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10
Contents
editorial
NYOKABI KARIŨKI
On Learning that one of the first Electronic Works was by an African, Halim El-Dabh
MARIMBA ANI
An Aesthetic of Control
JANNIKE BERGH in conversation with HAIDAR EID
Even Ghosts Weep in Gaza
WANELISA XABA
White psychology, Black indecipherability and iThongo
Theme African Psychology
DYLAN VALLEY & BISO MATHA RIALGO
An Epidemic of Loneliness - introduction to the African Psychology theme section of herri #10
KOPANO RATELE in dialogue with ARYAN KAGANOF
Psychology Contra Psychology: In Search of the Most Appropriate Definition of African Psychology
N CHABANI MANGANYI
On Becoming a Psychologist in Apartheid South Africa
THOMAS HYLLAND ERIKSEN
African Psychology: serving as a reminder of human universals which have been lost or forgotten in mainstream Western psychology.
AUGUSTINE NWOYE
From Psychological Humanities to African Psychology: A Review of Sources and Traditions
SAM MATHE
Naming
ZETHU CAKATA
Ubugqirha: healing beyond the Western gaze
KOPANO RATELE
Dethingifying
PUMEZA MATSHIKIZA
A Psychological Explanation of Myself
SYLVIA VOLLENHOVEN
The Elephants in the Room
GWEN ANSELL
A New African String Theory: The Art of Being Yourself and Being with Others
ISMAHAN SOUKEYNA DIOP
Exploring Afro-centric approaches to mental healthcare
KOPANO RATELE
Four (African) Psychologies
LOU-MARIE KRUGER
Hunger
FIKILE-NTSIKELELO MOYA
"We are a wounded people."
CHARLA SMITH
Die “kywies” by die deur
KOPANO RATELE
Estrangement
MWELELA CELE
Sisi Khosi Xaba and the translation of Frantz Fanon's The Wretched of the Earth into isiZulu
HUGO KA CANHAM
Leaving psychology to look for shades and complexity in despair
MALAIKA MAHLATSI
When Black academics leave historically White institutions
PAUL KHAHLISO
AGAINST COLONIAL PSYCHOLOGY
KOPANO RATELE
The interior life of Mtutu: Psychological fact or fiction?
MTUTUZELI MATSHOBA
Call Me Not a Man
WILFRED BARETT DAMON
James Joyce En Ek
ASHRAF KAGEE
Three friends in Gaza: We grieve, we mourn, we condemn, we deplore, we march, we demonstrate, we attend seminars and webinars, we wave flags, we wear keffiyas, we show off our t-shirts, but still the killing continues.
KOPANO RATELE AND SOPHIA SANAN
African Art, Black Subjectivity, and African Psychology: Refusing Racialised Structures of Aesthetic or Identity Theories
galleri
DATHINI MZAYIYA
Musidrawology as Methodology
STEVEN J. FOWLER
Dathini Mzayiya – the sound of the mark as it comes into being.
NONCEDO GXEKWA
Musidrawology as Portraits of the Artist Dathini Mzayiya & his Art
NONCEDO GXEKWA & NADINE CLOETE
Musidrawology as Methodology: a work of art by Dathini Mzayiya
NJABULO PHUNGULA
Like Knotted Strings
SPACE AFRIKA
oh baby
STRAND COMMUNITY ART PROJECT
Hands of the Future
DENIS-CONSTANT MARTIN
The Blue Notes: Searching for Form and Freedom
DESMOND PAINTER
'with all the ambivalence of a car in the city...'
KOPANO RATELE
Ngoana Salemone/Mother
SOPHIA OLIVIA SANAN
Art as commodity, art as philosophy, art as world-making: notes from a conversation with Kopano Ratele on African Art, Black Subjectivity and African Psychology
ROBIN TOMENS
"Why don't you do something right and make a mistake?"
SIMON TAYLOR
On The Ontological Status of the Image
borborygmus
NAPO MASHEANE
Manifesto ea mokha oa makomonisi
MAKHOSAZANA XABA
Curious and Willing: Ngazibuza Ngaziphendula, Ngahumusha Kwahumusheka
RICHARD PITHOUSE
The Wretched of the Earth becomes Izimpabanga Zomhlaba
FRANTZ FANON/ MAKHOSAZANA XABA
The Wretched of the Earth - Conclusion
EUGENE SKEEF
Yighube!
VUYOKAZI NGEMNTU
Amahubo
MBE MBHELE
Who cares about Mandisi Dyantyis Anyway?
KARABO KGOLENG
Women and Water
BONGANI TAU
Notes on Spirit Capital
ADDAMMS MUTUTA
Conflict Cultures and the New South Africa
ADAM KEITH
A Conversation with Debby Friday
