An Aesthetic of Control
JANNIKE BERGH in conversation with HAIDAR EID
Even Ghosts Weep in Gaza
WANELISA XABA
White psychology, Black indecipherability and iThongo
Theme African Psychology
DYLAN VALLEY & BISO MATHA RIALGO
An Epidemic of Loneliness - introduction to the African Psychology theme section of herri #10
KOPANO RATELE in dialogue with ARYAN KAGANOF
Psychology Contra Psychology: In Search of the Most Appropriate Definition of African Psychology
N CHABANI MANGANYI
On Becoming a Psychologist in Apartheid South Africa
THOMAS HYLLAND ERIKSEN
African Psychology: serving as a reminder of human universals which have been lost or forgotten in mainstream Western psychology.
AUGUSTINE NWOYE
From Psychological Humanities to African Psychology: A Review of Sources and Traditions
SAM MATHE
Naming
ZETHU CAKATA
Ubugqirha: healing beyond the Western gaze
KOPANO RATELE
Dethingifying
PUMEZA MATSHIKIZA
A Psychological Explanation of Myself
SYLVIA VOLLENHOVEN
The Elephants in the Room
GWEN ANSELL
A New African String Theory: The Art of Being Yourself and Being with Others
ISMAHAN SOUKEYNA DIOP
Exploring Afro-centric approaches to mental healthcare
KOPANO RATELE
Four (African) Psychologies
LOU-MARIE KRUGER
Hunger
FIKILE-NTSIKELELO MOYA
"We are a wounded people."
CHARLA SMITH
Die “kywies” by die deur
KOPANO RATELE
Estrangement
MWELELA CELE
Sisi Khosi Xaba and the translation of Frantz Fanon's The Wretched of the Earth into isiZulu
HUGO KA CANHAM
Leaving psychology to look for shades and complexity in despair
MALAIKA MAHLATSI
When Black academics leave historically White institutions
PAUL KHAHLISO
AGAINST COLONIAL PSYCHOLOGY
KOPANO RATELE
The interior life of Mtutu: Psychological fact or fiction?
MTUTUZELI MATSHOBA
Call Me Not a Man
WILFRED BARETT DAMON
James Joyce En Ek
ASHRAF KAGEE
Three friends in Gaza: We grieve, we mourn, we condemn, we deplore, we march, we demonstrate, we attend seminars and webinars, we wave flags, we wear keffiyas, we show off our t-shirts, but still the killing continues.
KOPANO RATELE AND SOPHIA SANAN
African Art, Black Subjectivity, and African Psychology: Refusing Racialised Structures of Aesthetic or Identity Theories
galleri
DATHINI MZAYIYA
Musidrawology as Methodology
STEVEN J. FOWLER
Dathini Mzayiya – the sound of the mark as it comes into being.
NONCEDO GXEKWA
Musidrawology as Portraits of the Artist Dathini Mzayiya & his Art
NONCEDO GXEKWA & NADINE CLOETE
Musidrawology as Methodology: a work of art by Dathini Mzayiya
NJABULO PHUNGULA
Like Knotted Strings
SPACE AFRIKA
oh baby
STRAND COMMUNITY ART PROJECT
Hands of the Future
DENIS-CONSTANT MARTIN
The Blue Notes: Searching for Form and Freedom
DESMOND PAINTER
'with all the ambivalence of a car in the city...'
KOPANO RATELE
Ngoana Salemone/Mother
SOPHIA OLIVIA SANAN
Art as commodity, art as philosophy, art as world-making: notes from a conversation with Kopano Ratele on African Art, Black Subjectivity and African Psychology
ROBIN TOMENS
"Why don't you do something right and make a mistake?"
SIMON TAYLOR
On The Ontological Status of the Image
borborygmus
NAPO MASHEANE
Manifesto ea mokha oa makomonisi
MAKHOSAZANA XABA
Curious and Willing: Ngazibuza Ngaziphendula, Ngahumusha Kwahumusheka
RICHARD PITHOUSE
The Wretched of the Earth becomes Izimpabanga Zomhlaba
FRANTZ FANON/ MAKHOSAZANA XABA
The Wretched of the Earth - Conclusion
EUGENE SKEEF
Yighube!
VUYOKAZI NGEMNTU
Amahubo
MBE MBHELE
Who cares about Mandisi Dyantyis Anyway?
KARABO KGOLENG
Women and Water
BONGANI TAU
Notes on Spirit Capital
ADDAMMS MUTUTA
Conflict Cultures and the New South Africa
ADAM KEITH
A Conversation with Debby Friday
DICK EL DEMASIADO
Some Notes on Cumbia and Dub
MULTIPLE AUTHORS