DICK EL DEMASIADO
Some Notes on Cumbia and Dub
MULTIPLE AUTHORS
Thinking decolonially towards music’s institution: A post-conference reflection
frictions
AAKRITI KUNTAL
Still
FORTUNATE JWARA
In between wor(l)ds
KHADIJA TRACEY HEEGER
A Love Letter
SHAFINAAZ HASSIM
Take your freedom and run
MPHUTLANE WA BOFELO
10 New Poems
KHULILE NXUMALO
Two Poems For
HENNING PIETERSE
Translating Van den vos Reynaerde (Of Reynaert the Fox) into Afrikaans
OSWALD KUCHERERA
Words to Treasure
MTUTUZELI MATSHOBA
To kill a man's pride
KELWYN SOLE
Political Fiction, Representation and the Canon: The Case of Mtutuzeli Matshoba
SABATA-MPHO MOKAE
Maboko a ga Alexander Pushkin 1799 - 1837
NAÒMI MORGAN
Why translate Godot into Afrikaans?
TENZIN TSUNDUE
Three Poems
claque
DILIP M. MENON
Hugo ka Canham’s Riotous Deathscapes
BARBARA ROUSSEAUX
Undoing Fascism: Notes on Milisuthando
WAMUWI MBAO
Ngũgĩ wa Thiong’o: Reclaiming the Territory of the Mind
SISCA JULIUS
Ausi Told Me: My Cape Herstoriography
SERGIO HENRY BEN
Read. Write. Relevance. A review of Herman Lategan's Hoerkind.
MARIO PISSARRA
the Imagined New is a Work in Progress
MPHUTHUMI NTABENI
The city is mine by Niq Mhlongo: A review
KARABO KGOLENG
The Comrade’s Wife by Barbara Boswell
DOMINIC DAULA
Pain, Loss, and Reconciliation in Music and Society
KNEO MOKGOPA
Normal Bandits: Mix Tape Memories by Anders Høg Hansen
ADDAMMS MUTUTA
‘Southern Cinema Aesthetics’: broadly imagined in multiple frames
RUTH MARGALIT
Writing the Nakba in Hebrew
LESEGO RAMPOLOKENG
Coming to Johnson
ekaya
KOPANO RATELE
From "Wilcocks" to "Krotoa": The Name Changing Ceremony
ARYAN KAGANOF
The herriverse: Introducing a new kind of Research Method, one that is Structural or even Meta- insofar as it exists in the Reader’s Navigation of the Curated Space and the Possible Contingent Connections as much as in the Objects being Curated; an Epistemic Construction therefore, that is obliquely but absolutely determined by Ontologically Unpredictable Exchanges.
MARTIJN PANTLIN
Introducing herri Search
off the record
UHURU PHALAFALA
Keorapetse Kgositsile & The Black Arts Movement Book Launch, Book Lounge, Cape Town Wednesday 24 April 2024.
PALESA MOKWENA
Lefifi Tladi - "invisible caring" or, seeing and being seen through a spiritual lens
CHRISTOPHER BALLANTINE
Edmund "Ntemi” Piliso Jazzing Through Defeat And Triumph: An Interview
DENIS-CONSTANT MARTIN
CHRIS McGREGOR (1936-1990): Searching for Form and Freedom
SHAUN JOHANNES
In Memoriam Clement Benny
VEIT ERLMANN
"Singing Brings Joy To The Distressed" The Social History Of Zulu Migrant Workers' Choral Competitions
SAM MATHE
Stimela Sase Zola
MARKO PHIRI
Majaivana's Odyssey
EZEKIEL MPHAHLELE
The Non-European Character in South African English Fiction
BASIAMI “CYNTHIA” WAGAFA
Hyper-Literary Fiction: The (meta)Poetics Of Digital Fragmentation – an interview with August Highland
feedback
DIANA FERRUS
Thursday 20 February, 2020
LWAZI LUSHABA
Saturday 4 April 2020
NJABULO NDEBELE
Sunday 5 December 2021
BEN WATSON
6 June 2023 20:50
FACEBOOK FEEDBACK
Facebook
herri_gram FEEDBACK
Instagram
the selektah
LERATO “Lavas” MLAMBO
Real human person – a mix by Lavas
SIEMON ALLEN & CHRIS ALBERTYN
Celebrating the genius of Ntemi Edmund Piliso: A mix-tape of twenty five tunes recorded on 78rpm shellac in 25 years – 1953 to 1968
ALEKSANDAR JEVTIĆ
Stone Unturned 18: The Static Cargo of Stars
PhD
WARRICK SWINNEY
Stick Fighting against extinction: end beginnings and other dada nihilismus polemics
hotlynx
HOTLYNX
hotlynx
shopping
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contributors
the back page
ELMI MULLER
Fugitive reflections on pain, death, and surgery
DICK TUINDER
Rob Schröder (13 November 1950 - 6 July 2024)
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    #10
  • frictions

KHADIJA TRACEY HEEGER

A Love Letter

For those who are in grief, those who fall, who crack open.

I really need to talk. I think of calling a friend. I imagine the excuse, “I’d really like to come but I have a million things to do.” That’s alright. But sometimes we shouldn’t bargain with the need of a friend. Sometimes it’s not convenient to be there for a friend. Sometimes we should just eat inconvenience, shove in with the rest of those magnificent self important little reasons we give not to be there. But instead we count our magnanimity and say, “I’m always there. But…”, one word to negate everything before it, that ‘but’. I try to be reasonable but my need is too great. Another ‘but’, my negation.

A million things race through my mind. You leaving, having to go. Another sudden uncontrollable exit, another issue to deal with. To me, it seems our relationship has consisted of this, issues to deal with one after the other. I can’t bear it. It seems unreal, unfair, stuck in a Salvador Dali painting, an unconsciousness that snuck its way through the backdoor of the conscious and faked its appearance as reality. I am dumbfounded. It is unbelievable.

My friend has died not three days ago. Mortality is a given and still my heart is waterlogged and drowning. Then there is me, I am writing fripperies, cauterised metaphors. I am dilating in the mess of words and emotions somersaulting, crashing in, flailing in the midst of something that does not quite resemble a storm, there is an order here. It’s demanding, uncomfortable, insisent with no map to show how, how to navigate the waters, the tempest. It has messages. I know this. Far-reaching dialogues to have with me, I want it but my lexicon fails me in this torrent. My lexicon is deficient, brutally ignorant. For this I cannot forgive myself. I am a writer after all, so they say. It’s a fucking joke.

I trip through the hours riding the inevitability of this fall. No I am not afraid of this fall. Falling is flying in the opposite direction. Don’t mistake my ranting for fear. I need this fall as much as any of you. It is direct speech from beyond. Now I rummage through my data preparing for the onslaught of another dig inside myself. I welcome it with the ravenous intent of a junkie. It doesn’t mean I’m not uncomfortable, isn’t that the nature of my previous analogy? A certain amount of discomfort and then, the spring, the taste of hope, a slight alteration in the scope of my vision, the tilt. Brain chemistry helter-skelter catching and releasing messages none of us can fathom, opening the synapses a little wider than what we call normal, entering a paranormal state. Here is the only dictionary that will do.