Thinking decolonially towards music’s institution: A post-conference reflection
frictions
AAKRITI KUNTAL
Still
FORTUNATE JWARA
In between wor(l)ds
KHADIJA TRACEY HEEGER
A Love Letter
SHAFINAAZ HASSIM
Take your freedom and run
MPHUTLANE WA BOFELO
10 New Poems
KHULILE NXUMALO
Two Poems For
HENNING PIETERSE
Translating Van den vos Reynaerde (Of Reynaert the Fox) into Afrikaans
OSWALD KUCHERERA
Words to Treasure
MTUTUZELI MATSHOBA
To kill a man's pride
KELWYN SOLE
Political Fiction, Representation and the Canon: The Case of Mtutuzeli Matshoba
SABATA-MPHO MOKAE
Maboko a ga Alexander Pushkin 1799 - 1837
NAÒMI MORGAN
Why translate Godot into Afrikaans?
TENZIN TSUNDUE
Three Poems
claque
DILIP M. MENON
Hugo ka Canham’s Riotous Deathscapes
BARBARA ROUSSEAUX
Undoing Fascism: Notes on Milisuthando
WAMUWI MBAO
Ngũgĩ wa Thiong’o: Reclaiming the Territory of the Mind
SISCA JULIUS
Ausi Told Me: My Cape Herstoriography
SERGIO HENRY BEN
Read. Write. Relevance. A review of Herman Lategan's Hoerkind.
MARIO PISSARRA
the Imagined New is a Work in Progress
MPHUTHUMI NTABENI
The city is mine by Niq Mhlongo: A review
KARABO KGOLENG
The Comrade’s Wife by Barbara Boswell
DOMINIC DAULA
Pain, Loss, and Reconciliation in Music and Society
KNEO MOKGOPA
Normal Bandits: Mix Tape Memories by Anders Høg Hansen
ADDAMMS MUTUTA
‘Southern Cinema Aesthetics’: broadly imagined in multiple frames
RUTH MARGALIT
Writing the Nakba in Hebrew
LESEGO RAMPOLOKENG
Coming to Johnson
ekaya
KOPANO RATELE
From "Wilcocks" to "Krotoa": The Name Changing Ceremony
ARYAN KAGANOF
The herriverse: Introducing a new kind of Research Method, one that is Structural or even Meta- insofar as it exists in the Reader’s Navigation of the Curated Space and the Possible Contingent Connections as much as in the Objects being Curated; an Epistemic Construction therefore, that is obliquely but absolutely determined by Ontologically Unpredictable Exchanges.
MARTIJN PANTLIN
Introducing herri Search
off the record
UHURU PHALAFALA
Keorapetse Kgositsile & The Black Arts Movement Book Launch, Book Lounge, Cape Town Wednesday 24 April 2024.
PALESA MOKWENA
Lefifi Tladi - "invisible caring" or, seeing and being seen through a spiritual lens
CHRISTOPHER BALLANTINE
Edmund "Ntemi” Piliso Jazzing Through Defeat And Triumph: An Interview
DENIS-CONSTANT MARTIN
CHRIS McGREGOR (1936-1990): Searching for Form and Freedom
SHAUN JOHANNES
In Memoriam Clement Benny
VEIT ERLMANN
"Singing Brings Joy To The Distressed" The Social History Of Zulu Migrant Workers' Choral Competitions
SAM MATHE
Stimela Sase Zola
MARKO PHIRI
Majaivana's Odyssey
EZEKIEL MPHAHLELE
The Non-European Character in South African English Fiction
BASIAMI “CYNTHIA” WAGAFA
Hyper-Literary Fiction: The (meta)Poetics Of Digital Fragmentation – an interview with August Highland
feedback
DIANA FERRUS
Thursday 20 February, 2020
LWAZI LUSHABA
Saturday 4 April 2020
NJABULO NDEBELE
Sunday 5 December 2021
BEN WATSON
6 June 2023 20:50
FACEBOOK FEEDBACK
Facebook
herri_gram FEEDBACK
Instagram
the selektah
LERATO “Lavas” MLAMBO
Real human person – a mix by Lavas
SIEMON ALLEN & CHRIS ALBERTYN
Celebrating the genius of Ntemi Edmund Piliso: A mix-tape of twenty five tunes recorded on 78rpm shellac in 25 years – 1953 to 1968
ALEKSANDAR JEVTIĆ
Stone Unturned 18: The Static Cargo of Stars
PhD
WARRICK SWINNEY
Stick Fighting against extinction: end beginnings and other dada nihilismus polemics
hotlynx
HOTLYNX
hotlynx
shopping
SHOPPING
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contributors
the back page
ELMI MULLER
Fugitive reflections on pain, death, and surgery
DICK TUINDER
Rob Schröder (13 November 1950 - 6 July 2024)
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    #10
  • claque

LESEGO RAMPOLOKENG

Coming to Johnson

LKJ first encounters. dread beat....blood 'n fire. I WAS ANGRY. VINCENT WAS DEAD. BRUTALLY. INCONSOLABLY. BURNING WITHIN.

familiar yet alien. it hit the gut & called up my vomit. perverse reaction. i should have gone prostrate. i didnt. no skank inna dis.

i did not 'like' it, in fact safe to say i hated it. it was off, dissonant, jagged, sharp, piercing, jarred... it hit. and i felt:

this is kin this is dread this is kin-dread we are spirit

and i melted.

into the tarmac. black :

Shock, black double down-beat bouncin'

Rock-wize tumble doun sound music

Foot drop, find drum blood story

bass his'try is a-movin' is a-hurtin' black story…

........................................it was "de-fare-rant" ! recognition.
it called up césaire fanon damas...without using their voices, it echo-chambered the atlantic dead & brought them screaming into my orlando western dagga-drunk trembling reality... it was muddy. and i went pig on it.

EFFECT akin to a cerebraL NUCLEAR EXPLOSION. LIFE CHANGING. AFFIRMATION THAT I WAS NOT A FREAK.

( (dread at the controls...
poems in one hand, in the other...my balls...
black boy going out, stand or fall...

perennial searcher finding Lionheart tings:

..............ah no gimmicks just lyrics
put Ratsie Setlhako with his segaba on a king tubby dub-track and you have a harder-core U Roy, fact! botswana dryland switched for 'continent traded for an island' qua Prince Far I, transactlantic trans-actions, sah..and, ah so it go, stah!

switch famo-focal Tau-Ea-Matsekha koriana for reggae instrumental and Dillinger, Trinity or U Brown can have a lyrics-fest ha Peete...reason why Lesotho got 'diamonds on the soles of her feet', ke ikhethetse e motle, baheso.

Phuzushukela, if we must Maskandi things, is the original Prince Cry Cry, rootical wombshifting-voiceman pon de mic.
DR ALIMANTADO, I WAS 'THE BEST DRESSED CHICKEN IN TOWN'  
WHEN JOMO SONO BROUGHT KFC TO DUBE VILLAGE. WE GOT
ROASTED, THAT AGE.
.....................
36 UNITS OF MEANING ((COMING TO THIS FROM THE BEGINNING
EYETHU JOJO DIE WIT TIER TESSA POES-BOEKIES SLAUGHTER SAVAGE
DIE UITLANDERS...
SANS SOUCI. meatpies ..THE FIRE INNA Mi MAMA'S YARD...
OKAPI PANGA BULLETS BATONS...the smell of cordite

i grew up with my mother, very young when she got me. lala. the neighbourhood still thinks of and knows her as my sister, bra china rampolokeng was serving a 9 to 15 year BID IN PRISON WHEN I WAS BORN. AND THEN in and out until you could cut his age and half of it had been spent behind bars by the time he passed on, a few weeks ago. anyway...back to the johnson coming-to :

herbman connection ecological

Africa spiral out universal & then home in backward

'ityopians going home'. Baba / Zimbabwe Dread

talk porous borders (berlin conference drawn) & diaspora call in

(let the bass go~ grandpa hit em with the riddim!"