Psychological analysis is inadequate to describe this. It is a ‘magic’ beyond our reach. Nature knows.

So I will not call a friend. I will not say the words “I need”, just to hear the inevitable response is too busy to meet the need. I will fall in the opposite direction or fly in the opposite direction and see you on the other side. For now the ordinariness of life is impossible to find. Death makes this possible, that is its incredible gift, mortality.

Mortality stops us in our tracks. It has that ability yes. It shows us how to breathe, dark, cool, deep, bubbles into and out of our lungs at the precise moment someone we love has let theirs go for good. A body releases, a last breath re-calls.

Roberto you have gone but not been re-called. Ross you have gone and been re-called.

I remain. My breathlessness is many breaths away and my skin is still covering the otherness of me now. I am dancing with life, mating, grabbing, racing, stopping, still filled with molecules that thirst, drink, hunger, eat, lust, mate, love and break. Don’t imagine we are any different, you and I.

It doesn’t matter what we think we are, all the time we are this flesh, still hanging in this flesh, we speak the same body language. This flesh will be honoured in some way. It will. And it won’t always require your permission either. Don’t imagine we’re so different you and I. We’re the same. In this realisation we should find our peace.

And here is the kicker, we don’t. I smile at this mostly. It’s a cruel smile at times, devilish in the knowledge that you cannot outrun the flesh it has to release you. But it’s only cruel when you rely on the ignorance of your self-importance. You know the things religions the world over have made us believe about being human. Those things we think we need to believe to live. No not the presence of God/dess, but our importance above all species. Try not to think of this as so important, of yourself as so important. This thinking will free you to allow life and your time here to exist in its fullest potential. This is the irony of life. Self importance kills the experience. There is no honour in it, save an honour you will have to leave behind simply to discover it was the noose around your neck for too long. God’s intention, in my opinion, is simple: live. It’s the only sacred thing. It is the only altar I can pray at.

I will dream. I will hurt. I will love. I will hate. I will be uncomfortable. I will make love, have sex, lust, drink too much, say too much, sometimes. I will rip my own umbilical cord to shreds, hold fast to my convictions and then let them go one by one to prevent them from strangling me. Life will enable this if I let it. I will fight. I will surrender. I will need you and I won’t. I will know myself and I will often not like what I see. I will forgive in the way humans do without understanding the full extent. I will have pain and allow it to engulf me. I will be happy in equal measure to every single unhappy thing I experience. They are the sum of each other.

There is no finite identity. This is no comfort, it is insanity. None of it is important. It is important that we know this. We wear the garments of change all through our lives. Our memories of this phenomenon are often vague, precious little of this knowledge remains under the scope of the distribution of finite ideologies. Yes even religion with all its fancies about heaven and the after life is a finite propaganda. I include all books that attempt to propagate stories of God, new age, Jewish, Muslim, Christian…etc.

We have created a dense dependency for ourselves relying on an idea of God/dess that is foreign to us in its nature, in its tendency, in its potential. Because of this we end by never knowing ourselves, not even a little. We look in the wrong places, miss the little signs that happen all the time. We are insane.

What a remarkably indecipherable signature we have created in our absence from our presence in all things, and our absence from the presence of all these things in us. Self annihilation.

I am applying no science to this letter.
Yes let’s call it that. A love letter.
Perhaps.

You may discard whatever you like, all of it, none of it, enough of it to be comfortable, that is your right. I don’t want to be comfortable with this. I want to it to eat me and scramble my dialect, open my cupboards, unfasten my gathered information and let in the dissident and the ruthless. Who else will be as honest with me?

All my love,
Khadija

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