linguist-sticks 'n stones break book ’n vinyl musical spinal disk

version! (born 'in the tradition' (cyclical black...recycle as the music

peter tosh: mama dem hold papa seh dem charge him fe smoke ganja ...oh mama whatcha gon do
yellowman: bubble wit mi ting pon de double bed-spring /                             de gal wit de bald-head vagina

version! (born 'in the tradition' (cyclical black...recycle as the music

Soweto coalsmoke-engorged dusk. the shadows come in.

first the coming AND THE GOING IN And out of the party' riddim hold i!

i was hooked on daddy u roy. "wake de towen and tell de people aBOUT DIS MUSICAL DISK COMING YOUR WAY, YEEEAH: "dis version rule the nation" ..big youth, i roy '"musical disk from the flick of my wrist'" the ones lkj in writing about, declared that what they were doing, toasting, was poetry put to dub riddims, this..'dub poetry'. commentators ran with that, labelling what he himself was on was 'dub poetry'. thus it stuck, wrongly. just like chapman put the tag on serote, gwala, sepamla "soweto poetry”. ah well, so it goes.

Johnson hit seismic. atomic explosion. it shred my innards.
figuratively, of course, i am still standing.

Botany 500. Nomathemba. House of Exile. Gwava Jelly.

IT ALL HIT TOO CLOSE TO aorta, DISCOMFORT, IT PAINED...system shock

i recognised...with blood-diamond between the eyes clarity "wed are home, homeless"

I HAD TWO FATHER-FIGURES, MY COUSINS.

TOKOLLO - JAHMAN OUS MEISIE’S OLDEST...freedom, HE EMBODIED HIS NAME, GENTLEST WARRIOR SPIRIT, ANGELIC LOOKING

((VINCENT SEKETE, mk GUERRILLA, SASOL 3, DIED UNDER SADF FIRE, IT BURNED.

LATE TEENS - up jumped TOU (later become Afrika...bare-topped and in skins, locks-headed Asaf Mmotong band of bandits ichant-intoning:

Yamemeza, Tlapa la Thunya' driving pulsing percussion - heavy lyrical fireflame poetryland-lines.

was my baptismal. tugged hard at the senses.

and then Maishe Maponya Busang Meropa, a return to the source, bringing back the drums.

Ingoapele Madingoane thundering Behold My Son, Khumbula my Child voice riding conga drums. Allah Poets.

it all came together. WORD was, is, will be ABOUT music. with/out instrumentation in the mix.

maskandi, famo...never complete without a poetry injection. the song does not live without the verse-chant.
same as ingoapele madingoane & the Allah POETS, GIL SCOTT HERON, nothing smooth. ruff!!!

and in the dirty wake public enemy and closer home Mzwakhe, i wanted none of that.. \

fear, it scared...caused discomfort, WE ARE THE ELEPHANT

zabalaza 1990...me, vusi, raks...and LKJ as patron/matron. ((my granmA mAmOTABI, very religious lay preacher, always booked for wakes when the bereaved could not afford a certified preacher, LOVED MZWAKHE MORE THAN SHE DID ME, SAID,

oH BAloyi, ngwana ona o utlwisa pelo ya ka bohloko. HE WAS "RIGHTEOUS, MADE HER HEART BLEED"...
ME, I WAS “NGWANA WA sATANE", LATER ON, MUCH LATER, A GUY ACCUSSED THE KALAHARI SURFERS AND I OF MAKING satanic MUSIC.

JEAN BINTA BREEZE---aid travels with a bomb

lorna Goodison (HOUSE OF WORLD CULTURES, berlin

MARLEY COMING ACROSS the airwaves

: YOU IS A RUDEBWOY, DEM WAS AFRAId of bob---i am becoming my mother

AMIRI BARAKA===black Art... 'make poems that kill', 'get at him, poem!', black dada nihilismus...coming raging across the waters

the Last Poets---niggers are scared of revolution

gil scott heron --- the obvious first choice: the revolution will not be televised

JAYNE CORTEZ FIRESPITTERS, MAINTAIN CONTROL
BEFORE it all, out of the Kgalagadi, ripping dry and heavy, riding Segaba...RATSIE: A RE CHENCHENG....MOVE ON, PROGRESSION REVOLUTION

TOTAL OVERHAUL, NO WHITEWASH FOR THE ROTTEN

JUNE JORDAN had her Soweto address.

trudging knee-deep in darkest rhyme, seems LKJ harnessed all that, mal/form & pulsing content, whittled away and shaped it all to sharp point and... launched, here i am...with it.

THE BLACk WORLD SPOKE TO ME...CRYSTAL
DUB CONSCIOUSNESS

Mphela Makgoba


thunder's own voice coming fire over the black mountain


at)/into) red green golden sunrise


Age of Reality comes dreams attached time's strings


depths & heights fly & swim dive & surface mathematics


one for the Master one for the Sub-Track


dynamo-flow water-way NO stasis



solid lines solidly run fluid


expand & contract twin-stream in DUB-turn



plantation to body-farm flesh-merchandise


race economy the bleach industry makes profit


(turn it white give it pale appeal the money call



airwave-force ravage


satanic music death-lyrics (where) death-claws strum violins


(Art of Violence neck-up paralysis


carnage at the barricades



to Utility Town on it


beat blade-out-the-night sharp cut through


shot paper bullet-coins make plastic-itch vinyl scratch



blood on & off Black Flesh fetish Santu wrote about it


brainstem snapped broken brainfill scoop


shored up against melanin ruins


(anglo modernist dead quote flipped)


bled onto earth re-birth amid the corpuscles


where) the music pulses
NOTES TOWARDS AN ENGAGEMENT (BREWING

DREAD BEAT PHILOSOPHY ((dub to the future


of the B-side aesthetic WORD to infinity

MABRAK is righting the wrongs and brain whitening HOW?

Not just by washing out the straitening and wearing dashiki ting---bongo jerry

Dis poetry is like a riddim dat drops---benjamin zephaniah

dis poem is a drum ashanti mau mau nyabinghi warriors---mutabaruka

riddim ravings---jean binta breeze

reflections in red dread ---oku onuora

_shock black bubble down sound music----lkj

REBEL SOUNDINGS

MOSTOFTHESTRAITENINGISINTHETONGUE so HOW?

come we go down deh...

riddim bound.to roots. sub-terra. and beyond.

the good clothes and shelter demand. proletarian

metal-clipping the cuts black lightning stitching the wounds

beyond where the scab-storms form aspiration to the fire this time

a wretched native land's return


dread flash lightning clap thunder roll & riddim a drop one

target scream weakheart flop

slogan : MESSAGE KNIT TIGHT shave the baggage excess taut thought the poem aim for bone w/rap it short) liberation tool freedom weapon craft utilitarian WORD render malleable meaning palpable bawl to action

(every revolution/rebellion/uprising births its own informants

each underground throws up its snitches to surface...

occupationally hazardous...still, time come

for inherited hate pervert might's surrogates

corrupted hearts behind rusted breast-plates)

hydroquinone politics black flesh death-fetish

scatta-matta-shatta-shack black attack

kites on the street bring the liquid metal heat

diamond lipstick for serpentine snouts
skinhead to orange house    national frontals

degenerative brain-rot travels south

out of babe mouth viscera rumble

stomach-shake bass effect

.........................

#black youth scene endangered species

greatest extinction candidate marked at birth

death lives in skin weighed in tone

melanin murder industrial mortality conveyer-belt spin

the in-bred's abiding obsession

....................

#blood in the drumbeat...dance-floor written

dread testament #haemophiliac nighttimes

#perverse cowboys on a raid #atrocity merchants


children of slaughter on waves sound and water

ocean-bed the mixing -board slave-chamber echoes
resistance is defence ---mzwakhe

music in the word

clock ticks to detonation time race waR BOOMSHOT

DREAD ACROSS THE WRETCHED WORLD LOW END EXISTENCE

notes to the sun graveyard messages\

the holes in space are black

the dead speak, spoken to...ring the alarm

(smoke with smoke, ganja against arson)

the drums come hard nothing clowning no joker-card pulled

time to RE/create

(fire-fly hope's beacon wings ablaze then...charred)

the real pierce the superfice

night terror blue...& the rage red. blood-fire bombs.

break through to the Public Enemy terrordome

rabid CANINE raceland

across the strifelife-spectrum

................................

pass it on the blackhandside

ride vibration positive tides

straight out the bassmotherland
........................

wind-rush from plantation to factory-floor,

workers' struggle....inglan is a bitch

the dole, pole-dancing for the rich


no delight in words but to fashion to liberatory-point


tropical drumstorm thump black attack tings ’n times without reason or rhyme cant find
a word to fit the beat

cia sponsored bombs guns ...tyropiucal heat


social stratification race to class

tiers of humanity....scaled existence dimensions

'you believe in socialism? no sah me a believe in social living'..- mikey smith


dem back wi gainst de wall

with dem suss laws pass laws

otherside

we sah and we klawd and we mbe

little personal kingdoms in the backyard
black body police     african perennial suspect

the swaart-gevaaring of black existence the bogey construct

panther tower to the aryan tower

rimshot politics

sanitary workers.

bokassa, mobutu...in this union.


'the eagle and the bear’ in biological warfare


POWER'S SERIAL KILLERS CAPITAL DOUBLE-SPEAK THE COLOUR GREEN behind the bullet-smokescreen



Speaks in voices of the living and the dead...Garvey people without a knowledge of their past (no romance)

The Rodney workers and the peasants ...blackland and beyond .. socialism is a wise old shepherd..

call in the 'black sheep’. . (for the insurrection squad

more time for the rhyme


louise bennett, miss lou liberated national language rage (dialect the idiom poetry) from the tight-arse high fart profane

hurricane blues dance - chanced to take moves to fake strike up a bladesman stance - much pain in the prance & the youthman skank

Du Bois black folksouls

dream-green street 66 western

no haze but ganja-scented sense sharpen blade-find-flesh tear skin
music in the WORD exponent

psychology of racism fanon philosophy of liberation

'on the freedom train....all aboard’ forces of victory

inverse apportionment

long as the hegemony holds...it'll be poetic to more than disagree as per Gwala injuction but bring the babylon walls tumbling down

Chapelton to Brixton. London

"as me go in cockroah rat & scorpion also come in" mikey smith insect rat action down nna de ghetto of Brixton


riot celebratory

warrior doctrine incantatory


CLR james black jacobins ((jack-o-beanstalk bins talk?

no grimm tale this but a 'moving hurting black story

smash & empty fascist brainspill might have got michael smith off Stonyhill

............................

NOCTURNAL HAEMORRHAGE Night bleeds Black rage "reflecTion in red dreaD" identification? follow the blood-lines

........................

from ratsie setlhako to u roy

(serve it on a dub-plate

.......................................

FROM IRON ON FLESH IMPACT

degenerative brain-rot travels south

without outlet the violence turns inward

dams up then

out of babe mouth viscera rumble

stomach-shake bass effect

from im- to explosion!
language use, imaGES HANDED DOWN :  

supremacist porky & expansionist piggy alliance
murderous bloom & blossom

bringing it down this south: about Caterpillar innocence

ask sophiatown, cato manor, cross roads...district six
Linton Kwesi Johnson, London Against Racism, 1984. Photo ©Aryan Kaganof.
LKJ says: digital generation reggae sounds more streetbound

freedom vision gone stagnant
kgositsile sings in chorus with johnson :no soloist can spark a revolution

song calls for mass insurrection blues all tune in


scope all earthwise in focus blackness

dread beat ’n blood organic percussion-heavy most rootical
tings ’n times as near digital as can get without becoming synthetic/plastic

weightless from heaviest manners to sub-side of the dub leanness in sound yet vibes roll still

.....................................

big youth - original dread roots dj brought rasta consciousness to the dance

lee perry - made of the mixing board more than just an instrument but a space machine

i roy - most lyrical foundation wordmaster dj

,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,

OF PARENTAGE

more than biological ideological, artistic, aesthetic

stories narratives verse-lines griot-word runs, toaster-spit, /mic-tongue-flips

flick-of-my-wrist gwaan, selektah rhymesters lineage lyrical colossus cometh


dis poem shall be continued in your mind ---mutabaruka
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RUTH MARGALIT
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